Blake Fleming | |
---|---|
Origin | United States |
Genres | Experimental rock, post-punk, progressive rock, math rock |
Occupation(s) | Drummer |
Instruments | Drums |
Associated acts | Laddio Bolocko, Dazzling Killmen, The Mars Volta, The Rollo Treadway, Future By Now |
Website | Official website |
Blake Fleming is a drummer known for his involvement with several influential experimental bands.
Born in Alton, Illinois, in 1972, Fleming started drumming at age 8, spending several years in fife and drumming corps, bagpipe bands, jazz bands, marching bands and orchestras. [1] While in the Alton Colonial Fife and Drum Corps, Blake studied under Jerry Whitaker, the East Coast Rudimental Snare Drum Champion from West Point. [2]
At the age of 15, Fleming co-founded his first band, Dazzling Killmen. The Killmen toured the US extensively, recording four 7” singles in addition to two full-length studio albums and one live album (Skin Graft/Touch and Go Records). They worked closely with Jeff Tweedy (Wilco, Uncle Tupelo) and Steve Albini (Nirvana, The Pixies, PJ Harvey) and shared the stage with Fugazi, The Jesus Lizard, Neurosis, Helmet, Uncle Tupelo, Sleep, Shellac, Agent Orange, The Bad Livers and Jim O'Rourke. [2]
Dazzling Killmen’s 1994 sophomore studio album, Face of Collapse, was named the "number one heavy record of the decade” by Alternative Press Magazine, the criteria for which included the dexterity of the rhythm section. [3]
Fleming traversed the US with the Japanese progressive punk band Zeni Geva on their 1996 Freedom Bondage tour. Later that year, he moved from St. Louis to New York City and formed the influential instrumental quartet Laddio Bolocko. Laddio Bolocko independently recorded and produced three studio albums, and toured the US and Europe numerous times between 1998 and 2000, earning Fleming the reputation of being a master drummer both in the US and Europe. [2]
After Laddio disbanded the previous fall, Fleming moved to Long Beach, CA in March 2001 to co-found The Mars Volta, and recorded their very first demo recordings (“The Haunt of Roulette Dares” and “Cicatriz ESP”) for Grand Royal (the Beastie Boys’ record label). [4] He also drummed on guitarist Omar Rodriguez-Lopez's first solo album A Manual Dexterity: Soundtrack Volume 1. Fleming then returned to New York City and, in 2002, formed Electric Turn To Me, [5] who toured the US and Europe extensively before splitting up in 2005. [2]
Fleming briefly rejoined The Mars Volta after drummer Jon Theodore's departure in June 2006, playing a sold-out arena tour opening for the Red Hot Chili Peppers throughout the US and Canada. He also appeared with the band on the Henry Rollins Show on the Independent Film Channel. [6]
Upon Fleming's return to The Mars Volta in 2006, vocalist Cedric Bixler-Zavala stated: [7]
I feel as if [former drummer] Jon Theodore's drumming was based on the simplicity of, like, John Bonham. As some kids were saying, it’s like Jon was more groove-oriented. Blake can be, too, but Blake likes to flip beats on you, and he likes to throw you off and have fun with it. He leans more toward [the style of] Zach Hill, Hella's drummer. I find myself tapping my toes while I’m singing to stay on top of the beat — figuring out how to [perform] and ignore the drums sometimes, and flow over it. Blake is the father of most of The Mars Volta songs. He’s the one that came up with a lot of beats for us. Even on Frances the Mute , "L'Via L'Viaquez" and certain parts [of the songs on the album], Blake Fleming beats [were taught to] Jon Theodore. Sometimes [we’d have] to not let Jon know that they were Blake’s beats, because he’d have a bit of a problem with that, since Blake was our first drummer and tracks like "Cicatriz ESP" and "Roulette Dares (The Haunt Of)" were Blake Fleming beats.
After the Chili Peppers tour, Fleming returned to New York City, devoting his time to teaching and session work, with artists including Evan Dando (Lemonheads) and Gibby Haynes (Butthole Surfers), The Ropes (Fleming drummed on their 2008 L.P. What They Do For Fun, which was #15 in the ABC News Top 50 Albums of 2008), Kim Taylor (NPR Artist of the Month), Israel Nash Gripka, Chris Riffle, The Rollo Treadway, Father Divine, Martin Walker, Jimi Zhivago, Underground River, and Vajra. [8] [9] [10] [11] [12] [13] [14]
Fleming drummed on Kim Taylor's 2006 album I Feel Like A Fading Light, which was an NPR World Cafe “Album of The Week,” featured on the CW's Smallville, and was one of Performing Songwriter's “Top Records of 2007”.
