Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths.
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.
Slapping and popping are ways to produce percussive sounds on a stringed instrument. It is primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately.
John Scofield, sometimes referred to as "Sco", is an American guitarist and composer whose music over a long career has blended jazz, jazz fusion, funk, blues, soul and rock. He first came to mainstream attention in the band of Miles Davis, and has toured and recorded with many prominent jazz artists, including saxophonists Eddie Harris, Dave Liebman, Joe Henderson and Joe Lovano; keyboardists George Duke, Joey DeFrancesco, Herbie Hancock, Larry Goldings and Robert Glasper; fellow guitarists Pat Metheny, John Abercrombie, Pat Martino and Bill Frisell; bassists Marc Johnson and Jaco Pastorius; and drummer Billy Cobham and Dennis Chambers. Outside the world of jazz, he has collaborated with Phil Lesh, Mavis Staples, John Mayer, Medeski Martin & Wood, and Gov’t Mule.
A wah-wah pedal, or simply wah pedal, is a type of electric guitar effects pedal that alters the tone and frequencies of the guitar signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps the peak response of a frequency filter up and down in frequency to create the sound, a spectral glide, also known as "the wah effect". The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used as a fixed-filter to alter an instrument’s timbre ; they may be used when a guitarist is soloing; or, classically, they may be used to create a "wacka-wacka" funk-styled rhythm for rhythm guitar playing.
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of "swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section. Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion.
Bassline is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard.
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written to be played on a classical guitar, electric guitar or an acoustic guitar. In 20th and 21st century traditional music and popular music such as blues, swing, jazz, jazz fusion, rock and metal, guitar solos often contain virtuoso techniques and varying degrees of improvisation. Guitar solos on classical guitar, which are typically written in musical notation, are also used in classical music forms such as chamber music and concertos.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
An extended-range bass is an electric bass guitar with a wider frequency range than a standard-tuned four-string bass guitar.
Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark[ed] the musical transition from fifties rock and roll to sixties funk."
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records. It was the final studio album to feature The Headhunters, and a number of guest musicians including saxophonist Wayne Shorter, a full brass section, three different guitarists, and Stevie Wonder on harmonica.
Outland is the tenth solo studio album by English musician Gary Numan, released in March 1991. It was Numan's second and last studio album to be released by I.R.S. Records. It reached Number 39 on the UK charts. The songs "Heart" and "My World Storm" were released as singles; "Heart" charted at Number 43, while "My World Storm" eventually became a US-only promo single after a planned UK release was shelved due to the inner turmoil at the label around the release of the album. The latter however reached Number 46 on the US dance chart. The reaction to it was mixed with Q Magazine calling it 'repetitive and full of affection'.
Some of My Best Jokes Are Friends is the third studio album by George Clinton. It was released in 1985 by Capitol Records. Though it wasn't as successful as Computer Games, Clinton's first solo album, Some of My Best Jokes Are Friends received favorable reviews among critics. While many former P-Funk musicians are featured on the album, it also features collaborations with more contemporary performers such as Doug Wimbish, Steve Washington, and keyboardist Thomas Dolby.
Funk of Ages is a solo album by former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released in 1990 by Gramavision Records. It includes contributions by numerous guest musicians, including Sly and Robbie, David Byrne, Herbie Hancock, Keith Richards, Vernon Reid, and Phoebe Snow. P-Funk bandmates Bootsy Collins, Maceo Parker, Gary Cooper, Doug Duffey, and Michael Hampton also contributed.
Urban Knights II is an album by the Urban Knights which was issued in 1997 on GRP Records. The album reached No. 5 on the Billboard Top Contemporary Jazz Albums Chart.
"The Root" is a song by American recording artist D'Angelo. It is the eighth track on his second studio album, Voodoo, which was released on January 25, 2000, by Virgin Records. "The Root" was recorded and produced by D'Angelo at New York's Electric Lady Studios during sessions for the album.
Act Like Nothing's Wrong is the seventh solo studio album by the American singer-songwriter Al Kooper, recorded and released in 1976.
Josquin Des Pres is a 20th-century French-born American record producer, songwriter and TV composer who is also known as a collaborative writer with English lyricist, poet, and singer Bernie Taupin on several compositions. Josquin Des Pres also writes musical scores and music trailers for more than 40 major TV networks and television shows including The Ellen DeGeneres Show, The Bachelor, American Idol, The Tyra Banks Show, George Lopez, Anderson Cooper, TMZ on TV, Extra, American Chopper, Pawn Stars, Deadliest Catch, CNN, NBC, HGTV, TBS, Bravo, Food Network, Animal Planet, Discovery Channel, History, Travel Channel, CBS Television Stations, Viacom, VH1, ABC, BET, KPBS (TV), TLC, and The CW Network. His works are also known on MTV Networks Television Series Catfish, The Seven, When I Was Seventeen, MTV Cribs, Pimp My Ride, Teen Mom, True Life and 10 on Top. Josquin Des Pres has also contributed to music media books for Hal Leonard Corporation and Mel Bay instructional music books. Josquin has written a vast library of compositions and music techniques on bass, music studies and various collections which are used by music teachers, private studies and in schools both nationally and internationally as a standard tool in the music industry.
