Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art, usually used of work produced in the 19th century, after the end of the Napoleonic Wars in 1815. In this period the standards of the French Académie des Beaux-Arts were very influential, combining elements of Neoclassicism and Romanticism, with Jean-Auguste-Dominique Ingres a key figure in the formation of the style in painting. Later painters who tried to continue the synthesis included William-Adolphe Bouguereau, Thomas Couture, and Hans Makart among many others. In this context it is often called "academism", "academicism", "art pompier" (pejoratively), and "eclecticism", and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal.
Alexandre Cabanel was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of L'art pompier, and was Napoleon III's preferred painter.
William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.
Nymphs and Satyr is an oil on canvas painting created by the French artist William-Adolphe Bouguereau in 1873.
Julie Bell is an American fine artist, illustrator, photographer, bodybuilder and wildlife painter. Bell is also a fantasy artist and a representative of the heroic fantasy and fantastic realism genres. Bell has won Chesley Awards and was the designer of the Dragons of Destiny series. She also won first place awards in the Art Renewal Center International Salon, which bestowed on her the title "ARC Living Master".
The Shepherdess, also known as The Little Shepherdess, is a painting by William-Adolphe Bouguereau completed in 1889. The title is taken from the Southern French dialect. The painting depicts an idyllic, pastoral scene of a lone young woman in peasant attire posed for the artist, balancing a stick across her shoulders, standing barefooted in the foreground. In the background are oxen grazing in a field.
Emanuel Phillips Fox was an Australian impressionist painter. After studying at the National Gallery of Victoria Art School in Melbourne, Fox travelled to Paris to study in 1886. He remained in Europe until 1892, when he returned to Melbourne and led what is considered the second phase of the Heidelberg School, an impressionist art movement which had grown in the city during his absence. He spent over a decade in Europe in the early 20th century before finally settling in Melbourne, where he died.
Venus Anadyomene is one of the iconic representations of the goddess Venus (Aphrodite), made famous in a much-admired painting by Apelles, now lost, but described in Pliny's Natural History, with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model. According to Athenaeus, the idea of Aphrodite rising from the sea was inspired by the courtesan Phryne, who, during the time of the festivals of the Eleusinia and Poseidonia, often swam nude in the sea. A scallop shell, often found in Venus Anadyomenes, is a symbol of the female vulva.
Mark Vallen is an American activist with Chicano and other issues, curator, figurative realist painter, and blogger, who runs the Art for a Change web site; he founded The Black Moon web site for Japanese culture.
An atelier is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision.
Elizabeth Jane Gardner Bouguereau was an American academic and salon painter, who was born in Exeter, New Hampshire. She was an American expatriate who died in Paris where she had lived most of her life. She studied in Paris under the figurative painter Hugues Merle (1823–1881), the well-known salon painter Jules Joseph Lefebvre (1836–1911), and finally under William-Adolphe Bouguereau (1825–1905). After Bouguereau's wife died, Gardner became his paramour and after the death of his mother, who bitterly opposed the union, she married him in 1896. She adopted his subjects, compositions, and even his smooth facture, channeling his style so successfully that some of her work might be mistaken for his. In fact, she was quoted as saying, "I know I am censured for not more boldly asserting my individuality, but I would rather be known as the best imitator of Bouguereau than be nobody!"
Bryan Lamont Larsen Jr. is an American realist painter, born in Salt Lake City, Utah on February 12, 1975.
Charles-Amable Lenoir was a French painter. Like his mentor, William-Adolphe Bouguereau, he was an academic painter and painted realistic portraits as well as mythological and religious scenes. His artistic career was so prestigious that he won the Prix de Rome twice and was awarded the Légion d'honneur.
Sara Wells Page (1855–1943) was a British artist, portrait and figurative painter, of the Victorian and Edwardian period. During her lifetime she was widely exhibited at Parisian salons and British galleries, including the Royal Academy of Arts. Three of her paintings are in Wolverhampton Art Gallery.
The Elder Sister is an oil-on-canvas painting created in 1869 by the French academic artist William-Adolphe Bouguereau. It was acquired in 1992 by the Museum of Fine Arts, Houston, as a gift. According to the museum website, the painting was the gift of an anonymous lady in memory of her father. Since then, The Elder Sister has been a part of the permanent collection of the museum and is placed in its "Arts of Europe" section. It has become one of the most notable highlights among the museum's collection of paintings.
Première rêverie, also known in English as Whisperings of Love, is a painting by nineteenth-century French artist William-Adolphe Bouguereau. The work was completed in 1889 and is held at the New Orleans Museum of Art.
Le Travail interrompu is a painting by nineteenth-century French painter William-Adolphe Bouguereau in 1891. The painting is currently held in the Mead Art Museum in Amherst, Massachusetts.
Émile Munier was a French academic artist and student of William-Adolphe Bouguereau.
The Virgin with Angels, also known as The Song of the Angels is an oil painting executed in 1881 by the French artist William-Adolphe Bouguereau. Its dimensions are 213.4 × 152.4 cm. It is now in the Forest Lawn Museum in Glendale, California.
The Oreads is an oil painting by the French artist William-Adolphe Bouguereau, painted in 1902. Its dimensions are 236 × 182 cm.
