Bix | |
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Directed by | Pupi Avati |
Written by | Pupi Avati Antonio Avati Fred Chalfy Lino Patruno |
Produced by | Pupi Avati Gianfranco Piccioli |
Starring | Bryant Weeks |
Cinematography | Pasquale Rachini |
Edited by | Amedeo Salfa |
Release date |
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Running time | 100 minutes |
Country | Italy |
Language | English |
Bix is a 1991 Italian drama film directed by Pupi Avati and starring Bryant Weeks. The plot is about the final years of cornet player Bix Beiderbecke. It was entered into the 1991 Cannes Film Festival. [1]
Bryant Weeks plays American jazz cornetist Bix Beiderbecke in an account of his life. Mark Sovel plays his friend and collaborator, saxophonist and bandleader Frankie Trumbauer. The film focuses on his conflicts with his family and his relations with the prominent jazz musicians of the 1920s, such as Hoagy Carmichael, Joe Venuti, Pee Wee Russell, Don Murray, and Paul Whiteman.
The film opens in October 1931 in New York City, two months after the death of Bix Beiderbecke. His brother Burnie arrives in the city to meet Liza, who was to be the future bride of the deceased brother. His investigations of where Bix worked led him to the Italian-American violinist Joe Venuti, the trumpeter's only true friend and therefore unique in knowing the truth and the identity of the girl. Venuti, despite the initial hesitation, decides to help him in the investigation. He contacts the girl and convinces her to follow him to the trumpeter's hometown, Davenport, Iowa, thus fulfilling Bix's mother's desire, who is eager to meet her.
During the long train journey, however, it turns out that Liza never met Bix. Venuti will take advantage of it to tell her, in addition to the way in which Bix came into contact with her, the short but intense life of his friend, who he had met by chance while trying to get an engagement in the Jean Goldkette orchestra. A series of flashbacks follow. Bix was hampered by the fact that he could not read music but played by ear. Bix achieved success when he performed and recorded with the orchestra of Frank Trumbauer who, despite his somewhat peculiar character, took him under his protective wing.
The film ends with Bix's untimely death in 1931 in New York City. During the closing credits, photos of Bix and Liza are shown in the Beiderbecke family home alongside those of his father and mother.
Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, pianist and composer.
Hoagland Howard Carmichael was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings.
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Giuseppe "Joe" Venuti was an American jazz musician and pioneer jazz violinist.
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Orie Frank Trumbauer was one of the leading jazz saxophonists of the 1920s and 1930s. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments.
Newell "Spiegle" Willcox was a jazz trombonist. He was born Newell Lynn Willcox in upstate New York, and learned valve trombone as a youngster under the tuition of his father, Lynn Willcox, an amateur musician and bandleader. He acquired the familiar nickname Spiegle as a student at the Manlius Military Academy, where he played in the school brass band.
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Young Man with a Horn is a 1938 novel by Dorothy Baker that is loosely based on the real life of jazz cornet player Bix Beiderbecke. The novel was adapted for the movie Young Man With a Horn (1950) with Kirk Douglas, Doris Day, Lauren Bacall, Juano Hernández, and real-life Bix Beiderbecke friend and collaborator Hoagy Carmichael
"Mississippi Mud" is a 1927 song written by Harry Barris, first sung by Bing Crosby as a member of Paul Whiteman's Rhythm Boys.
Carl Kress was an American jazz guitarist.
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"Riverboat Shuffle" is a popular song composed by Hoagy Carmichael, Irving Mills, and Dick Voynow. Lyrics were later added by Carmichael and Mitchell Parish.
Davenport Blues is a 1925 song composed and recorded by Bix Beiderbecke and released as a Gennett 78. The song has become a jazz and pop standard.
"For No Reason at All in C" is a 1927 jazz instrumental by Bix Beiderbecke, Frankie Trumbauer, and Eddie Lang. The song was released as a 78 single in 1927 on Okeh Records as by "Tram, Bix and Eddie ".
Clarinet Marmalade, later Clarinet Marmalade Blues, is a 1918 dixieland jazz standard composed by Larry Shields and Henry Ragas of the Original Dixieland Jass Band. It is played in the key of F major. It was recorded by Fletcher Henderson in 1926 and Frankie Trumbauer in 1927.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
Irving "Izzy" Friedman was an American jazz reedist, best known for playing clarinet on records released by Paul Whiteman and Bix Beiderbecke in the 1920s.