Black Cultural Archives

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Black Cultural Archives
Black Cultural Archives logo.jpg
Black Cultural Archives, external from Windrush Square, Brixton.jpg
Established1981;41 years ago (1981)
Location1 Windrush Square, Brixton, London, SW2 1EF
TypeArchive
Founderincluded Len Garrison
Website bcaheritage.org.uk

Black Cultural Archives (BCA) is an archive and heritage centre in Brixton, London, devoted to the histories of people of African and Caribbean descent in Britain. Also known as BCA, it was founded in 1981, by educationalist and historian Len Garrison and others. BCA's mission is to record, preserve and celebrate the history of people of African descent in Britain. [1] The BCA's new building in Brixton, opened in 2014, enables access to the archive collection, provides dedicated learning spaces and mounts a programme of exhibitions and events. [2]

Contents

History

In 1981, Len Garrison and other members of the Black British community started a collection, originally housed in Coldharbour Lane in Brixton and later based in Kennington, [3] that sought to redress the historical imbalance of the representation of black people in Britain. [4]

In 2010 the BCA won major funding, including £5million from the Heritage Lottery Fund (HLF) and the London Development Agency, [5] and moved back to Brixton to become the UK's first national black heritage centre. [6] A site dedication ceremony took place in June 2013, [7] and the new BCA building – a Grade II-listed Georgian building, the former Raleigh Hall [3] – at 1 Windrush Square, was officially opened on 24 July 2014. [8] [9] [10] [3] Designed by architects Pringle Richards Sharratt, it was named in 2015 as "Building of the Year" in the New London Architecture awards. [11] [12] [13]

On 16 February 2017, BCA received a royal visit from Charles, Prince of Wales, and the Duchess of Cornwall, [14] during which Prince Charles praised the contribution of people from the West Indies and Africa in World War I and World War II. [15]

The current managing director of BCA is Arike Oke, who took up the appointment in February 2019 after Paul Reid, director since 2006, stepped down. [16] [17]

Collections

In 2008, a two-year HLF-funded project called "Documenting the Archive" enabled the cataloguing of BCA's collections of books, objects, and archives, which "document the hidden stories and experiences of Black people either through personal and family journeys or through the rich network of Black-led community organisations", and "celebrate Black achievements "alongside the strong sense of campaigning and resistance to racial inequalities." [4] BCA's records are also accessible through an online catalogue. [18]

Exhibitions and projects

Black Cultural Archives at the School of Advanced Studies History Day, November 2015. Black Cultural Archives School Adv Studies History Day 27 Nov 2015.JPG
Black Cultural Archives at the School of Advanced Studies History Day, November 2015.

BCA's inaugural exhibition was Re-imagine: Black Women in Britain (24 July–30 November 2014), [19] which chronicled "the often hidden histories of Britain's black foremothers", including Mary Seacole, Mary Prince, Adelaide Hall, Olive Morris, Jessica Huntley, among others. [20] In October 2016 this exhibition was launched online as part of the Google Cultural Institute. [21]

BCA worked over a period of years with the Victoria and Albert Museum to acquire photographs either by black photographers or that document the lives of black people in Britain, complemented by a range or oral histories. [2] The resultant exhibition in 2015 was entitled Staying Power: Photographs of Black British Experience, 1950s – 1990 (inspired by Peter Fryer's 1984 book Staying Power: The History of Black People in Britain ). [22]

The exhibition Black Georgians: The Shock of the Familiar, from 9 October 2015 to 4 June 2016, featured the everyday lives of Black people in Britain during the Georgian period (1714–1830), with a special feature by Christy Symington on Olaudah Equiano. [23] [24]

Other exhibitions have included Rastafari in Motion, the story of Emperor Haile Selassie I and the Rastafari movement in Britain (14 June–10 September 2016); Black Sound (7 April 2017–17 February 2018), the story of 100 years of musical creativity, co-curated in partnership with The Champion Agency and Lloyd Bradley; and Expectations (7 August–24 October 2018), described as "the first ever photography exhibition 'takeover' at the Black Cultural Archives using photographs taken by Neil Kenlock". [25]

Related Research Articles

Brixton District in the London Borough of Lambeth in south London

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Brixton Market

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British African-Caribbean people Residents of the United Kingdom

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Autograph ABP

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Rahasya Rudra Narayan, commonly known as Rudy Narayan, was a barrister and civil rights activist in Britain. He migrated to Britain in the 1950s from Guyana.

Olive Morris Jamaican-born British community leader and activist (1952–1979)

Olive Elaine Morris was a Jamaican-born British-based community leader and activist in the feminist, black nationalist, and squatters' rights campaigns of the 1970s. At the age of 17, she was assaulted by Metropolitan Police officers following an incident involving a Nigerian diplomat in Brixton, South London. She joined the British Black Panthers, becoming a Marxist–Leninist communist and a radical feminist. She squatted buildings on Railton Road in Brixton; one hosted Sabarr Books and later became the 121 Centre, another was used as offices by the Race Today collective. Morris became a key organiser in the Black Women's Movement in the United Kingdom, co-founding the Brixton Black Women's Group and the Organisation of Women of African and Asian Descent in London. When she studied at the Victoria University of Manchester, her activism continued. She was involved in the Manchester Black Women's Co-operative and travelled to China with the Society for Anglo-Chinese Understanding.

