Blue Prism Painting I | |
---|---|
Artist | Josiah McElheny |
Year | 2014 |
Medium | Sculpture (Blue glass, mirror, oak, plywood) |
Dimensions | 107.5 cm× 107.5 cm× 18.8 cm(42.3 in× 42.3 in× 7.4 in) |
Location | Memorial Art Gallery, Rochester, NY |
Blue Prism Painting I is a sculpture created by Josiah McElheny in 2014. Crafted out of blue glass, mirror, oak, and plywood, this sculpture is the first installment of his blue prism series, crafted from 2014-2015. Blue Prism Painting I features 11 blue glass shapes, set on blue mirrored shelves in a wooden box frame. It was purchased in 2014 as a part of the permanent collection for the Memorial Art Gallery in Rochester, New York. [1]
Artist Josiah McElheny is known primarily for his work as a glass blower. [2] Many of McElheny's glass objects and sculptures are noted for being replications of historical artworks, the subject matter ranging from 1950's Dior dresses to 20th-century European Modernist glass designs. [2] [3] [4] McElheny includes the container as a part of each work, which typically reflects the period he's referencing by using a historical art style or material. [2] [3] Each of these pieces is accompanied by a caption, poem, quotation, photograph, or other written text that draws connections between the original subjects and modernity. [4] [5] While a product of history, these works are abstracted replica of their predecessors. [6] [7] McElheny's merging of the past and present is aided by his use of metal, glass, and mirrors. [6] [8]
Blue Prism Painting I is a commentary on art history. The 11 glass forms are inspired by the work of 20th century designer Vickie Lindstrand. [1] The rest of the composition uses techniques inspired by the Abstract Expressionist Ad Reinhardt. [9] McElheny borrows Reinhardt's use of floating frames and the monochrome color palette of his "Blue Paintings". [1] The works in this series are solid fields of blue with cross-sections that are a slightly different tones than the background. [9] These cross-sections are only appear through long exposure to the piece, leading the viewer who does not linger to assume the painting is a simple blue canvas. [10] [11] Blue Prism Painting I, being composed of reflective blue glass and mirrors, only reflects blue light onto blue light. This sculpture looks flat from a distance, as if it is a painting. [9] Like the Reinhardt's work, McElheny's piece presents as something it is not. The mirrors inside McElheny's sculptures often reflect the interior glass pieces infinitely. [8] [12] In this piece, the room the sculpture sits in, and the viewer, are also reflected, making each angle of observation unique. Only when one approaches the piece from up close, or at an angle, can the viewer see the interior reflections, frame, or the true materials used. [13]
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
Blackbear Bosin was a self-taught Kiowa/Comanche sculptor, painter, and commercial artist. He is also known by his Kiowa name, Tsate Kongia, which means "black bear."
Studio glass is the modern use of glass as an artistic medium to produce sculptures or three-dimensional artworks in the fine arts. The glass objects created are intended to make a sculptural or decorative statement, and typically serve no useful function. Though usage varies, the term is properly restricted to glass made as art in small workshops, typically with the personal involvement of the artist who designed the piece. This is in contrast to art glass, made by craftsmen in factories, and glass art, covering the whole range of glass with artistic interest made throughout history. Both art glass and studio glass originate in the 19th century, and the terms compare with studio pottery and art pottery, but in glass the term "studio glass" is mostly used for work made in the period beginning in the 1960s with a major revival in interest in artistic glassmaking.
Daniel Graham was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Ellsworth Kelly was an American painter, sculptor, and printmaker associated with hard-edge painting, Color field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employed bright colors. He lived and worked in Spencertown, New York.
Ginny Ruffner is a pioneering American glass artist based in Seattle, Washington. She is known for her use of the lampworking technique and for her use of borosilicate glass in her painted glass sculptures.
