Fresco is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.
Masaccio, born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.
The Apostolic Palace is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace.
San Miniato al Monte is a basilica in Florence, central Italy, standing atop one of the highest points in the city. It has been described as one of the finest Romanesque structures in Tuscany and one of the most scenic churches in Italy. There is an adjoining Olivetan monastery, seen to the right of the basilica when ascending the stairs.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Pietro Annigoni, OMRI was an Italian artist, portrait painter, fresco painter and medallist, best known for his painted portraits of Queen Elizabeth II. His work was in the Renaissance tradition, contrasting with the modernist style that prevailed in his time.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Franz Mayer of Munich is a German stained glass design and manufacturing company, based in Munich, Germany and a major exponent of the Munich style of stained glass, that has been active throughout most of the world for over 170 years. The firm was popular during the late nineteenth and early twentieth century, and was the principal provider of stained glass to the large Roman Catholic churches that were constructed throughout the world during that period. Franz Mayer of Munich were stained glass artists to the Holy See and consequently were popular with Roman Catholic clients. The family business is nowadays managed by the fifth generation and works in conjunction with renowned artists around the world.
Sebastiano Ricci was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
The Episcopal Diocese of North Carolina is a diocese of the Episcopal Church within Province IV that encompasses central North Carolina. Founded in 1817, the modern boundaries of the diocese roughly correspond to the portion of North Carolina between I-77 in the west and I-95 in the east, including the most populous area of the state. Raleigh, Charlotte, Winston-Salem, Greensboro, and Durham are the largest cities in the diocese. The diocese originally covered the entirety of the state, until the Diocese of East Carolina which stretches to the Atlantic was formed in 1883, and the Diocese of Western North Carolina which lies to the west extending into the Appalachian Mountains was formed in 1922.
The Episcopal Diocese of Western North Carolina is a diocese in the Episcopal Church. It consists of 28 counties in western North Carolina and its episcopal see is in Asheville, North Carolina, seated at Cathedral of All Souls. The first recorded worship from the Book of Common Prayer west of the Catawba River was in 1786. Valle Crucis, where one of the two conference centers is located, began as a missionary outpost in 1842. In 1894, a resolution was adopted in the Convention of the Diocese of North Carolina that the Western part of the state be set aside and offered to the General Church as a Missionary District. The following year, in November 1895, the first Convention of the District of Asheville was held at Trinity Church in Asheville. In 1922, after all the requirements had been fulfilled, a petition from the Jurisdiction of Asheville to become the Diocese of Western North Carolina was presented at the General Convention of The Episcopal Church. It was accepted on September 12, 1922.
Biagio d’Antonio Tucci was an Italian Renaissance painter active in Florence, Faenza and Rome.
Holy Communion Episcopal Parish, located in Ashe County, North Carolina, is a small parish of the Episcopal Diocese of Western North Carolina. The parish consists of two small historic Carpenter Gothic churches that are both decorated with frescoes by painter Ben Long and his students. The two churches have become popular destinations for Christian pilgrims.
Richard Christian Wynne Fremantle(1 May 1936 – 13 November 2018) was an American art historian. The focus of most of his work is the early Florentine Renaissance, and in particular, the painter Masaccio.
Giotto di Bondone, known mononymously as Giotto and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".
Hobart Brown Upjohn (1876–1949) was an American architect, best known for designing a number of ecclesiastical and educational structures in New York and in North Carolina. He also designed a number of significant private homes. His firm produced a total of about 150 projects, a third of which were in North Carolina.
St. Peter’s Catholic Church is a Catholic parish church at 507 South Tryon Street in Charlotte, North Carolina. Established in 1851, it is the oldest Catholic church in Charlotte, and until 1940 was the only Catholic church in the city. St. Peter's was originally at the extreme southern limits of the city, but today it stands in the heart of uptown, across from the Mint Museum and Bechtler Museum of Modern Art and next to The Green. It is most likely the oldest surviving edifice on Tryon Street.
Johannes Adam Simon Oertel was a German-American Episcopal clergyman and artist.
Ethel Darline Guest was an African American women artist. She taught at South Mecklenburg High School in Charlotte, North Carolina.
