A nymph is a minor female nature deity in ancient Greek folklore. Distinct from other Greek goddesses, nymphs are generally regarded as personifications of nature; they are typically tied to a specific place, landform, or tree, and are usually depicted as maidens. Because of their association with springs, they were often seen as having healing properties; other divine powers of the nymphs included divination and shapeshifting. Nymphs, like other goddesses, were immortal except for the Hamadryads, whose lives were bound to a specific tree.
In Greek mythology, a satyr, also known as a silenus or silenos, and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.
In Greek mythology, the Oceanids or Oceanides are the nymphs who were the three thousand daughters of the Titans Oceanus and Tethys.
In Greek mythology, Pitys was an Oread nymph who was pursued by Pan.
Pierre Auguste Cot was a French painter of the Academic Classicism school.
William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.
L'Amour et Psyché, enfants is an oil painting executed by the French painter William Adolphe Bouguereau in 1890. It is currently in a private collection. It was displayed in the Salon of Paris in 1890, the year Bouguereau was President of the Société des Artistes Français. The painting features Greek mythological figures Eros and Psyché, sharing an embrace and kiss. Bouguereau was a classical-style painter in the Neoclassical era of art. The painting is characterized by the frothy background the figures delicately stand on. It depicts the beginning of the forbidden romance of Cupid and Psyche, a popular subject at the time of execution.
The Birth of Venus is one of the most famous paintings by 19th-century painter William-Adolphe Bouguereau. It depicts not the actual birth of Venus from the sea, but her transportation in a shell as a fully mature woman from the sea to Paphos in Cyprus. She is considered the epitome of the Classical Greek and Roman ideal of the female form and beauty, on par with Venus de Milo.
The Shepherdess, also known as The Little Shepherdess, is a painting by William-Adolphe Bouguereau completed in 1889. The title is taken from the Southern French dialect. The painting depicts an idyllic, pastoral scene of a lone young woman in peasant attire posed for the artist, balancing a stick across her shoulders, standing barefooted in the foreground. In the background are oxen grazing in a field.
The Young Shepherdess is an 1885 painting by the French painter William-Adolphe Bouguereau (1825–1905). It is owned by the San Diego Museum of Art.
The Art Renewal Center (ARC) is a non-profit, educational organization, which hosts an online museum dedicated to realist art. The ARC was founded by New Jersey businessman, author, and art collector Fred Ross.
Charles-Amable Lenoir was a French painter. Like his mentor, William-Adolphe Bouguereau, he was an academic painter and painted realistic portraits as well as mythological and religious scenes. His artistic career was so prestigious that he won the Prix de Rome twice and was awarded the Légion d'honneur.
Hugues Merle (1822–1881) was a French painter who mostly depicted sentimental or moral subjects. He has often been compared to William-Adolphe Bouguereau.
Première rêverie, also known in English as Whisperings of Love, is a painting by nineteenth-century French artist William-Adolphe Bouguereau. The work was completed in 1889 and is held at the New Orleans Museum of Art.
Jupiter and Antiope is an oil painting by the French artist Antoine Watteau. It is also known as the Satyr and the Sleeping Nymph and was probably painted between 1714 and 1719. Intended to be placed over a doorway, today it hangs in the Musée du Louvre in Paris.
The Virgin with Angels, also known as The Song of the Angels is an oil painting executed in 1881 by the French artist William-Adolphe Bouguereau. Its dimensions are 213.4 × 152.4 cm. It is now in the Forest Lawn Museum in Glendale, California.
The Oreads is an oil painting by the French artist William-Adolphe Bouguereau, painted in 1902. Its dimensions are 236 × 182 cm.
The Omni Berkshire Place hotel is located at 21 East 52nd Street, near Madison Avenue, in Midtown Manhattan in New York City. It is owned and operated by Omni Hotels & Resorts. The hotel was also inducted into Historic Hotels of America, the official program of the National Trust for Historic Preservation, in 2010.
Flora and Zephyr is a 1875 oil-on-canvas painting by the French artist William-Adolphe Bouguereau. It is one of the most famous paintings of the Musée des Beaux-Arts of Mulhouse, France. Its inventory number is D.75.1.50.
Nymph and Satyr is an oil on canvas painting by French painter Alexandre Cabanel, made in 1860. It is owned by the Musée d'Orsay, in Paris, but it is on loan in the Palais des Beaux-Arts de Lille.