In 2009, Fleming worked with singer/songwriter Israel Nash Gripka, drumming on New York Town and The Gold Mine is Flooding. [15] [16] Together, they toured the Netherlands and England (where the record New York Town was in the top 10 Americana charts for both countries), playing prestigious Americana festivals (including the Take Root and Roepaen festivals in the Netherlands), and recording TV and radio shows in Amsterdam and London. Their BBC Radio 2 taping was with the legendary Bob Harris, [17] who started The Old Grey Whistle Test (a famous British music TV show from the 70's) and who has hosted everyone from John Lennon to Bob Marley. Also with Israel, Fleming appeared on Uncut Magazine's CD compilation (April 2010 issue) and on the Best of the Songwriter's Hall of Fame New Writers CD (2010).
Fleming played on New York City singer/songwriter Chris Riffle's 2010 debut album, Introducing..., which placed Chris on the 2011 Grammy nominee ballot for Best Contemporary Folk Album. [18] Fleming has since drummed on Chris' two subsequent EPs, I Am Not From Here and Another Dream.
In April 2011, Fleming gave a solo drum concert alongside live painters and vj Lady Firefly in a multi-media performance at St. Peter's Church in New York City. [19]
Since 2006, Fleming has worked extensively with video artist Janet Biggs, composing soundtracks and performing live at art festivals and other installations. Their collaborations have been featured at the Art Basel Festival in Miami (where he performed solo drumset poolside with Olympic synchronized swimmers); The Gibbes Museum of Art (Charleston, SC); Solomon Projects (Atlanta, GA); Smack Mellon (Brooklyn, NY); The Johnson Museum (at Cornell University, Ithaca, NY); The Mint Museum of Art Permanent Collection (Charlotte, NC); International Video Art Fair (Barcelona, Spain); The European Media Art Festival (Osnabrueck, Germany); North Sea Film Festival for Underwater Movies (the Hague, Netherlands); and the Claire Oliver Gallery (New York, NY). [2] Blake composed the soundtrack to Biggs’ In The Cold Edge, which appeared at the 2010 Pulse Contemporary Art Festival, and, in September 2011 performed in Biggs’ multi-media installation, Wet Exit, on the banks of New York City's East River, along with the New York Kayak Polo team, as part of the DUMBO Arts Festival in Brooklyn, NY. [20]
Fleming has been an adjunct professor at the State University of New York at Oneonta since 2008, teaching private lessons and running a number of rock-based ensembles. [2]
Fleming recorded drums for the debut album by the India-influenced band, Vajra, which was mixed by engineer/producer Sylvia Massy (Tool, System of a Down, Prince, Johnny Cash), and is slated to be released in June, 2012. [14]
In addition to freelance work and teaching, Fleming is one half of the experimental group Future By Now, [21] along with engineer/musician Andris Balins (Sean Lennon, Nels Cline). [22] [23]
De-Loused in the Comatorium is the debut studio album by American progressive rock band the Mars Volta, released on June 24, 2003, on Gold Standard Laboratories and Universal Records. Based on a short story written by lead singer Cedric Bixler-Zavala and sound manipulation artist Jeremy Michael Ward, the concept album is an hour-long tale of Cerpin Taxt, a man who enters a week-long coma after overdosing on a mixture of morphine and rat poison. The story of Cerpin Taxt alludes to the death of El Paso, Texas artist—and Bixler-Zavala's friend—Julio Venegas (1972–1996).
The Mars Volta was an American progressive rock band from El Paso, Texas, formed in 2001. The band's final live lineup consisted of Omar Rodríguez-López, Cedric Bixler-Zavala, Juan Alderete (bass), Marcel Rodríguez-López, and Deantoni Parks (drums). The band formed following the break-up of Rodríguez-López and Bixler-Zavala's previous band, At the Drive-In. They are known for their energetic live shows and their concept albums.
Dazzling Killmen was an American math rock band from the St. Louis, Missouri area. Formed in 1990, the group issued four singles and two full-lengths before officially ending in 1995, with a majority of it released through the independent label Skin Graft Records. Taking influence from hardcore punk and jazz music, the band has been noted by critics to have helped influence genres such as math rock and post-metal.
