Production details
Blood in the Face was inspired by a nonfiction book of the same name by author James Ridgeway, who is also credited as one of the film's directors. This documentary was largely shot in Cohoctah Township, Michigan. It focuses on a gathering of neo-Nazis, racists, and conspiracy theorists who expect people of color to ignite a Racial Holy War in the U.S.
Filmmakers Anne Bohlen and Kevin Rafferty take an intentionally leisurely, conversational tack with supremacists who have assembled for lectures and workshops on everything from getting their message out via home videos to moving all like-minded "white Christians" to the Pacific Northwest, especially the Idaho Panhandle.
According to the audio commentary on the Roger & Me DVD, Academy Award-winning American filmmaker Michael Moore appears as an off-screen interviewer because he was originally contacted to arrange a meeting between the filmmakers and the supremacists since he had previously interviewed them for a magazine. At the last minute, the filmmakers backed out of the interview and Moore stepped in to conduct it. Moore is thanked in the end credits.
Michael Moore does appear on camera during one interview, and can be heard during another interview.
Roger & Me is a 1989 American documentary film written, produced, directed by, and starring Michael Moore, in his directorial debut. Moore portrays the regional economic impact of General Motors CEO Roger Smith's action of closing several auto plants in his hometown of Flint, Michigan, reducing GM's employees in that area from 80,000 in 1978 to about 50,000 in 1992.
Bowling for Columbine is a 2002 documentary film written, produced, directed, and narrated by Michael Moore. The documentary film explores what Moore suggests are the primary causes for the Columbine High School massacre in 1999 and other acts of gun violence. He focuses on the background and environment in which the massacre took place and some common public opinions and assumptions about related issues. The film also looks into the nature of violence in the United States, and American violence abroad.
The Atomic Cafe is a 1982 American documentary film directed by Kevin Rafferty, Jayne Loader and Pierce Rafferty. It is a compilation of clips from newsreels, military training films, and other footage produced in the United States early in the Cold War on the subject of nuclear warfare. Without any narration, the footage is edited and presented in a manner to demonstrate how misinformation and propaganda was used by the U.S. government and popular culture to ease fears about nuclear weapons among the American public.
James Byrd Jr. was an American man who was murdered by three men, two of whom were avowed white supremacists, in Jasper, Texas, on June 7, 1998. Shawn Berry, Lawrence Brewer, and John King dragged him for 3 miles behind a Ford pickup truck along an asphalt road. Byrd, who remained conscious for much of his ordeal, was killed about halfway through the dragging when his body hit the edge of a culvert, severing his right arm and head. The murderers drove on for another 1+1⁄2 miles before dumping his torso in front of a black church.
John David Landis is an American filmmaker and actor. He is best known for directing comedy films such as The Kentucky Fried Movie (1977), National Lampoon's Animal House (1978), The Blues Brothers (1980), Trading Places (1983), Three Amigos (1986), Coming to America (1988) and Beverly Hills Cop III (1994), and horror films such as An American Werewolf in London (1981) and Innocent Blood (1992). He also directed the music videos for Michael Jackson's "Thriller" (1983) and "Black or White" (1991).
Samuel Michael "Sam" Fuller was an American film director, screenwriter, novelist, journalist, actor, and World War II veteran known for directing low-budget genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s.
Kevin Glyn Buchanan Macdonald is a Scottish film director. His films include One Day in September (1999), a documentary about the 1972 murder of 11 Israeli athletes, which won him the Academy Award for Best Documentary Feature, the climbing documentary Touching the Void (2003), the drama The Last King of Scotland (2006), the political thriller State of Play (2009), the Bob Marley documentary Marley (2012), the post-apocalyptic drama How I Live Now (2013), the thriller Black Sea (2014), the Whitney Houston documentary Whitney (2018), and the legal drama film The Mauritanian (2021).
John Ross Taylor was a Canadian fascist political activist and party leader prominent in white nationalist circles.
