The Three from the Filling Station is a 1955 West German musical film directed by Hans Wolff and starring Adrian Hoven, Walter Müller and Walter Giller. It was shot at the Tempelhof Studios in West Berlin and on location around the city. The film's sets were designed by the art directors Kurt Herlth and Hans Kuhnert.
Paul Kemp was a German stage and film actor. Kemp worked as a piano accompaniest for silent films, and then served as an ambulance driver on the Western Front during the First World War. Post-war he moved into acting on the stage in Düsseldorf and Hamburg. His career really took off when he moved to Berlin in 1929, appearing in the hit stage version of the novel Menschen im Hotel by Vicki Baum. He made his film debut in 1930, shortly after the introduction of sound film. He appeared prolifically in German and Austrian films until his death in 1953.
Anna Favetti is a 1938 German romantic drama film directed by Erich Waschneck and starring Brigitte Horney, Mathias Wieman and Gina Falckenberg. The screenplay was written by Walter von Hollander, adapted from his own novel Licht im dunklen Haus. It was made at the Babelsberg Studios in Potsdam. Location filming took place in Italy and Switzerland. The film's sets were designed by the art director Gustav A. Knauer.
Mother and Child is a 1924 German silent drama film directed by Carl Froelich and starring Henny Porten, Friedrich Kayßler, and Wilhelm Dieterle. It was shot at the EFA Studios in Berlin. It was remade in 1934 as a sound film of the same title also starring Porten.
Melody of a Great City is a 1943 musical drama film directed by Wolfgang Liebeneiner and starring Hilde Krahl, Werner Hinz and Karl John. A young woman moves to Berlin to work as a press photographer.
A Salzburg Comedy or Little Border Traffic is a 1943 German comedy film directed by Hans Deppe and starring Willy Fritsch, Hertha Feiler and Heinz Salfner. Erich Kästner wrote the screenplay based on one of his own novels. As he had been blacklisted by the Nazi Party he used the pseudonym Berhold Bürger. The novel was again adapted for the 1957 film Salzburg Stories.
By a Silken Thread is a 1938 German drama film directed by Robert A. Stemmle and starring Willy Fritsch, Carl Kuhlmann and Käthe von Nagy. The film was intended to be an exposure of "crooked Jewish capitalists" in line with Nazi racial policy of the era. It was shot at the Babelsberg Studios of UFA in Potsdam. The film's sets were designed by the art director Otto Hunte.
Shadows in the Night is a 1950 West German drama film directed by Eugen York and starring Hilde Krahl, Willy Fritsch and Carl Raddatz. It was made at the Wandsbek Studios by the Hamburg-based Real Film. The film's sets were designed by the art director Herbert Kirchhoff.
Two Hearts in May is a 1958 West German musical comedy film directed by Géza von Bolváry and starring Dieter Borsche, Kristina Söderbaum, and Walter Giller.
Savoy Hotel 217 is a 1936 German drama film directed by Gustav Ucicky and starring Hans Albers, Brigitte Horney and Alexander Engel. It was shot at the Babelsberg Studios in Potsdam. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. The costumes were by Herbert Ploberger. It premiered at Berlin's UFA-Palast am Zoo.
No Day Without You is a 1933 German comedy film directed by Hans Behrendt and starring Lee Parry, Oskar Karlweis, and Paul Hörbiger. It was shot at the Johannisthal Studios in Berlin.
A Woman for Life is a 1960 West German musical comedy film directed by Wolfgang Liebeneiner and starring Ruth Leuwerik, Klausjürgen Wussow, and Harry Meyen.
Willy the Private Detective is a 1960 West German comedy film directed by Rudolf Schündler and starring Willy Millowitsch, Renate Mannhardt and Rudolf Platte.
The Immortal Vagabond is a 1953 West German musical drama film directed by Arthur Maria Rabenalt and starring Karlheinz Böhm, Ingrid Stenn, and Heliane Bei. It is a remake of the 1930 film of the same title. It was shot at the Bavaria Studios in Munich and on location in Tyrol in Austria. The film's sets were designed by the art directors Willy Schatz and Felix Smetana.
When the White Lilacs Bloom Again is a 1953 West German drama film directed by Hans Deppe and starring Willy Fritsch, Magda Schneider and Romy Schneider. It was shot at the Tempelhof Studios in West Berlin and on location around Wiesbaden in Hesse. The film's sets were designed by the art directors Alfred Bütow and Ernst Schomer.
Alarm at Station III is a 1939 German crime film directed by Philipp Lothar Mayring and starring Gustav Fröhlich, Jutta Freybe and Kirsten Heiberg. It is set in a Scandinavian country with Prohibition.
My Daughter Doesn't Do That is a 1940 German romantic comedy film directed by Hans H. Zerlett and starring Ralph Arthur Roberts, Erika von Thellmann, and Geraldine Katt.
Ways to a Good Marriage is a 1933 German drama film directed by Adolf Trotz and starring Olga Tschechowa, Alfred Abel and Hilde Hildebrand. It was shot at the EFA Studios in Halensee in Berlin. The film's sets were designed by the art directors Heinz Fenchel and Botho Hoefer. The film was based on the ideas of the sexologist Theodore H. Van de Velde and was in the tradition of the enlightenment films of the Weimar Republic. Although his work had already been forbidden by the new Nazi regime, it was not formally banned until 1937 despite protests by Nazi students in Kiel who were successful in having the film pulled from cinemas there.
The Forest House in Tyrol or The Lodge in Tyrol is a 1955 West German drama film directed by Hermann Kugelstadt and starring Wera Frydtberg, Helmuth Schneider and Dorothea Wieck. Location shooting took place around Mittenwald, Innsbruck and Kitzbühel. Interiors were shot at temporary studio in Mittenwald. The film's sets were designed by the art director Max Seefelder. It was part of the boom in heimatfilm in post-war West Germany.
One Woman Is Not Enough? is a 1955 West German drama film directed by Ulrich Erfurth and starring Hilde Krahl, Hans Söhnker and Rudolf Forster. It was shot at the Tempelhof Studios in West Berlin and on location in Munich and around Lake Starnberg. The film's sets were designed by the art directors Erich Kettelhut and Johannes Ott.
