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Berys Gaut is an author and Professor of Philosophy at the University of St Andrews. [1] He writes on aesthetics, creativity, philosophy of film, and ethics. [2] He was president of the British Society of Aesthetics until 2018. [3]
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Berys Gaut is an author and Professor of Philosophy at the University of St Andrews. [1] He writes on aesthetics, creativity, philosophy of film, and ethics. [2] He was president of the British Society of Aesthetics until 2018. [3]
Gaut has written two monographs, numerous articles in peer-reviewed journals, contributed many chapters to edited volumes and edited several books. In Art, Emotion and Ethics (2007) he explores the connection between aesthetics and ethics. [4] In A Philosophy of Cinematic Art (2010) many of his previously published papers on cinema are collected. [5] He has edited several books including The Routledge Companion to Aesthetics, together with Dominic McIver Lopes (first edition 2001), The Creation of Art: New Essays in Philosophical Aesthetics, together with Paisley Livingston (2003) and Creativity and Philosophy, together with Matthew Kieran (2018). He has co-authored Philosophy for Young Children: A Practical Guide (2011) with primary school teacher Morag Gaut. [6]
Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste; and functions as the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgements of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment of music. The origin of this philosophic shift is sometimes attributed to Baumgarten in the 18th century, followed by Kant.
Gregory Paul Currie FAHA is a British philosopher and academic, known for his work on philosophical aesthetics and the philosophy of mind. Currie is Professor of Philosophy at the University of York and Executive Editor of Mind & Language.
Christopher Janaway is a philosopher and author. He earned degrees from the University of Oxford. Before moving to Southampton in 2005, Janaway taught at the University of Sydney and Birkbeck, University of London. His recent research has been on Arthur Schopenhauer, Friedrich Nietzsche and aesthetics. His 2007 book Beyond Selflessness: Reading Nietzsche's Genealogy focuses on a critical examination of Nietzsche's On the Genealogy of Morals. Janaway currently lectures at the University of Southampton, which in the past has included a module focusing on Nietzsche's Genealogy. That module is now convened by Janaway's colleague, Aaron Ridley.
Kathleen Marie Higgins is an American Professor of Philosophy at the University of Texas at Austin where she has been teaching for over thirty years. She specializes in aesthetics, philosophy of music, nineteenth and twentieth-century continental philosophy, and philosophy of emotion.
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since the 1980s.
R. Jay Wallace is Distinguished Professor of Philosophy and William and Trudy Ausfahl Chair at the University of California, Berkeley. His areas of specialization include moral philosophy and philosophy of action. He is most noted for his work on practical reason, moral psychology, and meta-ethics.
Espen Hammer is Professor of Philosophy at Temple University. Focusing on modern European thought from Kant and Hegel to Adorno and Heidegger, Hammer’s research includes critical theory, Wittgenstein and ordinary language philosophy, phenomenology, German idealism, social and political theory, and aesthetics. He has also written widely on the philosophy of literature and taken a special interest in the question of temporality.
Noël Carroll is an American philosopher considered to be one of the leading figures in contemporary philosophy of art. Although Carroll is best known for his work in the philosophy of film, he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history. As of 2012, he is a distinguished professor of philosophy at the CUNY Graduate Center.
David Edward Cooper is Emeritus Professor of Philosophy at Durham University.
Arindam Chakrabarti is, currently, a visiting professor of philosophy at Ashoka University, India. He is, also, a professor of philosophy at Stony Brook University, where he has been since 2018. Prior to moving to Stony Brook, Chakrabarti taught at the University of Hawaii, where he was the director of the EPOCH Project.
David William Brown is an Anglican priest and British scholar of philosophy, theology, religion, and the arts. He taught at the universities of Oxford, Durham, and St. Andrews before retiring in 2015. He is well-known for his "non-punitive theory of purgatory, his defense of specific versions of social Trinitarianism and kenotic Christology, his distinctive theory of divine revelation as mediated fallibly through both tradition and imagination, and his proposals regarding a pervasive sacramentality discerned in nature and human culture alike."
Alice Crary is an American philosopher who currently holds the positions of University Distinguished Professor at the Graduate Faculty, The New School for Social Research in New York City and Visiting Fellow at Regent's Park College, University of Oxford, U.K..
A theory of art is intended to contrast with a definition of art. Traditionally, definitions are composed of necessary and sufficient conditions and a single counterexample overthrows such a definition. Theorizing about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity. In fact, the intent behind a theory of art is to treat art as a natural phenomenon that should be investigated like any other. The question of whether one can speak of a theory of art without employing a concept of art is also discussed below.
Patricia Greenspan is a professor of philosophy at the University of Maryland, College Park. Greenspan works in analytic philosophy of action, and is known for work on rationality, morality, and emotion that helped to create a place for emotion in philosophy of action and ethics.
Garrett Michael Cullity is an Australian philosopher and Professor of Philosophy at Australian National University. He was Hughes Professor of Philosophy at the University of Adelaide between 2007 and 2020. He is known for his research on moral philosophy. Cullity is a Fellow of Australian Academy of the Social Sciences and Australian Academy of the Humanities, and a former president of Australasian Association of Philosophy (2012-2013).
Gordon Graham is Chair of the Edinburgh Sacred Arts Foundation, Emeritus Professor of Philosophy and the Arts at Princeton Theological Seminary in the USA, and a Fellow of the Royal Society of Edinburgh, Scotland's premier academy of science and letters.
Murray Smith is a film theorist and philosopher of art based at the University of Kent, where he is Professor of Philosophy, Art, and Film and co-director of the Aesthetics Research Centre. He is the author of three books and numerous articles on film and aesthetics, and the co-editor of three collections of essays. He was President of the Society for Cognitive Studies of the Moving Image from 2014 to 2017, and has served on the editorial boards of Screen, Cinema Journal, the British Journal of Aesthetics, Projections and Series. He has held a Leverhulme Research Fellowship (2005–6), and a Laurance S Rockefeller Fellowship at Princeton University’s Centre for Human Values (2017–18). He delivered a Kracauer Lecture in 2014 at the Goethe University Frankfurt, the inaugural Beacon Institute lecture in 2015, and the Beardsley Lecture in 2018, sponsored by Temple University at the Barnes Foundation.
Paul Christopher Taylor is an American philosopher, author, and W. Alton Jones Professor of Philosophy at Vanderbilt University. Previously he taught philosophy and African American studies at Pennsylvania State University. He writes on race theory, aesthetics, pragmatism, social and political philosophy, and Africana philosophy.
Matthew Kieran is a British philosopher and was Professor of Philosophy and the Arts at the University of Leeds. He is known for his works on aesthetics.
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