"Black And White Rag" | |
---|---|
Song | |
Published | 1908 |
Genre | Ragtime |
Songwriter(s) | George Botsford |
The "Black and White Rag" is a 1908 ragtime composition by George Botsford. [1]
The song was recorded widely for both the phonograph and player piano, [2] and was the third ragtime composition to sell over one million copies of sheet music. [3] Early recordings were typically by bands; the first recording was performed by the American Symphony Orchestra for an Edison cylinder release. [4] [5] [a] The first known piano recording of the piece was by Albert Benzler, a recorded on Lakeside/U.S.Everlasting Cylinder #380 in June 1911. [6] [5] [a] This recording is somewhat rare (Lakeside/U.S.Everlasting cylinders, though molded celluloid on a wax/fiber core, were made in small batches).
Pianist Wally Rose revitalized interest in the song with his 1941 recording, [7] leading to one of the best-known versions: a 1952 recording by Trinidadian pianist Winifred Atwell, which helped her to establish an international profile. Originally the B-side of another composition, "Cross Hands Boogie", "Black and White Rag" was championed by the popular disc jockey Jack Jackson, and started a craze for Atwell's honky-tonk style of playing. [8] The recording became a million selling gold record, and in the United Kingdom was later used as the theme tune for the long-running BBC2 television snooker tournament, Pot Black . [9]
"Black and White" Rag was also later arranged for use as the music in the 1985 BBC Computer game Repton and some of its sequels. [10]
The piece has also become a fiddle standard since as early as the 1930s, with recordings by musicians such as Johnny Gimble and Benny Thomasson.
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
Scott Joplin was an American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.
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Una Winifred Atwell was a British pianist, born in the colony of Trinidad who migrated to Britain and who enjoyed great popularity in Britain and Australia from the 1950s with a series of boogie-woogie and ragtime hits, selling over 20 million records. She was the first black artist to have a number-one hit in the UK Singles Chart and had the first piano instrumental to reach number one in the UK Singles Chart, with “Let's Have Another Party” in 1954, and as of 2023, remains the only female instrumentalist to do so.
The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.
George Botsford was an American composer of ragtime and other forms of music.
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"The Ragtime Dance" is a piece of ragtime music by Scott Joplin, first published in 1902.
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