Perception is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system. Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves.
In the philosophy of mind, neuroscience, and cognitive science, a mental image is an experience that, on most occasions, significantly resembles the experience of "perceiving" some object, event, or scene but occurs when the relevant object, event, or scene is not actually present to the senses. There are sometimes episodes, particularly on falling asleep and waking up, when the mental imagery may be dynamic, phantasmagoric, and involuntary in character, repeatedly presenting identifiable objects or actions, spilling over from waking events, or defying perception, presenting a kaleidoscopic field, in which no distinct object can be discerned. Mental imagery can sometimes produce the same effects as would be produced by the behavior or experience imagined.
The consciousness and binding problem is the problem of how objects, background, and abstract or emotional features are combined into a single experience.
Neuroesthetics is a relatively recent sub-discipline of applied aesthetics. Empirical aesthetics takes a scientific approach to the study of aesthetic experience of art, music, or any object that can give rise to aesthetic judgments. Neuroesthetics is a term coined by Semir Zeki in 1999 and received its formal definition in 2002 as the scientific study of the neural bases for the contemplation and creation of a work of art. Anthropologists and evolutionary biologists alike have accumulated evidence suggesting that human interest in, and creation of, art evolved as an evolutionarily necessary mechanism for survival as early as the 9th and 10th century in Gregorian monks and Native Americans. Neuroesthetics uses neuroscience to explain and understand the aesthetic experiences at the neurological level. The topic attracts scholars from many disciplines including neuroscientists, art historians, artists, art therapists and psychologists.
The Ehrenstein illusion is an optical illusion of brightness or colour perception. The visual phenomena was studied by the German psychologist Walter H. Ehrenstein (1899–1961) who originally wanted to modify the theory behind the Hermann grid illusion. In the discovery of the optical illusion, Ehrenstein found that grating patterns of straight lines that stop at a certain point appear to have a brighter centre, compared to the background.
Christopher Donald Frith FRS, FMedSci, FBA, FAAAS is a British psychologist and professor emeritus at the Wellcome Centre for Neuroimaging at University College London. He is also an affiliated research worker at the Interacting Minds Centre at Aarhus University, an honorary Research Fellow at the Institute of Philosophy and a Quondam Fellow of All Souls College, Oxford.
Fixation or visual fixation is the maintaining of the gaze on a single location. An animal can exhibit visual fixation if it possess a fovea in the anatomy of their eye. The fovea is typically located at the center of the retina and is the point of clearest vision. The species in which fixational eye movement has been verified thus far include humans, primates, cats, rabbits, turtles, salamanders, and owls. Regular eye movement alternates between saccades and visual fixations, the notable exception being in smooth pursuit, controlled by a different neural substrate that appears to have developed for hunting prey. The term "fixation" can either be used to refer to the point in time and space of focus or the act of fixating. Fixation, in the act of fixating, is the point between any two saccades, during which the eyes are relatively stationary and virtually all visual input occurs. In the absence of retinal jitter, a laboratory condition known as retinal stabilization, perceptions tend to rapidly fade away. To maintain visibility, the nervous system carries out a procedure called fixational eye movement, which continuously stimulates neurons in the early visual areas of the brain responding to transient stimuli. There are three categories of fixational eye movement: microsaccades, ocular drifts, and ocular microtremor. At small amplitudes the boundaries between categories become unclear, particularly between drift and tremor.
The neural correlates of consciousness (NCC) are the minimal set of neuronal events and mechanisms sufficient for the occurrence of the mental states to which they are related. Neuroscientists use empirical approaches to discover neural correlates of subjective phenomena; that is, neural changes which necessarily and regularly correlate with a specific experience. The set should be minimal because, under the materialist assumption that the brain is sufficient to give rise to any given conscious experience, the question is which of its components are necessary to produce it.
Some of the research that is conducted in the field of psychology is more "fundamental" than the research conducted in the applied psychological disciplines, and does not necessarily have a direct application. The subdisciplines within psychology that can be thought to reflect a basic-science orientation include biological psychology, cognitive psychology, neuropsychology, and so on. Research in these subdisciplines is characterized by methodological rigor. The concern of psychology as a basic science is in understanding the laws and processes that underlie behavior, cognition, and emotion. Psychology as a basic science provides a foundation for applied psychology. Applied psychology, by contrast, involves the application of psychological principles and theories yielded up by the basic psychological sciences; these applications are aimed at overcoming problems or promoting well-being in areas such as mental and physical health and education.
