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Muslin is a cotton fabric of plain weave. It is made in a wide range of weights from delicate sheers to coarse sheeting. It is commonly believed that it gets its name from the city of Mosul, Iraq.
A sari is a women's garment from the Indian subcontinent. It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is a form of ethnic wear in Bangladesh, India, Sri Lanka, Nepal, and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
Ikat is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
Devanga is a Hindu caste from South India that traditionally followed the occupation of textile merchandise, weaving and farming mostly found in the Indian states of Karnataka, Kerala, Andhra Pradesh, Tamil Nadu and Odisha.
Jamawar, or gown piece, is a special type of shawl made in Kashmir. "Jama" means robe and "war/var" is yard. The best quality of Jamawar is built with Pashmina. The brocaded parts are woven in similar threads of silk or polyester. Most of the designs seen today are floral, with the kairy as the predominant motif. Historically handmade items, some shawls took a couple of decades to complete; consequently, original Jamawar shawls are highly valued. Modern, machine-made Jamawar prints, produced in cities such as Kashmir and other parts of Himachal Pradesh cost less to buy but handmade Jamawar are very expensive.
The Billava, Billoru, Biruveruor Bhillava people are an ethnic group of India. They are found traditionally in Tulu Nadu region and engaged in toddy tapping, cultivation and other activities. They have used both missionary education and Sri Narayana Guru's reform movement to upgrade themselves.
Broadcloth is a dense, plain woven cloth, historically made of wool. The defining characteristic of broadcloth is not its finished width but the fact that it was woven much wider and then heavily milled in order to shrink it to the required width. The effect of the milling process is to draw the yarns much closer together than could be achieved in the loom and allow the individual fibres of the wool to bind together in a felting process, which results in a dense, blind face cloth with a stiff drape which is highly weather-resistant, hard wearing and capable of taking a cut edge without the need for being hemmed.
Tanti is a Hindu surname of cloth weaving and cloth merchant community in India. The greatest concentration is believed to be in the states of Gujarat, Maharashtra, Jharkhand, Bihar, Uttar Pradesh, West Bengal, Assam, Tripura and Odisha. Tanti is a Hindu surname used only by the cloth weaving and cloth trading communities across India.
Assam silk denotes the three major types of indigenous wild silks produced in Assam—golden muga, white pat and warm eri silk. The Assam silk industry, now centered in Sualkuchi, is a labor-intensive industry.
Swabhaba kabi Gangadhar Meher was an Odia poet of the 19th century. Though poor in wealth and education, he remained one of the most prolific and original contributor to Odia literature.
Gamcha is a rectangular piece of traditional coarse cotton cloth, sometimes with a checked design, worn as traditional scarf by men in the Indian subcontinent, mainly in Eastern India, Bangladesh, as well as in eastern Terai of Nepal.. It also became bit popular in other cultures of India and now in what is known as Pakistan after the Indian partition, as well as various parts of South and Southeast Asia. The word "Gamcha" is Bengali/Assamese word which comes from two very simple and commonly used Bengali/Assamese words, (গা) ga which means "Body", and (মুছা) mucha which means "wipe". Literally translated, it means 'something to wipe the body with' however, interpreting the word gamcha as the towel is misleading. It is often worn on one side of the shoulder. Its appearance varies from region to region, and it has been traditionally worn as a scarf by the Odia men, Bhojpuriya men and Bengali men. Gamcha is also a headwear for Bengali men in Bangladesh. Gamucha was also mentioned in Odia Mahabharata by Sarala Dasa as part of the traditional dress of Odia men. Weavers of traditional tantubaya or jugi community migrated from Bangladesh to Tripura and weavers of Odisha produce good quality gamucha.
Chik Baraik or Baraik are a tribal community originally from the Chota Nagpur plateau and neighbouring states of Chhattisgarh, and Odisha.
A Sambalpuri sari is a traditional handwoven bandha (ikat) sari wherein the warp and the weft are tie-dyed before weaving. It is produced in the Sambalpur, Bargarh, Balangir, Boudh and Sonepur districts of Odisha, India. The sari is a traditional female garment in the Indian subcontinent consisting of a strip of unstitched cloth ranging from four to nine meters in length that is draped over the body in various styles.