Len Garrison

Lenford Alphonso (Kwesi) Garrison was an educationalist, community activist and historian whose life's work was to catalogue the development of the black British identity and its history and promote the works of young black writers. To this end, he set up ACER and co-founded the Black Cultural Archives.

James Barnor Ghanaian photographer

James Barnor HonFRPS is a Ghanaian photographer who has been based in London since the 1990s. His career spans six decades, and although for much of that period his work was not widely known, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moving toward independence, and London becoming a multicultural metropolis. He has said: "I was lucky to be alive when things were happening...when Ghana was going to be independent and Ghana became independent, and when I came to England the Beatles were around. Things were happening in the 60s, so I call myself Lucky Jim." He was Ghana's first full-time newspaper photographer in the 1950s, and he is credited with introducing colour processing to Ghana in the 1970s. It has been said: "James Barnor is to Ghana and photojournalism what Ousmane Sembène was to Senegal and African cinema."

Raleigh Hall is a building in Windrush Square, Brixton. It is now home to the Black Cultural Archives, after being derelict for many years.

Ajamu X is a British artist, curator, archivist and activist. He is best known for his fine art photography which explores same-sex desire, and the Black male body, and his work as an archivist and activist to document the lives and experiences of black LGBTQ people in the United Kingdom (UK).

Nubian Jak Community Trust (NJCT) is a commemorative plaque and sculpture scheme founded by Jak Beula that highlights the historic contributions of Black and minority ethnic people in Britain. The first NJCT heritage plaque, honouring Bob Marley, was unveiled in 2006 after "two years of research and behind the scenes negotiating". The scheme has been run and managed by the not-for-profit organization Nubian Jak Trust Ltd since August 2016, with a remit to commemorate and celebrate the diverse history of modern Britain. Its objectives include the promotion of social equality and to encourage activities that promote cultural diversity in society.

African and Caribbean War Memorial

The African and Caribbean War Memorial in Brixton, London, is the United Kingdom's national memorial to African and Caribbean service personnel who fought in the First and Second World Wars. It originated with a project for a memorial to Caribbean Royal Air Force veterans of World War II who arrived in Britain in 1948 on the MV Empire Windrush; this was an extension of the commemorative plaque and sculpture scheme run by the Nubian Jak Community Trust to highlight the historic contributions of Black and minority ethnic people in Britain. The memorial was originally to have been placed at Tilbury Docks, as part of the commemoration for the centenary of the outbreak of World War I. However, as the project began to evolve into a larger tribute that included both World Wars and commemorated servicemen and women from both Africa and the Caribbean, it was agreed by the memorial recipient – the Port of Tilbury – and the project organisers that a new, more accessible location needed to found. The memorial was ultimately permanently installed and unveiled on 22 June 2017 in Windrush Square, Brixton.

Windrush Square

Windrush Square is an open public space in the centre of Brixton, South London, occupying an area in front of the Brixton Tate Library that was originally known as the Brixton Oval, and then Tate Gardens. In 1998, the square was renamed to recognise the important contribution of the African Caribbean community to the area, marking the 50th anniversary of the arrival of the HMT Empire Windrush. It was the Windrush that in 1948 brought to the United Kingdom from Jamaica the first large group of post-war West Indian migrants, who on arrival were temporarily housed less than a mile away from Coldharbour Lane in Brixton.

Patrick Philip Vernon is a British social commentator and political activist of Jamaican heritage, who works in the voluntary and public sector. He is a former Labour councillor in the London Borough of Hackney. His career has been involved with developing and managing health and social care services, including mental health, public health, regeneration and employment projects. Also a film maker and amateur cultural historian, he runs his own social enterprise promoting the history of diverse communities, as founder of Every Generation and the "100 Great Black Britons" campaign. He is also an expert on African and Caribbean genealogy in the UK. He was appointed a Clore Fellow in 2007, an Officer of the Order of the British Empire (OBE) in the 2012 Birthday Honours for "services to the Reduction of Health Inequalities for Ethnic Minorities", and in 2018 was awarded an honorary doctorate from the University of Wolverhampton.

Neil Emile Elias Kenlock is a Jamaican-born photographer and media professional who has lived in London since the 1960s. He has been described as being "at the forefront of documenting the black experience in the UK". Kenlock was co-founder of Choice FM, the first successful radio station granted a licence to cater for the black community in Britain.

Heidi Safia Mirza is a British academic, who is Professor of Race, Faith and Culture at Goldsmiths, University of London, Professor Emerita in Equalities Studies at the UCL Institute of Education, and Visiting Professor in Social Policy at the London School of Economics (LSE). She has done pioneering research on race, gender and identity in education, multiculturalism, Islamophobia and gendered violence, and was one of the first black women professors in Britain. She is author and editor of several notable books, including Young, Female and Black (1992), Black British Feminism (1997), Tackling the Roots of Racism: Lessons for Success (2005), Race Gender and Educational Desire: Why Black Women Succeed and Fail (2009), Black and Postcolonial Feminisms in New Times (2012), and Respecting Difference: Race, Faith, and Culture for Teacher Educators (2012).

