Phideaux Xavier is an American television director, and composer of modern technological music that he describes as 'psychedelic progressive gothic rock', who grew up near New York City but now lives in Los Angeles.
Apocalypse is a progressive rock band from Brazil that plays symphonic rock with strong electronic keyboard orientation.
Perto do Amanhecer is the second studio album by Brazilian progressive rock group Apocalypse. The compositions are in the symphonic prog rock way with influences of progressive British bands such as Yes, Marillion, IQ, Genesis and Emerson, Lake & Palmer. Keyboardist Eloy Fritsch's Minimoog solos and synthesizers are present on all tracks of this CD. The album has some classical moments and even hard rock passages. The lyrics are in Portuguese and deal with several themes, such as existentialism, nature, science fiction, and mysticism. Musea invited the band to perform at a compilation, which came later as Le Melleur du Progressif Instrumental. This CD was edited in the end of 1995 with several European bands and Apocalypse representing Brazil with the song "Notre Dame".
Aurora dos Sonhos is the third studio album by the Brazilian progressive rock group Apocalypse. One year after Perto do Amanhecer, Apocalypse released Aurora dos Sonhos through Musea Records. The album dealt with different issues like conservation of nature, science fiction and spirituality. The tracks scan the fields of neo prog and symphonic rock with comfort.
Oaksenham is an electric and acoustic progressive rock band established in 2001. Oaksenham’s core consists of experienced musicians that have played in a range of influential Armenian rock bands: Vahagn Papayan and Ashot Korganyan from the same progressive band very popular in 1990s in Armenia.
Wobbler is a Norwegian progressive rock band formed in 1999.
Per un amico is the second album from the Italian progressive rock band Premiata Forneria Marconi. Released in 1972 by all the initial members of the group, it is considered their breakthrough album that put them on the map. The album remains popular among progressive rock fans throughout Italy and the group will usually still perform all tracks on the album today.
Glass is a progressive rock trio from the Pacific Northwest. The group consists of Greg Sherman on keyboards, vibes and Mellotron, his brother Jeff Sherman on bass guitar, guitar, bass pedals and keyboards, and their childhood friend Jerry Cook on drums and percussion.
Anthology is a compilation album by the progressive rock band the Moody Blues. It was released in the US on 20 October 1998. It was not released in the UK until 2001 under the title The Collection with different artwork but with the same tracks as the US release.
Yesterdays is a Hungarian symphonic progressive rock band based in Carei, Romania.
The Muffins were an American Maryland-based progressive rock/avant-jazz group. They were formed in Washington, DC in the early 1970s and recorded four albums before disbanding in 1981. In 1998 the group reformed and recorded a further five albums and a DVD. The Muffins played at Symphony Space on Broadway in NYC with Marion Brown in 1979, and also performed at a number of festivals, starting with the ZU Manifestival in New York City in 1978, The Villa Celimontana festival in Rome, Italy in 2000, two appearances at Progday in 2001 and 2002, NEARfest in 2005, and the "Rock in Opposition" festival in France in 2009. In 2010, the Muffins headlined at Progday, making a third appearance at this long running festival.
Jeffrey Edward Sherman is an American musician. He is a founding member of the band Glass and several other bands, as well as a solo artist who has released both under his own name and under the pseudonym Jeff Joad.
Happy the Man is the debut album by the American progressive rock band Happy the Man, released in 1977. Rolling Stone ranked it 50th on their list of the 50 greatest prog-rock albums of all time.
Notturno Concertante is an Italian neo-prog band established in 1984. It has since released five albums, and collaborated in several other projects, most notably with Tony Pagliuca and Italian novelist and humorist Stefano Benni. Some of their compositions have also been used as soundtracks for Italian television shows.
Still is the only solo album by Pete Sinfield, former lyricist of progressive rock band King Crimson, released in 1973. At the time, Sinfield was involved with Emerson, Lake & Palmer, and Greg Lake assisted with vocals, while other King Crimson alumni provided assistance. The cover artwork depicts "The Big Friend" by German artist Sulamith Wülfing.
The Black Chord is an album by American progressive rock band Astra. It is their second album, released in the United States on March 27, 2012 on Metal Blade Records, and on April 16 in the United Kingdom on the independent label Rise Above Records.
Delusion Rain is the sixth studio album by the Canadian rock band Mystery, released in November 2015 on Unicorn Digital. The album features a new studio lineup for the band, with guitarist and keyboardist Michel St-Père, keyboardist Benoît Dupuis, bassist François Fournier, guitarist Sylvain Moineau, drummer Jean-Sébastien Goyette, and singer Jean Pageau.
The Second Brightest Star is the eleventh studio album by the English progressive rock band Big Big Train. It contains a mix of new songs along with re-worked material from the band's previous two albums, Folklore and Grimspound. It is the band's last album to feature co-founder Andy Poole who departed the band in January 2018.
Deep Blue is the debut solo album by Northern Irish singer-songwriter Louise Patricia Crane, released on 15 May 2020 by Peculiar Doll Records.
Common Ground is the thirteenth studio album by the English progressive rock band Big Big Train, released on 30 July 2021. With the departure of Dave Gregory, Rachel Hall, and Danny Manners in 2020, Common Ground is the first album release with the core four-piece lineup of Greg Spawton, David Longdon, Nick D'Virgilio, and Rikard Sjöblom. Joining the core line-up on the album are session musicians Carly Bryant, Dave Foster, and Aidan O'Rourke. Upon release it entered the UK music charts at number 31.
