Sources
- Jeanroy, Alfred (1934). La poésie lyrique des troubadours. Toulouse: Privat.
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Berengier Trobel or Berenguier Trobel (fl. 1275) was a troubadour and bourgeois from Rodez. He wrote two surviving cansos . Outside of his own poetry and the chansonniers that contain it he is known from only two documents of Rodez, both of which he witnessed in 1275.
One of his cansos is an attack on love. The other is about the dues of true love.
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A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female equivalent is usually called a trobairitz.
Peire Cardenal was a troubadour known for his satirical sirventes and his dislike of the clergy. Ninety-six pieces of his remain, a number rarely matched by other poets of the age.
Rigaut de Berbezilh was a troubadour of the petty nobility of Saintonge. He was a great influence on the Sicilian School and is quoted in the Roman de la Rose. About fifteen of his poems survive, including one planh and nine or ten cansos. His name is sometimes given as Richart or Richartz.
Jofre de Foixà was a troubadour from Foixà in the Empordà, the second son of Bernard of Foixà.
Peirol or Peiròl was an Auvergnat troubadour who wrote mostly cansos of courtly love in the late twelfth and early thirteenth centuries. Thirty-four surviving poems written in Occitan have been attributed to him; of these, seventeen have surviving melodies. He is sometimes called Peirol d'Auvergne or Peiròl d'Auvèrnha, and erroneously Pierol.
Peire d'Alvernhe or d'Alvernha was an Auvergnat troubadour with twenty-one or twenty-four surviving works. He composed in an "esoteric" and "formally complex" style known as the trobar clus. He stands out as the earliest troubadour mentioned by name in Dante's Divine Comedy and De vulgari eloquentia.
Uc de Saint Circ or Hugues (Hugh) de Saint Circq was a troubadour from Quercy. Uc is perhaps most significant to modern historians as the probable author of several vidas and razos of other troubadours, though only one of Bernart de Ventadorn exists under his name. Forty-four of his songs, including fifteen cansos and only three canso melodies, have survived, along with a didactic manual entitled Ensenhamen d'onor. According to William E. Burgwinkle, as "poet, biographer, literary historian, and mythographer, Uc must be accorded his rightful place as the 'inventor' (trobador) of 'troubadour poetry' and the idealogical trappings with which it came to be associated."
Gui d'Ussel, d'Ussèl, or d'Uisel was a troubadour from the Limousin. Twenty of his poems survive: eight cansos, two pastorelas, two coblas, and eight tensos, several with his relatives and including a partimen with Maria de Ventadorn. Four of his cansos melodies remain.
Daude, Deude, Daurde, or Daudé de Pradas was a troubadour from Prades-Salars in the Rouergue not far from Rodez. He lived to an old age and left behind seventeen to nineteen cansos, including twelve on courtly love, three about sexual conquest, one tenso, one planh, and a religious song. Only one melody of his entire oeuvre has survived.
Henry II, of the House of Millau, was the Count of Rodez and Viscount of Carlat from 1274 until his death. He was the son of Hugh IV of Rodez and Isabeau de Roquefeuil.
Giraut or Guiraut de Calanso or Calanson was a Gascon troubadour in the Occitan language. Of his lyric works that remain five are cansos, two descorts, a congé, a planh, and a vers. He also wrote a mock ensenhamen entitled Fadet juglar.
Bernat or Bernart d'Auriac was a minor troubadour notable mainly for initiating a cycle of five short sirventes in the summer of 1285. According to a rubric of the chansonnier in which the cycle is preserved, Bernart was a mayestre de Bezers.
Folquet de Lunel was a troubadour from Lunel in the Languedoc. He left behind nine recorded lyric poems, including five cansos, two partimens, and two sirventes. He also wrote one longer work, the Romans de mondana vida. Folquet's birth date can be known precisely because he tells us in his Romans, written in 1284, that he was forty years old at the time.
Hugh IV, of the House of Millau, was the Count of Rodez and Viscount of Carlat and Creyssel from 1221 until his death. He was the son of Henry I of Rodez and Algayette of Scorailles.
Bertran Carbonel was a Provençal troubadour from Marseille. He is a polarising figure among scholars and his reputation varies between authorities. Eighteen of his lyric works survive, as well as seventy-two or ninety-four (Riquer) single coblas triadas esparsas on "edifying" themes. He was patronised at the court of Hugh IV and Henry II of Rodez.
Uc de la Bacalaria was a Limousin troubadour from La Bachellerie near Uzerche, the home town of Gaucelm Faidit. According to his vida, he was a jongleur who travelled infrequently and was hardly known. He composed cansos, tensos, one alba, and one descort. Six songs are surviving: one canso, one alba, and four tensos. According to the vida, he was courtly, capable, and learned.
Bernart de Venzac was an obscure troubadour from Venzac near Rodez in the Rouergue. He wrote in the Marcabrunian style, leaving behind five moralising pieces and one religious alba. Two of his works were confused by copyists with those of Marcabru in some manuscripts.
Guilhem Ademar was a troubadour from the Gévaudan in France. He travelled between the courts of Albi, Toulouse, Narbonne, and Spain. He achieved fame enough during his life to be satirised by the nobleman and monk, Monge de Montaudon. Guilhem entered holy orders towards the end of his life. Sixteen poems—fourteen cansos, a sirventes, and a partimen with Eble d'Ussel—form his surviving corpus. His cansos are his most famous pieces. Usually humorous, several mock the poetry of Ademar's more illustrious contemporary Arnaut Daniel. One canso survives with a tune.
There were three troubadours named Isarn or Izarn, and who are difficult to distinguish completely today. The first has no surname and composed two partimens with Rofian around 1240. He has been confounded with the inquisitor Isarn.
Raimon de Castelnou was an Occitan writer and troubadour of the second half of the 13th century. He wrote five cansos and one treatise on Catholic doctrine and ethics. There is a sirventes attributed to him in some manuscripts, but its attribution is disputed.