Benedicte Maurseth | |
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Background information | |
Born | Eidfjord, Hardanger | 7 February 1983
Origin | Norway |
Genres | Traditional |
Occupation(s) | Musician |
Instruments |
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Website | www |
Benedicte Maurseth (born 7 February 1983) is a Norwegian traditional folk singer and musician. [1]
Maurseth picked up the fiddle at the age seven, and studied with Knut Hamre. In addition to studies at the University of Bergen (minor in art history) she attended the Ole Bull Academy at Voss in the period 2004–06. [1] She immersed herself in the baroque instrument viola d'amore next to her main instrument Hardanger fiddle. Maurseth is also a kveder and currently works as a freelance musician based in Bergen. Since 2005 she has had extensive concert activities nationally and internationally (including in USA, Canada, India, Tyskland, Belgia and in Island), both as a solo artist and in collaborations. In Germany she played at TFF Rudolstadt in 2010 and at the 'folkBALTICA' 2011. [1] [2]
Together with Knut Hamre, Nils Økland and Sigbjørn Apeland, Maurseth released the album Rosa I Botnen in 2006, a production with traditional music from Hardanger, performed on fiddles from the 1600s and 1700s. This is the oldest Hardanger fiddles that are preserved, and was recorded for the first time. In 2008, Maurseth together with Berit Opheim, Åsne Valland Norli and Kristin Skaare, released the album Fodnes, which was based on folk music from Hardanger collected by Geirr Tveitt. In 2009 she composed new music for a theater version of Jon Fosse lyrics, Andvake, and she performed on stage together with actor Svein Tindberg. Her music from this underlie the first solo record Alde (2010). She has also on several occasions acted together with Jon Fosse himself. [3] Together with Gabriel Fliflet, Stein Urheim, Kristoffer Voght and Per Jørgensen she released the album Åresong in 2011, performing lyrics by Jon Fosse. Åresong was a commissioned works at the Bergen International Festival in 2010. [4]
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A Hardanger fiddle is a traditional stringed instrument considered to be the national instrument of Norway. In modern designs, this type of fiddle is very similar to the violin, though with eight or nine strings and thinner wood. The earliest known example of the hardingfele is from 1651, made by Ole Jonsen Jaastad in Hardanger, Norway. Originally, the instrument had a rounder, narrower body. Around the year 1850, the modern layout with a body much like the violin became the norm.
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