Evan Griffith Dando is an American musician and frontman of the Lemonheads. He has also embarked on a solo career and collaborated on songs with various artists. In December 2015 Dando was inducted into the Boston Music Awards Hall of Fame.
Mathcore is a subgenre of hardcore punk and metalcore influenced by post-hardcore, extreme metal and math rock that developed during the 1990s. Bands in the genre emphasize complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes. Early mathcore lyrics were addressed from a realistic worldview and with a pessimistic, defiant, resentful or sarcastic point of view.
De Facto was a dub reggae band which included Cedric Bixler-Zavala, Omar Rodríguez-López, Isaiah "Ikey" Owens and Jeremy Michael Ward.
Jon Philip Theodore is an American drummer. He is best known as a former member of The Mars Volta and as the current drummer for Queens of the Stone Age. Theodore is also a member of One Day as a Lion.
Scabdates is the second official live recording from the band The Mars Volta. It was released on November 8, 2005 and features music recorded between May 2004 and May 2005 during the tours in support of De-Loused in the Comatorium and Frances the Mute. In 2011, NME magazine named it one of the 50 greatest live albums of all time. The "And Ghosted Pouts" section of "Take the Veil Cerpin Taxt" was used in the film Get Him to the Greek.
Brise-Glace was a 1990s instrumental avant-rock "supergroup" composed of Jim O'Rourke, Darin Gray, Dylan Posa (guitar), and Thymme Jones (drums).
Deantoni Parks is an American new wave/avant-garde/experimental drummer, songwriter, actor and record producer. He is the founder, producer and drummer of the New York band KUDU, and one half of the writing duo We Are Dark Angels with composer, producer and keyboardist Nicci Kasper, also a member of KUDU. He was a member of progressive rock band the Mars Volta and a member of the alternative rock act Bosnian Rainbows.
Thomas Armon Pridgen is an American drummer, best known for his role as the drummer of The Mars Volta from October 2006 until October 2009. He is touring with rapper Residente and is the drummer for hardcore punk band Trash Talk, as well as his own project The Memorials.
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The Omar Rodriguez Lopez Group is an American experimental rock band, and the main side project of Omar Rodríguez-López. Featuring an ever-changing lineup of musicians alongside Rodriguez-Lopez, the group is most often a live entity to perform the various outlets of his solo music aside from the Mars Volta. After the dissolution of the Mars Volta in 2012, Omar completed a few more solo records until 2013 before deciding to pursue only collaborative efforts with groups At the Drive-In, Bosnian Rainbows, Antemasque, and Crystal Fairy.
Absence Makes the Heart Grow Fungus is the first instrumental and sixth overall studio album and by Omar Rodríguez-López, released by Infrasonic Sound on September 19, 2008. It is one of four solo albums completed in 2001 by Omar Rodríguez-López during the interim period following the demise of At the Drive-In and the formation of The Mars Volta. Absence... was tracked at Doug Messenger's North Hollywood studio only a few weeks after Rodriguez-Lopez recorded A Manual Dexterity: Soundtrack Volume One there, and is comparable to that project in both sound and atmosphere.
Midnight to Midnight is the fifth studio album by the English rock band the Psychedelic Furs, released in February 1987 by Columbia Records.
Face of Collapse is the second and final studio album by Dazzling Killmen, released on March 14, 1994 through Skin Graft Records. Since its initial release, the album has been noted by reviewers to of help influence the development of genres such as math rock, math metal, and post-metal with its utilization of song structures typically associated with jazz and progressive music.
Recuerda is a compilation album by Dazzling Killmen, released on July 9, 1996 through Skin Graft Records.
Zavalaz is an American rock band from Los Angeles, California, formed in 2013. It features singer and guitarist Cedric Bixler-Zavala, guitarist Dan Elkan, bassist Juan Alderete and drummer Gregory Rogove.
Arañas en la Sombra is the thirtieth studio album by Omar Rodríguez-López as a solo artist, released on 26 August 2016. It is his fourth release in the 12 album series initiated by Ipecac Recordings.
Giraffe Tongue Orchestra is an American rock supergroup. The band consists of Alice in Chains vocalist William DuVall, guitarist Brent Hinds of Mastodon, lead guitarist Ben Weinman of The Dillinger Escape Plan, drummer Thomas Pridgen of The Mars Volta, and bassist Pete Griffin of Dethklok and Zappa Plays Zappa. The band released their debut LP, Broken Lines on September 23, 2016.