Frankenstein's Daughter is an independently made 1958 American black-and-white science fiction/horror film drama, produced by Marc Frederic and George Fowley, directed by Richard E. Cunha, that stars John Ashley, Sandra Knight, Donald Murphy, and Sally Todd. The film was distributed by Astor Pictures and was released theatrically as a double feature with Missile to the Moon.
The Green Slime is a 1968 tokusatsu science fiction film directed by Kinji Fukasaku and produced by Walter Manley and Ivan Reiner. It was written by William Finger, Tom Rowe and Charles Sinclair from a story by Reiner. The film was shot in Japan with a Japanese director and film crew, but with the non-Japanese starring cast of Robert Horton, Richard Jaeckel and Luciana Paluzzi.
Fred Olen Ray is an American film producer, director, and screenwriter of more than 200 low-to-medium-budget feature films in many genres, including horror, science fiction, action/adventure, erotic thrillers, crime dramas, and holiday films.
Alien Dead is an American horror film directed by Fred Olen Ray. Ray co-wrote the script with Martin Nicholas. The film involves a meteor hitting a houseboat, which causes the people on board to become zombies who eat alligators and eventually people.
Jack-O a 1995 American horror film directed and co-produced by Steve Latshaw and executive produced by Fred Olen Ray. It is the third collaboration between Latshaw as director and Ray as executive producer, following 1993's Dark Universe and 1994's Biohazard: The Alien Force.
Invasion of the Saucer Men, is a 1957 black-and-white comic science fiction/horror film produced by James H. Nicholson for release by American International Pictures. The film was directed by Edward L. Cahn and stars Stephen Terrell, Gloria Castillo, Raymond Hatton and Frank Gorshin.
Evil Toons is a 1992 American live-action/adult animated comedy horror B movie written and directed by Fred Olen Ray. The film is a light spoof of traditional haunted-house films.
The Tomb is a 1986 American supernatural horror film directed by Fred Olen Ray and starring Michelle Bauer, Richard Alan Hench, David Pearson and Susan Stokey. Despite being respectively given first and second billing, Cameron Mitchell only has a supporting role, and John Carradine features in single scene. Sybil Danning also only appears in the prologue, despite being prominently shown on the poster. The plot concerns an ancient Egyptian vampire who kills those in possession of artefacts stolen from her and taken to the United States by grave robbers.
Dark Universe is a 1993 horror/science-fiction film starring Blake Pickett, Cherie Scott, Bently Title, John Maynard, Paul Austin Saunders, Patrick Moran, Tom Ferguson, Steve Barkett, and Joe Estevez as Rod Kendrick. The soundtrack was composed by Jeffrey Walton. The film was written by Moran, executive-produced by Fred Olen Ray, Grant Austin Waldman, and Jim Wynorski, and directed by Steve Latshaw.
Splice is a 2009 science fiction horror film directed by Vincenzo Natali and starring Adrien Brody, Sarah Polley, and Delphine Chanéac. The story concerns experiments in genetic engineering being done by a young scientific couple, who attempt to introduce human DNA into their work of splicing animal genes resulting in the creation of a human–animal hybrid. Guillermo del Toro, Don Murphy, and Joel Silver are the executive producers of this film. Theatrically released on June 4, 2010, the film received generally positive reviews from critics but was commercially unsuccessful, and grossed just $27.1 million against a $30 million production budget.
Jerry Warren was an American film director, producer, editor, screenwriter, cinematographer, and actor. Warren grew up wanting to get into the film business in Los Angeles, California. He appeared in small parts in a few 1940s films such as Ghost Catchers, Anchors Aweigh, and Unconquered.
Terror Is a Man is a 1959 black-and-white Filipino/American horror film directed by Gerardo de Leon.
The Thing is a 2011 American science fiction horror film directed by Matthijs van Heijningen Jr., written by Eric Heisserer, and starring Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Adewale Akinnuoye-Agbaje, and Eric Christian Olsen. It is a direct prequel to the 1982 film of the same name by John Carpenter, which was an adaptation of the 1938 novella Who Goes There? by John W. Campbell. It tells the story of a team of scientists on a Norwegian Antarctic research station who discover a parasitic alien buried deep in the ice, realizing too late that it is still alive.
Venus Flytrap is a 1970 American-Japanese science fiction horror film shot partly in Japan. It was distributed by the Toei Company of Japan. The film was released in Japan as Akuma no Niwa.
The Mad Doctor of Blood Island is a 1969 Filipino horror film, co-directed by Eddie Romero and Gerardo de Leon, and starring John Ashley, Angelique Pettyjohn, Eddie Garcia and Ronald Remy.
Beast of Blood, released in the UK as Blood Devils, is a 1970 Filipino horror film. A sequel to The Mad Doctor of Blood Island, it was directed by Eddie Romero. It was the fourth in a series of four Filipino horror films, produced by Romero and Kane W. Lynn, known as the "Blood Island" series, which also included Terror Is a Man, Brides of Blood and The Mad Doctor of Blood Island. It was also Romero's last film for Lynn's Hemisphere Pictures, as the two went their separate ways after this film was completed.
Prison Ship, also known as Star Slammer, Adventures of Taura, Part 1 , Starslammer: The Escape and Prison Ship Star Slammer, is a 1986 American science fiction film directed by Fred Olen Ray.
Hybrid is a 1997 American science fiction horror film, directed by Fred Olen Ray. It is a remake of the 1987 film Creepozoids.
Kane W. Lynn (1919–1975) was an American film producer who made a number of movies in the Philippines with producer Irwin Pizor and Filipino director Eddie Romero as Hemisphere Pictures, or the House of Horror as they often referred to themselves. Later Pizor quit the company after an argument, and when Romero left to form a production company with actor John Ashley, Lynn tired of making movies and his Hemisphere Pictures became just a movie distributor, mainly handling adult films and low budget B-movies. It was his guidance that kept Hemisphere Pictures solvent and constantly moving forward, releasing a diverse product line of low-budget independent movies from the early 1960s through the mid-1970s.
