My Fair Lady is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story, based on the 1938 film adaptation of George Bernard Shaw's 1913 play Pygmalion, concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady. Despite his cynical nature and difficulty understanding women, Higgins grows attached to her.
The Threepenny Opera is a German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, contribution Hauptmann might have made to the text, Brecht is usually listed as sole author.
Kurt Julian Weill was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, The Threepenny Opera, which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943.
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
Lotte Lenya was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in The Roman Spring of Mrs. Stone (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963).
Marcus Samuel Blitzstein, was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro-union musical The Cradle Will Rock, directed by Orson Welles, was shut down by the Works Progress Administration. He is known for The Cradle Will Rock and for his off-Broadway translation/adaptation of The Threepenny Opera by Bertolt Brecht and Kurt Weill. His works also include the opera Regina, an adaptation of Lillian Hellman's play The Little Foxes; the Broadway musical Juno, based on Seán O'Casey's play Juno and the Paycock; and No for an Answer. He completed translation/adaptations of Brecht's and Weill's musical play Rise and Fall of the City of Mahagonny and of Brecht's play Mother Courage and Her Children with music by Paul Dessau. Blitzstein also composed music for films, such as Surf and Seaweed (1931) and The Spanish Earth (1937), and he contributed two songs to the original 1960 production of Hellman's play Toys in the Attic.
Alfred Fox Uhry is an American playwright and screenwriter. He has received an Academy Award, two Tony Awards and the 1988 Pulitzer Prize for dramatic writing for Driving Miss Daisy. He is a member of the Fellowship of Southern Writers.
Lucille Lortel was an American actress, artistic director, and theatrical producer. In the course of her career Lortel produced or co-produced nearly 500 plays, five of which were nominated for Tony Awards: As Is by William M. Hoffman, Angels Fall by Lanford Wilson, Blood Knot by Athol Fugard, Mbongeni Ngema's Sarafina!, and A Walk in the Woods by Lee Blessing. She also produced Marc Blitzstein's adaptation of Bertolt Brecht and Kurt Weill's Threepenny Opera, a production which ran for seven years and according to The New York Times "caused such a sensation that it...put Off-Broadway on the map."
A Kurt Weill Cabaret was a Broadway and off-Broadway production featuring the music of Kurt Weill. A precursor, The World of Kurt Weill in Song, opened off-Broadway at One Sheridan Square in the West Village on June 6, 1963, starring Will Holt and Martha Schlamme. In 1979, it was revised as A Kurt Weill Cabaret and opened at the Bijou Theater on Broadway, with Alvin Epstein and Martha Schlamme and ran for 72 performances. The Harold Clurman Theatre showed it in 1984.
Happy End is a three-act musical comedy by Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht which first opened in Berlin at the Theater am Schiffbauerdamm on September 2, 1929. It closed after seven performances. In 1977 it premiered on Broadway, where it ran for 75 performances.
Georgia Brown was an English singer and actress.
As Thousands Cheer is a revue with a book by Moss Hart and music and lyrics by Irving Berlin, first performed in 1933. The revue contained satirical sketches and witty or poignant musical numbers, several of which became standards, including "Heat Wave", "Easter Parade" and "Harlem on my Mind". The sketches were loosely based on the news and the lives and affairs of the rich and famous, as well as other prominent personalities of the day, such as Joan Crawford, John D. Rockefeller Jr., Noël Coward, Josephine Baker, and Aimee Semple McPherson.
LoveMusik is a musical written by Alfred Uhry, using a selection of music by Kurt Weill. The story explores the romance and lives of Kurt Weill and Lotte Lenya, based on Speak Low : The Letters of Kurt Weill and Lotte Lenya, edited and translated by Lys Symonette and Kim H. Kowalke. Harold Prince had read Speak Low and suggested the idea for a musical to Uhry. Uhry and Prince worked on LoveMusik for four years to develop it into a stage work. The story spans over 25 years, from the first meeting of Lenya and Weill as struggling young artists, to their popularity in Europe and America, to Weill's death from a heart attack at age 50.
The Irish Repertory Theatre is an Off Broadway theatre founded in 1988.
The Threepenny Opera is a 1931 German musical film directed by G. W. Pabst. Produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG (Tobis), Berlin and Warner Bros. Pictures GmbH, Berlin, the film is loosely based on the 1928 musical theatre success of the same name by Bertolt Brecht and Kurt Weill. As was usual in the early sound film era, Pabst also directed a French language version of the film, L'Opéra de quat'sous, with some variation of plot details. A planned English version went unproduced. The two existing versions were released on home video by The Criterion Collection.
Brent Barrett is an American actor and tenor who is mostly known for his work within American theatre. Barrett has performed in musicals and in concerts with theatres, symphony orchestras, opera houses, and concert halls internationally. He starred in the original production of Maltby and Shire's hit Off-Broadway musical Closer Than Ever in 1989 and the 2001 West End revival of Cole Porter's Kiss Me, Kate. He has also appeared sporadically on television and in films.
KT Sullivan is an American singer and actress known for her performances in cabaret and musical theatre.
20th Century Blues is a live 1996 album by English singer Marianne Faithfull, in collaboration with pianist Paul Trueblood.
Lost Musicals is a British musical theatre project established in 1989 by Ian Marshall Fisher. It is dedicated to presenting lost or forgotten musicals by famous American writers, and has been responsible for the first revivals of the lesser-known works of writers such as Stephen Sondheim, Cole Porter, Alan Jay Lerner, Richard Rodgers, Oscar Hammerstein II, Harold Arlen and Jerome Kern.
André Previn and J. J. Johnson is an album by pianist André Previn and trombonist J. J. Johnson performing Kurt Weill's compositions which was released on the Columbia label.