Cognitive musicology is a branch of cognitive science concerned with computationally modeling musical knowledge with the goal of understanding both music and cognition.
The Troland Research Awards are an annual prize given by the United States National Academy of Sciences to two researchers in recognition of psychological research on the relationship between consciousness and the physical world. The areas where these award funds are to be spent include but are not limited to areas of experimental psychology, the topics of sensation, perception, motivation, emotion, learning, memory, cognition, language, and action. The award preference is given to experimental work with a quantitative approach or experimental research seeking physiological explanations.
William Thomas Newsome is a neuroscientist at Stanford University who works to "understand the neuronal processes that mediate visual perception and visually guided behavior." He is a member of the National Academy of Sciences.
Consciousness after death is a common theme in society and culture, and the belief in some form of life after death is a feature of many religions. However, scientific research has established that the physiological functioning of the brain, the cessation of which defines brain death, is closely connected to mental states.
Visual masking is a phenomenon of visual perception. It occurs when the visibility of one image, called a target, is reduced by the presence of another image, called a mask. The target might be invisible or appear to have reduced contrast or lightness. There are three different timing arrangements for masking: forward masking, backward masking, and simultaneous masking. In forward masking, the mask precedes the target. In backward masking the mask follows the target. In simultaneous masking, the mask and target are shown together. There are two different spatial arrangements for masking: pattern masking and metacontrast. Pattern masking occurs when the target and mask locations overlap. Metacontrast masking occurs when the mask does not overlap with the target location.
The flashed face distortion effect is a visual illusion involving the fast-paced presentation of eye-aligned faces. Faces appear grotesquely transformed while the viewer focuses on the cross midway between them. As with many scientific discoveries, the phenomenon was first observed by chance. The effect has been applied to Hollywood celebrities, and won 2nd Place in the 8th Annual Best Illusion of the Year Contest held in 2012 under the aegis of the Vision Sciences Society. The phenomenon, which has gone viral on YouTube, also represents an example of scientific phenomenology which outstrips neurological theory. According to Susanna Martinez-Conde, president of the Neural Correlate Society, which hosts the competition:
These are the best illusions of the year, so they’re very new by definition. You’re going to know the phenomenology first, and the neural underpinnings second. Typically, we don’t know why these illusions work in the brain. We may have theories, but the experiments have not been done, because it’s too early.
Susana Martinez-Conde is a Spanish-American neuroscientist and science writer. She is a professor of ophthalmology, neurology, physiology, and pharmacology at the SUNY Downstate Medical Center, where she directs the Laboratory of Integrative Neuroscience. She directed laboratories previously at the Barrow Neurological Institute and University College London. Her research bridges perceptual, cognitive, and oculomotor neuroscience. She is best known for her studies on illusions, eye movements and perception, neurological disorders, and attentional misdirection in stage magic.
Stephen Louis Macknik is an American neuroscientist and science writer. He is a Professor of Ophthalmology, Neurology, and Physiology & Pharmacology at the State University of New York, Downstate Medical Center, where he directs the Laboratory of Translational Neuroscience. He directed laboratories previously at the Barrow Neurological Institute and University College London. He is best known for his studies on illusions, consciousness, attentional misdirection in stage magic, and cerebral blood flow.
Sleights of Mind: What the Neuroscience of Magic Reveals about Our Everyday Deceptions is a 2010 popular science book, written by neuroscientists Stephen Macknik and Susana Martinez-Conde, with science writer Sandra Blakeslee. Working alongside several magicians, Macknik and Martinez-Conde studied how conjuring techniques trick the brain. Sleights of Mind considers the greater implications of magic and misdirection for clinical conditions such as autism, and for everyday life situations, including choice and trust in personal and business relationships.
The speech-to-song illusion is an auditory illusion discovered by Diana Deutsch in 1995. A spoken phrase is repeated several times, without altering it in any way, and without providing any context. This repetition causes the phrase to transform perceptually from speech into song. Though mostly notable with languages that are non-tone, like English and German, it is possible to happen with tone languages, like Thai and Mandarin.