Kailash Chandra Meher is an Indian artist, inventor, and social activist. He is a painter of contemporary modern art paintings and traditional Tussar Pattachitra paintings of Odisha. He was a recipient of the Padma Shri by the Government of India in 2013.
Kunja Bihari Meher was an Indian master craftsman and weaver from Odisha. Born in the Bargarh district, he is known for the Ikkat tradition of weaving, found in the Sambalpuri sarees of Odisha, and is credited with the development of Sambalpuri handloom industry. He was awarded the fourth highest civilian award of the Padma Shri by the Government of India, in 1998. He posthumously won the National Award for Handicrafts of the National Centre for Textile Design in 2009. His son, Surendra Meher, is also a known weaver. Meher died in Barapali on 30 June 2008.
Habaspuri is a cotton-based traditional handloom textiles of Odisha, India. Habaspuri sari is a major product of this textile. The Bhulia weavers of Chicheguda, Kalahandi district, Odisha are originally attributed for weaving of the Habaspuri fabric. For its uniqueness in weaving, design and production, it has been identified as one of the 14 Geographical Indications of Odisha.
Odisha Ikat, is a kind of ikat known as Bandhakala and Bandha, a resist dyeing technique, originating from Indian state of Odisha. Traditionally known as "Bandhakala"', "Bandha", '"Bandha of Odisha", it is a geographically tagged product of Odisha since 2007. It is made through a process of tie-dyeing the warp and weft threads to create the design on the loom prior to weaving. It is unlike any other ikat woven in the rest of the country because of its design process, which has been called "poetry on the loom". This design is in vogue only at the western and eastern regions of Odisha; similar designs are produced by community groups called the Bhulia, Kostha Asani, and Patara. The fabric gives a striking curvilinear appearance. Saris made out of this fabric feature bands of brocade in the borders and also at the ends, called anchal or pallu. Its forms are purposefully feathered, giving the edges a "hazy and fragile" appearance. There are different kinds of bandha saris made in Odisha, notably Khandua, Sambalpuri, Pasapali, Kataki and Manibandhi.
Kotpad Handloom is a vegetable-dyed fabric woven by the tribal weavers of the Mirgan community of Kotpad village in Koraput district, Odisha, India. Cotton sarees with solid border and Pata Anchal, duppatta with typical Buties / motifs, Scolrfs on cotton, silk, handloom stoles, and dress materials are all dyed with organic dyes. The natural dye is manufactured from the aul tree grown in this area. The Kotpad tussar silk saree with tribal art and Kotpad handloom fabrics with natural color is its specialty.
Piece goods were the textile materials sold in cut pieces as per the buyer's specification. The piece goods were either cut from a fabric roll or produced with a certain length, also called yard goods. Various textiles such as cotton, wool, silk, etc., were traded in terms of piece goods. The prices were determined as per the fabric quality.
Abrawan (āb-i-ravān) was a kind of muslin cloth produced in Indian subcontinent. The Abrawan was characterized by the nature of the fabric that was like flowing water.
References
- 1 2 Ghosh, G. K.; Ghosh, Shukla (1995). Indian Textiles: Past and Present. APH Publishing. p. 150. ISBN 9788170247067.
- 1 2 Geographical Review of India. Geographical Society of India. 1953. p. 28.
- ↑ Man in India. A. K. Bose. 1953. p. 285.
- ↑ "The Bhulias weave Kapata ( female cloths ) of varying sizes as follows :1 . À Kapata of 24 yards long and yards ... 4 r , 39 5 . , „ „ 5 , „ 42 or 43 inches wide The women of this area do not generally use cloth of 5 yard length . But those of Brahmin ..." Page 282, 285, 286 https://www.google.co.in/books/edition/Man_in_India/Oo1RAQAAIAAJ?hl=en&gbpv=1&bsq=Kapata+cloth&dq=Kapata+cloth&printsec=frontcover
- ↑ Fairchild's dictionary of textiles. New York: Fairchild Publications. 1959. p. 297.
- ↑ Kittel, Rev F. (1 January 1894). Kannada-English Dictionary. Rev. Kittel (in Kannada). RG Kannada e-Publisher. p. 362.
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