A nymph, sometimes spelled nymphe, in ancient Greek folklore is a minor female nature deity. Different from Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were not necessarily immortal, but lived much longer than human beings.
In Greek mythology, a satyr, also known as a silenus or silenos, is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.
Pierre Auguste Cot was a French painter of the Academic Classicism school.
Alexandre Cabanel was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of L'art pompier, and was Napoleon III's preferred painter.
William-Adolphe Bouguereau was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.
The Return of Spring is a painting by William-Adolphe Bouguereau created in 1886. It is among the more well-known of his works. It is currently in the collection of the Joslyn Art Museum in Omaha, Nebraska, and was acquired in 1951 as the gift of Francis T. B. Martin. The painting was brought to Omaha shortly after it was completed by George W. Lininger. Lininger was an art collector and private gallery owner who routinely opened his gallery to the public for no charge.
Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum on Mosley Street in Manchester city centre, England. The main gallery premises were built for a learned society in 1823 and today its collection occupies three connected buildings, two of which were designed by Sir Charles Barry. Both of Barry's buildings are listed. The building that links them was designed by Hopkins Architects following an architectural design competition managed by RIBA Competitions. It opened in 2002 following a major renovation and expansion project undertaken by the art gallery.
The Sterling and Francine Clark Art Institute, commonly referred to as the Clark, is an art museum and research institution located in Williamstown, Massachusetts, United States. Its collection consists of European and American paintings, sculpture, prints, drawings, photographs, and decorative arts from the fourteenth to the early twentieth century. The Clark, along with the Massachusetts Museum of Contemporary Art and the Williams College Museum of Art (WCMA), forms a trio of art museums in the Berkshires. The institute also serves as a center for research and higher learning. It is home to various research and academic programs, which include the Fellowship Program and the Williams College Graduate Program in the History of Art, as well as one of the most distinguished research libraries in the country, with more than 295,000 volumes in over 72 languages. The Clark is visited by 200,000 people a year.
The Birth of Venus is one of the most famous paintings by 19th-century painter William-Adolphe Bouguereau. It depicts not the actual birth of Venus from the sea, but her transportation in a shell as a fully mature woman from the sea to Paphos in Cyprus. She is considered the epitome of the Classical Greek and Roman ideal of the female form and beauty, on par with Venus de Milo.
The Shepherdess, also known as The Little Shepherdess, is a painting by William-Adolphe Bouguereau completed in 1889. The title is taken from the Southern French dialect. The painting depicts an idyllic, pastoral scene of a lone young woman in peasant attire posed for the artist, balancing a stick across her shoulders, standing barefooted in the foreground. In the background are oxen grazing in a field.
Elizabeth Jane Gardner Bouguereau was an American academic and salon painter, who was born in Exeter, New Hampshire. She was an American expatriate who died in Paris where she had lived most of her life. She studied in Paris under the figurative painter Hugues Merle (1823–1881), the well-known salon painter Jules Joseph Lefebvre (1836–1911), and finally under William-Adolphe Bouguereau (1825–1905). After Bouguereau's wife died, Gardner became his paramour and after the death of his mother, who bitterly opposed the union, she married him in 1896. She adopted his subjects, compositions, and even his smooth facture, channeling his style so successfully that some of her work might be mistaken for his. In fact, she was quoted as saying, "I know I am censured for not more boldly asserting my individuality, but I would rather be known as the best imitator of Bouguereau than be nobody!"
The Young Shepherdess is an 1885 painting by William-Adolphe Bouguereau (1825–1905). It is owned by the San Diego Museum of Art.
The Art Renewal Center (ARC) is a non-profit, educational organization, which hosts an online museum dedicated to realist art. The ARC was founded by New Jersey businessman, author, and art collector Fred Ross.
Charles-Amable Lenoir was a French painter. Like his mentor, William-Adolphe Bouguereau, he was an academic painter and painted realistic portraits as well as mythological and religious scenes. His artistic career was so prestigious that he won the Prix de Rome twice and was awarded the Légion d'honneur.
The Elder Sister is an oil-on-canvas painting created in 1869 by the French academic artist William-Adolphe Bouguereau. It was acquired in 1992 by the Museum of Fine Arts, Houston, as a gift. According to the museum website, the painting was the gift of an anonymous lady in memory of her father. Since then, The Elder Sister has been a part of the permanent collection of the museum and is placed in its "Arts of Europe" section. It has become one of the most notable highlights among the museum's collection of paintings.
Première rêverie, also known in English as Whisperings of Love, is a painting by nineteenth-century French artist William-Adolphe Bouguereau. The work was completed in 1889 and is held at the New Orleans Museum of Art.
Émile Munier was a French academic artist and student of William-Adolphe Bouguereau.
The Pardo Venus is a painting by the Venetian artist Titian, completed in 1551 and now in the Louvre Museum. It is also known as Jupiter and Antiope, since it seems to show the story of Jupiter and Antiope from Book VI of the Metamorphoses. It is Titian's largest mythological painting, and was the first major mythological painting produced by the artist for Philip II of Spain. It was long kept in the Royal Palace of El Pardo near Madrid, hence its usual name; whether Venus is actually represented is uncertain. It later belonged to the English and French royal collections.
The Virgin with Angels, also known as The Song of the Angels is an oil painting executed in 1881 by the French artist William-Adolphe Bouguereau. Its dimensions are 213.4 × 152.4 cm. It is now in the Forest Lawn Museum in Glendale, California.
The Oreads is an oil painting by the French artist William-Adolphe Bouguereau, painted in 1902. Its dimensions are 236 × 182 cm.
