This article contains promotional content .(October 2025) |
| Black Grace | |
|---|---|
| General information | |
| Name | Black Grace |
| Year founded | 1995 |
| Founder | Neil Ieremia |
| Website | https://blackgrace.co.nz/ |
Black Grace is one of New Zealand's leading contemporary dance companies. Founded by Neil Ieremia in 1995, Ieremia draws from his Samoan and New Zealand roots to create innovative dance works that reach across social, cultural and generational barriers. Black Grace is known for being highly physical, rich in the storytelling traditions of the South Pacific. [1]
In 1995, Neil Ieremia formed Black Grace Dance Company at Auckland's Maidment Theatre. Black Grace was initially made up of ten male dancers of Pacific, Māori and New Zealand Pākehā heritage and stayed a strictly all-male company until 2001.
In 2002, Ieremia debuted a production brand called Black Grace & Friends, where guest choreographers or senior company members were invited to create short works on the company. It was when a guest choreographer pulled out of the project at the last minute, that Ieremia had to step in to complete the programme, when he had the idea for a work titled Human Language. This was the first work that Black Grace included women in the cast. Up until this point, Black Grace had only allowed females to participate in youth projects that Black Grace facilitated. “Having some very good young women in the company changed the possibilities and creativity, they offered so much more. Men come to training late and the women often had early ballet training and having that to work with as a choreographer really opened things up.” (Ieremia, 2015) [2]
In 2004 Black Grace was invited to perform at Jacob's Pillow dance centre in the US; [3] the first New Zealand company to ever receive an invitation. The invitation to perform at Jacob’s Pillow catapulted Ieremia as a choreographer and Black Grace into the highly competitive American market and the international stage. Since then, Black Grace performed in Australia, Canada, Germany, Holland, France, Japan, Luxembourg, Mexico, New Caledonia, South Korea, Switzerland and the United States of America. Among the company’s international highlights are sell-out performances at Jacob’s Pillow Dance Festival in Massachusetts and a four-week season on New York City’s 42nd Street, as well as performances at Cervantino Festival in Mexico, John F. Kennedy Center for the Performing Arts in Washington D.C, and the 2010 Cultural Olympiad in Vancouver.
In September 2022, Black Grace performed a piece in United States, and New Zealand named Fatu (Heart), inspired by New Zealand Samoan artist Fatu Feu’u. [4]
In 2025, Black Grace turned 30. [5]
The name Black Grace combines a word that in New Zealand is slang for daring and bravery with a quality not attributed to men. Neil Ieremia explains that “the word ‘black’ is a word we used to describe each other at high school. But it was a positive term. So, if you’d been impressed by something your mate had done, like, ask the prettiest girl out on a date, you might say, “gee, bro, you’re black”, and that was a compliment. We were taking a word that had been used in a negative way, and we were giving it a different meaning. Brave, bold, it’s not really a reference to colour at all. And, as for ‘grace’, that’s something my ballet teacher used to tell me that I lacked. She kept saying, “you need more grace, you need more grace!”. When I first coined the name, “Black Grace”, everyone hated it, so that’s why I chose it. That’s what we are as a company, as an entity, we go against the grain. It’s doing something that other people think is stupid or foolhardy. That’s what Black Grace means. It’s a mission statement.” (Ieremia, 2018 [6] )
| Year | Title |
|---|---|
| 1995 | Black Grace |
| 1995 | Relentless |
| 1996 | Compression |
| 1996 | New Works |
| 1998 | Deep Far |
| 1998 | Fia Ola |
| 1999 | Minoi |
| 1999 | Enter the Fu |
| 1999 | Fresh |
| 2000 | In Moving Memory |
| 2000 | Method |
| 2000 | Creek Boys |
| 2000 | New Religion |
| 2000 | UrbanYOUTHMovement (UYM) |
| 2002 | Human Language |
| 2002 | Malaga |
| 2002 | Escape - UYM |
| 2003 | Escape... Again - UYM |
| 2003 | Surface |
| 2004 | Objects |
| 2004 | This Life - UYM |
| 2005 | Ten |
| 2005 | Open Letter |
| 2007 | Amata |
| 2008 | Minoi 2 |
| 2008 | War Brides |
| 2009 | Gathering Clouds |
| 2009 | Pati Pati |
| 2009 | You Better Run Boy - UYM |
| 2010 | Who Are You - UYM |
| 2010 | Verses |
| 2011 | Migration |
| 2012 | Vaka |
| 2013 | Mother Mother |
| 2013 | Xmas Versees |
| 2014 | Totem |
| 2015 | Siva |
| 2016 | Another Letter From Earth |
| 2016 | As Night Falls |
| 2018 | Black Grace + Friends |
| 2018 | Lucky Dip |
| 2018 | Elephantic |
| 2018 | Crying Men |
| 2019 | Kiona and the Little Bird Suite |
| 2020 | 3 Dances |
| 2020 | Verses |
| 2020 | Virtual Verses |
| 2021 | The Outsiders' Ball |
| 2022 | O Le Olaga - Life |
| 2022 | Fatu |