Windrush Day was introduced in June 2018 on the 70th anniversary of the Windrush migration. Though Windrush Day is not a bank holiday in the United Kingdom, it is an observed day. It is on 22 June. It was instituted following a successful campaign led by Patrick Vernon.

Arthur Torrington CBE is a Guyanese-born community advocate and historian who is Director and co-founder of the London-based Windrush Foundation, a charity that since 1996 has been working to highlight the contributions to the UK of African and Caribbean peoples, "to keep alive the memories of the young men and women who were among the first wave of post-war settlers in Britain", and to promote good community relations. The organization commemorates in its name the Empire Windrush, the ship that on 22 June 1948 docked at Tilbury bringing the first significant group of Caribbean migrants to Britain, including Sam King, who with Torrington established the Windrush Foundation. Also in 1996 Torrington set up the Equiano Society, with the main objective of celebrating the life and work of Olaudah Equiano, as well as the literary and cultural legacy in Britain of Equiano's African contemporaries.

100 Great Black Britons is a poll that was first undertaken in 2003 to vote for and celebrate the greatest Black Britons of all time. It was created in a campaign initiated by Patrick Vernon in response to a BBC search for 100 Greatest Britons, together with a television series (2002), which featured no Black Britons in the published listing. The result of Vernon's campaign was that in February 2004 Mary Seacole was announced as having been voted the greatest Black Briton. Following the original poll, 100 Great Black Britons was re-launched in 2020 in an updated version based on public voting, together with a book of the same title.

References

  1. "About Us". Black Cultural Archives. Archived from the original on 20 May 2015. Retrieved 19 June 2022.
  2. 1 2 "Staying Power – About the Project", Victoria and Albert Museum.
  3. 1 2 3 Ellis-Petersen, Hannah (29 July 2014). "Black cultural Archives unveils new centre in Brixton". The Guardian. Retrieved 19 June 2022.
  4. 1 2 "Our Collections". Black Cultural Archives. 29 March 2011. Archived from the original on 11 July 2018. Retrieved 19 June 2022.
  5. Elizabeth Pears, "Work Starts On Long-Awaited National Black Heritage Centre", The Voice , 11 June 2013.
  6. Owen, Paul (12 October 2010). "Boris Johnson and Lottery Fund announce £5m funding for black cultural centre in Brixton". The Guardian . London.
  7. Ruth Waters, "Black Cultural Archives Site Dedication Ceremony", Brixton Blog, 8 June 2013.
  8. Dotun Adebayo, "New Black Cultural Archives Are Worth Their Wait In Gold", The Voice, 8 August 2014.
  9. Tom Dickens, "Moving celebration marks long journey to the Black Cultural Archives launch in Brixton", Brixton Blog, 24 July 2014.
  10. "Heritage Centre". Black Cultural Archives. Archived from the original on 10 February 2011.
  11. Ade Onibada, "Black Cultural Archives Named Building Of The Year", The Voice, 8 July 2015.
  12. Kate Lloyd, "Brixton's Black Cultural Archives crowned London's Best New Building", Time Out, 9 July 2015.
  13. Laura Mark, "Brixton's new Black Cultural Archives named London Building of the Year", Architects' Journal, 8 July 2015.
  14. Victoria Northridge, "The Prince of Wales and Duchess of Cornwall visit Black Cultural Archives" Archived 20 February 2017 at the Wayback Machine , BCA, 17 February 2017.
  15. "Prince Charles praises contribution of men from West Indies and Africa in the world wars", Daily Express , 16 February 2017.
  16. Eleanor Mills, "Change in leadership at the Black Cultural Archives", Museums Journal, Museums Association, 14 February 2019.
  17. "We say thank you and goodbye to Director, Paul Reid", Black Cultural Archives, 1 March 2019.
  18. "Black Cultural Archives Online Catalogue".
  19. "Re-imagine: Black Women in Britain" Archived 1 December 2017 at the Wayback Machine , Black Cultural Archives.
  20. Bim Adewunmi, "Black women in Britain – from the Romans to the Windrush", The Guardian, 6 October 2014.
  21. "Black women in Britain", Google Arts & Culture.
  22. "Staying Power: A new exhibition at Black Cultural Archives", Future Brixton.
  23. "Black Georgians: The Shock of the Familiar" Archived 18 February 2016 at the Wayback Machine , Black Cultural Archives.
  24. "BBC World on Black Georgians: The Shock of the Familiar", YouTube video of Lebo Diseko (BBC World) and S. I. Martin (historian and curator) exploring Black Georgians: The Shock of the Familiar.
  25. "Past Exhibitions", Black Cultural Archives.

Coordinates: 51°27′37″N0°06′53″W / 51.4603°N 0.1147°W / 51.4603; -0.1147