James Fowler Ridgeway was an American investigative journalist. In a career spanning six decades, he covered many topics including automobile industry safety, American universities, far-right movements including the Ku Klux Klan and Neo-Nazism, and campaigns against solitary confinement. He was the Washington correspondent for The Village Voice for over 30 years between the mid-1970s to mid-2000s, and had also worked for The New Republic, and Mother Jones. He had also contributed to magazines and newspapers including The New York Times, The New York Review of Books, The Wall Street Journal, and The Economist among others.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
The gun barrel sequence is a signature device featured in nearly every James Bond film. Shot from the point of view of a presumed assassin, it features James Bond walking, turning, and then shooting directly at the camera, causing blood to run down the screen. The visuals are usually accompanied by the "James Bond Theme", written by Monty Norman.
Prussian Blue was an American pop music duo which was composed of Lynx Vaughan Gaede and Lamb Lennon Gaede, fraternal twins who were born on June 30, 1992, in Bakersfield, California. The duo was formed in early 2003 by their mother April Gaede, a member of the neo-Nazi organization National Alliance. Their music was described as racist and white supremacist, promoting neo-Nazi rhetoric such as Holocaust denial.
Kevin Gelshenen Rafferty II was an American documentary film cinematographer, director, and producer, best known for his 1982 documentary The Atomic Cafe.
The Times of Harvey Milk is a 1984 American documentary film that premiered at the Telluride Film Festival, the New York Film Festival, and then on November 1, 1984, at the Castro Theatre in San Francisco. The film was directed by Rob Epstein, produced by Richard Schmiechen, and narrated by Harvey Fierstein, with an original score by Mark Isham.
The Desert Rats is a 1953 American black-and-white war film from 20th Century Fox, produced by Robert L. Jacks, directed by Robert Wise, that stars Richard Burton, James Mason, and Robert Newton. The film's storyline concerns the Siege of Tobruk in 1941 North Africa during World War II.
Manufacturing Dissent: Uncovering Michael Moore is a 2007 documentary film. It puts forward that filmmaker Michael Moore has used misleading tactics, primarily using on-camera statements by interviewees with personal grievances against Moore as proof. The documentary attempts to expose what the creators say are Moore's misleading tactics and mimics Moore's style of small documentary makers seeking and badgering their target for an interview to receive answers to their charges. The film was made over the course of two years by Canadians Debbie Melnyk and Rick Caine after they viewed Fahrenheit 9/11, Moore's controversial film that attacked the Bush administration and its policies. Melnyk and Caine have stated that when they first sought to make a film about Moore, they held great admiration for what he had done for the documentary genre and set out to make a biography of him. During the course of their research, they became disenchanted with Moore's tactics. The title is a parody of the book Manufacturing Consent by Edward S. Herman and Noam Chomsky, and the film it inspired. In June 2007, Liberation Entertainment Inc. signed an exclusive deal with the filmmakers for all video and theatrical rights in the US & UK.
An American Carol is a 2008 American satirical comedy film directed by David Zucker and written by Zucker, Myrna Sokoloff and Lewis Friedman. Using the framework of Charles Dickens' 1843 novella A Christmas Carol, the film follows liberal filmmaker Michael Malone as he is visited by three spirits to teach him the importance of Independence Day. The film satirizes liberalism in the United States, with focus on Moore's documentaries. It stars Kevin Farley as Malone, alongside an ensemble supporting cast that includes Kelsey Grammer, Leslie Nielsen, Trace Adkins, Robert Davi, and Jon Voight.
Tariq Nasheed is an American film producer and internet personality. He is best known for his Hidden Colors film series, as well as his commentary and promotion of conspiracy theories on social media.
Death of a Nation: Can We Save America a Second Time? is a 2018 American political documentary film by Dinesh D'Souza, a US conservative provocateur. In the film D'Souza presents a revisionist history comparing the political climate surrounding the 45th President of the United States Donald Trump to that of the 16th President, Abraham Lincoln. The film argues that the Democratic Party from both eras was critical of the presidents of the time and that the Democrats have similarities to fascist regimes, including the Nazi Party. The film was written and directed by Dinesh D'Souza and Bruce Schooley, and produced by Gerald R. Molen. It was produced on a budget of $6 million.
American Dharma is a 2018 British-American documentary film directed by Errol Morris. The film follows the career of political strategist Steve Bannon. The film was released on November 1, 2019, by Utopia.
