Bill Hunt | |
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Born | Birmingham, England | 23 May 1947
Genres | Glam rock, art rock, classical, rock and roll, jazz-rock, orchestral rock |
Occupation(s) | Musician, music teacher |
Instrument(s) | French horn, hunting horn, harpsichord, keyboards, piano, tuba |
Years active | 1969–present |
Labels | B&C Records, Harvest |
Formerly of |
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Bill Hunt (born 23 May 1947) is an English multi-instrumentalist notable for playing for the Electric Light Orchestra and Wizzard in the early 1970's.
Born in 23 May 1947 in Birmingham to a working class family of musicians, [1] Hunt attended the Birmingham School of Music and Wingwood Brothers Comprehensive School learning instruments such as harpsichord, tuba, hunting horn, and piano alongside others, learning the last instrument at the age of 8. [2] [3]
Early in his career, Bill played electric organ and french horn in a quartet called "Hannibal", formed in 1969, which released a self-titled album in 1970. He joined Breakthru in 1969, replacing Geoff Garratley, and playing hammond organ and vocals. [4]
In 1970, Hunt joined the Electric Light Orchestra on horns and keyboards, joining Roy Wood and Jeff Lynne. He also played on a Beat-Club appearance for The Move, which was Wood and Lynne's other band. [5] Around that point The Move were a quintet featuring Wood, Lynne, Hunt, Bev Bevan and Richard Tandy. [6] With the Electric Light Orchestra however, Bill played french horn in their first album The Electric Light Orchestra (also known as No Answer in the US). [7]
In 1972, Wood left ELO to form Wizzard, with Hunt and Hugh McDowell also joining, with contributions in Wizzard Brew and Introducing Eddy and the Falcons. At Wizzard, he was known to have a habit of breaking the pianoes on the location he was in. However, being the only piano player he left in 1973 to become a music teacher.
Hunt returned to the music business in 1989 when he joined Dave Hill's band Blessings in Disguise. [8] Their debut single was a cover of "Crying in the Rain" by The Everly Brothers and backed by Hill/Hunt song "Wild Nights". [9] Bill now leads a band called "The Ancient Order of Froth Blowers".
Hunt's son, Will Hunt, is also a musician, while his nephew Miles is another musician. [1] Both of them are part of The Ancient Order of Froth Blowers.
The Electric Light Orchestra (ELO) are an English rock band formed in Birmingham in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan. Their music is characterised by a fusion of pop and classical arrangements with futuristic iconography. After Wood's departure in 1972, Lynne became the band's sole leader, arranging and producing every album while writing nearly all of their original material. During their first run from 1970 to 1986, Lynne and Bevan were the group's only consistent members.
The Move were a British rock band formed in Birmingham in 1965. They scored nine top 20 UK singles in five years, but were among the most popular British bands not to find any real success in the United States. For most of their career The Move were led by guitarist, singer and songwriter Roy Wood. He wrote all the group's UK singles and, from 1968, also sang lead vocals on many songs. Initially, the band had four main vocalists who divided the lead-vocal duties among themselves.
Roy Wood is an English musician, singer and songwriter. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard.
Wizzard were an English rock band formed by Roy Wood, former member of the Move and co-founder of the Electric Light Orchestra. The Guinness Book of 500 Number One Hits states, "Wizzard was Roy Wood just as much as Wings was Paul McCartney." They are most famous for their 1973 Christmas single "I Wish It Could Be Christmas Everyday".
On the Third Day is the third studio album by Electric Light Orchestra (ELO), and the first to be recorded without input from Roy Wood. It was released in the United States in November 1973 by United Artists Records, and in the United Kingdom on 14 December 1973 by Warner Bros. Records. From this album on, the word The was dropped from the band's name. The album was reissued on 12 September 2006.
ELO 2 is the second studio album by the Electric Light Orchestra (ELO), released in 1973. In the US, the album was released as Electric Light Orchestra II. It was the band's last album to be released by the Harvest label, the last on which the band used the definite article The in their name, and the one that introduced their abbreviated name 'ELO'.
Richard Tandy was an English musician. He was the full-time keyboardist in the band Electric Light Orchestra ("ELO"). His palette of keyboards was an important ingredient in the group's sound, especially on the albums A New World Record (1976), Out of the Blue (1977), Discovery (1979) and Time (1981). He collaborated musically with ELO frontman Jeff Lynne on many projects, among them songs for the Electric Dreams soundtrack, Lynne's solo album Armchair Theatre and Lynne-produced Dave Edmunds album Information.
Hugh Alexander McDowell was an English cellist and member of the Electric Light Orchestra (ELO) and related acts.
Message from the Country is the fourth and final studio album by the Move, as well as the group's only album for EMI's Harvest label. It was recorded simultaneously with the first Electric Light Orchestra album, The Electric Light Orchestra.
"10538 Overture" is the debut single by the English band the Electric Light Orchestra. It was released on 23 June 1972 as the lead single from their self-titled debut studio album (1971). It is a hard rock song influenced by psychedelic music, with cello instrumentation and lyrics about an escaped prisoner. Originally written by co-founder Jeff Lynne for his and Roy Wood's previous band, the Move, it became the first recording by the Electric Light Orchestra after Wood added orchestral instruments to the song.
"Showdown" is a 1973 song written by Jeff Lynne and recorded by the Electric Light Orchestra (ELO). It was the band's last contemporary recording to be released on the Harvest label. The song was released as a single and reached No 12 in the UK Singles Chart, in the week beginning 28 October, and No 9 on the Norwegian chart VG-lista.
"So Serious" is a song by the rock music group Electric Light Orchestra (ELO) from their 1986 album Balance of Power, released in the UK as the second single from the album in 1986.
Showdown is an Electric Light Orchestra (ELO) compilation album, covering their Harvest Records years. It is the first in a very long line of Electric Light Orchestra compilation albums. It comprises four tracks from their debut album and three from ELO 2 as well as the hit single "Showdown", the first time it had featured on an album in the UK.
"Mr. Radio" is a song recorded by the Electric Light Orchestra.
"When Alice Comes Back to the Farm" is a rock-blues song recorded by The Move and written and sung by Roy Wood. Musically, it is a hard rock song and features Wood playing slide guitar, cello and baritone saxophone, reinforcing Rick Price's bassline.
"Wild Tiger Woman" is a song recorded by the Move, and as with all the other A-sides of their singles, written by Roy Wood. First issued as their fifth single, it failed to chart on the UK Singles Chart, despite all previous singles having reached the top-5 on that chart.
"Nightrider" is a song from Electric Light Orchestra's (ELO) album Face the Music.
ELO – Total Rock Review is a documentary released in 2006 regarding the founding of Electric Light Orchestra. The show traces the foundations of the band through its metamorphosis from The Move in 1970 and later to the point where Roy Wood quit the group leaving Jeff Lynne to steer the band in to worldwide stardom, narrated throughout by music journalists and musicians. Also included is a bonus live set filmed in 1972 originally called Granada's Set of Six and features four of the six songs. These songs are the only known live original Roy Wood ELO tracks ever filmed.
"Turkish Tram Conductor Blues" is a song performed by English band The Move. The song was written by Roy Wood, though the group's drummer Bev Bevan was credited as songwriter, as a reward for his promotional efforts on behalf of the band. Bevan noted that the song was "the sort of the thing that the Wild Angels might like to play".