Judy Jensen is an American artist who resides in Austin, Texas. She is best known for her reverse painting on glass, although she incorporates other mixed media into her glass pieces. According to Nancy Bless, Jensen's works "lie somewhere between a collage and a collection."
Josiah McElheny is an artist and sculptor, primarily known for his work with glass blowing and assemblages of glass and mirrored glassed objects. He is a 2006 recipient of the MacArthur Fellows Program. He lives and works in New York City.
The Corning Museum of Glass is a museum in Corning, New York in the United States, dedicated to the art, history, and science of glass. It was founded in 1951 by Corning Glass Works and currently has a collection of more than 50,000 glass objects, some over 3,500 years old.
Larry Bell is an American contemporary artist and sculptor. He is best known for his glass boxes and large-scaled illusionistic sculptures. He is a grant recipient from, among others, the National Endowment for the Arts and the Guggenheim Foundation, and his artworks are found in the collections of many major cultural institutions. He lives and works in Taos, New Mexico, and maintains a studio in Venice, California.
Jacob Hashimoto is an American artist based in New York City. Using sculpture, painting, and installation, Hashimoto creates complex worlds from a range of modular components: bamboo-and-paper kites, model boats, even astroturf-covered blocks. His accretive, layered compositions reference video games, virtual environments, and cosmology, while also remaining deeply rooted in art-historical traditions notably, landscape-based abstraction, modernism, and handcraft.
Albert Paley is an American modernist metal sculptor. Initially starting out as a jeweler, Paley has become one of the most distinguished and influential metalsmiths in the world. Within each of his works, three foundational elements stay true: the natural environment, the built environment, and the human presence. Paley is the first metal sculptor to have received the Lifetime Achievement Award from the American Institute of Architects. He lives and works in Rochester, New York with his wife, Frances.
Alyson Shotz is an American sculptor based in Brooklyn, New York. She is known for experiential, large-scale abstract sculptures and installations inspired by nature and scientific concepts, which manipulate light, shadow, space and gravity in order to investigate and complicate perception. Writers suggest her work challenges tenets of monumental, minimalist sculpture—traditionally welded, solid, heavy and static—through its accumulation of common materials in constructions that are often flexible, translucent, reflective, seemingly weightless, and responsive to changing conditions and basic forces. Sculpture critic Lilly Wei wrote, "In Shotz’s realizations, the definition of sculpture becomes increasingly expansive—each project, often in series, testing another proposition, another possibility, another permutation, while ignoring conventional boundaries."
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware.
Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic.
The infinity mirror is a configuration of two or more parallel or angled mirrors, which are arranged to create a series of smaller and smaller reflections that appear to recede to infinity. Often the front mirror of an infinity mirror is half-silvered, but this is not required to produce the effect. A similar appearance in artworks has been called the Droste effect. Infinity mirrors are sometimes used as room accents or in works of art.
Nicole Chesney is an American contemporary artist. She is best known for her mirrored glass paintings and large-scale architectural pieces.
Thaddeus Wolfe is an American designer and artist, known for his glass vessels, light fixtures, and wall-bound pieces made through a "unique molding process that combines one-of-a-kind plaster casts and expert glassblowing". His glasswork is multi-layered and highly textured, often incorporating brass and bronze. In 2016, Wolfe was awarded the Rakow Commission given every year by the Corning Museum of Glass. Wolfe lives and works in Brooklyn, New York.
Keri Ataumbi is a Kiowa artist, who paints and sculpts, but is most known as a jewelry maker. Her works have been featured in exhibits and permanent collections of various museums including the Heard Museum, Minneapolis Institute of Art, Peabody Essex Museum, Philbrook Museum of Art, and the Smithsonian National Museum of the American Indian. In 2015, she and her sister, Teri Greeves were honored as Living Treasures by the Museum of Indian Arts and Culture in Santa Fe, New Mexico.
Mirror Piece is a 1965 contemporary art installation by Michael Baldwin, a member of the British conceptual art collective Art & Language.