| "In a Mist" | ||||
|---|---|---|---|---|
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| Single by Bix Beiderbecke | ||||
| B-side | "Wringin' an' Twistin'" | |||
| Released | October 1927 | |||
| Recorded | September 9, 1927, New York City | |||
| Genre | Jazz | |||
| Length | 2:46 | |||
| Label | Okeh, Vocalion | |||
| Songwriter(s) | Bix Beiderbecke | |||
| Bix Beiderbecke singles chronology | ||||
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"In a Mist" is a 1927 composition for piano by Bix Beiderbecke.
"In a Mist" was first recorded by Beiderbecke as a piano solo on September 9, 1927, in New York and released as OKeh 40916 backed with "Wringin' an' Twistin'" which was recorded with Frankie Trumbauer and Eddie Lang.
Bix Beiderbecke performed the composition on piano accompanied by Roy Bargy and Lennie Hayton at Carnegie Hall on October 7, 1928, at a jazz concert presented by Paul Whiteman.
"In a Mist" mixes elements of late impressionism with early jazz.[ citation needed ] While written in C-major, the piece is heavily chromatic. Beiderbecke mostly plays on the fourth and fifth, often inserting sharp or flat accidentals, while avoiding the tonic to increase tension. Harmonically, the piece features melancholic, rich chords; the swing tempo gives the piece a joyful quality. These tensions drive the piece, finally settling on a hopeful C-major.[ citation needed ]
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Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, pianist and composer.
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
Rhapsody in Blue is a 1924 musical composition for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Commissioned by bandleader Paul Whiteman and written by George Gershwin, the work premiered in a concert titled "An Experiment in Modern Music" on February 12, 1924, in Aeolian Hall, New York City. Whiteman's band performed the rhapsody with Gershwin playing the piano. Whiteman's arranger Ferde Grofé orchestrated the rhapsody several times including the 1924 original scoring, the 1926 pit orchestra scoring, and the 1942 symphonic scoring.
Orie Frank Trumbauer was an American jazz saxophonist of the 1920s and 1930s. His main instrument was the C melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments.
Newell "Spiegle" Willcox was a jazz trombonist. He was born Newell Lynn Willcox in upstate New York, and learned valve trombone as a youngster under the tuition of his father, Lynn Willcox, an amateur musician and bandleader. As a student of Manlius Military Academy, where he also played in the school brass band, he acquired the familiar nickname Spiegle, after one of the horses from the Academy's stables which, according to his fellow students, he apparently resembled!
Leonard George Hayton was an American musician, composer, conductor and arranger. Hayton's trademark was a captain's hat, which he always wore at a rakish angle.
William C. Rank was an American jazz trombonist.
"Mississippi Mud" is a 1927 song written by Harry Barris, first sung by Bing Crosby as a member of Paul Whiteman's Rhythm Boys. Its musical composition entered the public domain on January 1, 2023.
Wilford F. Min Leibrook was an American jazz tubist, bass saxophonist and double bassist.
Joseph Anthony "Fud" Livingston was an American jazz clarinetist, saxophonist, arranger, and composer.
Bix is a 1991 Italian drama film directed by Pupi Avati and starring Bryant Weeks. The plot is about the final years of cornet player Bix Beiderbecke. It was an Official Selection premiering at the 1991 Cannes Film Festival.
Davenport Blues is a 1925 jazz composition written and recorded by Bix Beiderbecke and released as a Gennett 78. The song has become a jazz and pop standard.
"For No Reason at All in C" is a 1927 jazz instrumental by Bix Beiderbecke, Frankie Trumbauer, and Eddie Lang. The song was released as a 78 single in 1927 on Okeh Records as by "Tram, Bix and Eddie ".
"Sensation Rag" or "Sensation" is a 1918 jazz instrumental by the Original Dixieland Jazz Band. It is one of the earliest jazz recordings. It is not related to Joseph Lamb's 1908 "Sensation Rag", which is a ragtime piano piece.
"Candlelights" is a 1930 jazz composition for solo piano by cornetist Bix Beiderbecke. It was the second in the series of four piano works which Bix Beiderbecke composed during his career.
"Flashes" is a 1931 jazz composition for solo piano by cornetist Bix Beiderbecke. It is the third work in a series of four compositions for piano composed by Bix Beiderbecke during his career.
"In the Dark" is a 1931 jazz composition for solo piano by cornetist Bix Beiderbecke. It was the fourth in a series of four piano works composed by Bix Beiderbecke during his career.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
"I'm Coming Virginia" is a song composed in 1926 by Donald Heywood with lyrics by Will Marion Cook. It is often wrongly attributed to vocalist Ethel Waters, who first recorded it on September 18, 1926, with Will Marion Cook's Singing Orchestra. Waters is credited with popularizing it. Cornetist Bix Beiderbecke, pianist Fats Waller and the Paul Whiteman Orchestra featuring Bing Crosby all recorded it in 1927. The song has become a jazz standard performed by Dixieland musicians.
Irving "Izzy" Friedman was an American jazz reedist, best known for playing clarinet on records released by Paul Whiteman and Bix Beiderbecke in the 1920s.
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