Bluff City | ||||
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Studio album by | ||||
Released | April 27, 1999 | |||
Genre | Garage rock | |||
Length | 45:40 | |||
Label | Sympathy for the Record Industry | |||
Compulsive Gamblers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic |
Bluff City is the second studio album by the Compulsive Gamblers. It was released on April 27, 1999, by the independent music label, Sympathy for the Record Industry. The album was recorded after the band returned from a four-year hiatus in which members Greg Cartwright and Jack Yarber were recording under the name, the Oblivians. Bluff City was written while the Compulsive Gamblers were a threesome, with Cartwright and Yarber joined by Bushrod Thomas on drums. After the recording of Bluff City, the group recruited bassist Jeff Meier for a European tour in support of the album. [2]
Reigning Sound is an American garage punk band originally based in Memphis, Tennessee, United States, now located in Asheville, North Carolina. In 2012, it signed to Merge Records. The band's current lineup includes songwriter Greg Cartwright, Benny Trokan (bass), Mike Catanese (guitar), Mikey Post (drums) and Dave Amels (organ).
The Power Station Years: The Unreleased Recordings is a compilation of previously unreleased songs recorded by vocalist/guitarist Jon Bon Jovi that was first released as a 10 track compilation in 1998. They were recorded in the early 1980s at The Power Station recording studio, where John worked as a janitor. The songs were recorded prior to the formation of the now-famous band, Bon Jovi. The album has been reissued several times since with 14 track versions and the latest 20 track edition. The albums were produced and released by Tony Bongiovi – Jon's father's first cousin. The albums are unofficial and were originally released under the "Masquerade" record label and have been re-released with different packaging on several occasions, including as Hollywood Dreams on July 9, 2018.
Greg Cartwright, also known by his stage name Greg Oblivian, is an American singer, songwriter, and guitarist from Memphis, Tennessee. He currently fronts Reigning Sound and is signed to Merge Records. After moving away from Memphis in the mid-2000s, he has since lived with his family in Asheville, North Carolina. Cartwright is also a founding member of the Memphis '90s garage bands The Compulsive Gamblers, The Oblivians and Greg Oblivian & the Tip Tops.
...Play Nine Songs with Mr. Quintron is the third studio album by the Oblivians, released in 1997 on Crypt Records. The album features noted Ninth Ward nightclub organist Mr. Quintron playing organ and percussion on a number of tracks.
Popular Favorites is the second studio album by the Oblivians. It was released in 1996 on Crypt Records.
Compulsive Gamblers were an American garage rock group formed in Memphis, Tennessee, in 1990 by Greg Cartwright and Jack Yarber, both future members of the Oblivians.
Jack Yarber, also known by his stage name Jack Oblivian, is an American singer, songwriter, and guitarist based in Memphis, Tennessee. He was a founding member of the garage bands The Compulsive Gamblers, and The Oblivians and currently fronts Jack O & the Tennessee Tearjerkers.
'68 Comeback is an American garage rock band formed in Memphis, Tennessee in 1992 by singer, songwriter, and musicologist, Jeffrey Evans. For the purposes of the band, Jeffrey Evans is frequently billed as either "Monsieur Evans" or "Monsieur Jeffrey Evans." The group contains a revolving cast of musicians, the only constant member being Evans himself.
Too Much Guitar is the third album by the Reigning Sound. It was released in 2004 by In the Red Records. Originally, bandleader Greg Cartwright toyed with the idea of calling the album PILL-POPPING MOM ONLY TAKING WHAT SHE NEEDS TO GET BY, a headline which he had seen in a Commercial Appeal medical advice column, but scrapped the idea when the album began to change direction musically.
Gambling Days Are Over is the debut studio album by the Compulsive Gamblers. It was released in 1995 by Sympathy for the Record Industry. The album, with the exception of the last three songs, was recorded on an 8-track recorder in vocalist Jack Oblivian's apartment. The album was released after the band had already broken up, and was essentially a collection of the groups three 7-inch releases, "Church Goin'," "Joker," and Goodtime Gamblers." During the recording of the album the Compulsive Gamblers lineup consisted of Jack Oblivian and Greg Oblivian on guitar and vocals, Bushrod Thomas on drums, Fields Trimble on bass, and Greg Easterly on violin. The first three songs on the album are cover songs reflecting the band's diverse influences; the album contains covers by The Tornados, the Bar-Kays, and Tom Waits. The song "Sour and Vicious Man" was covered by Jay Reatard of the Reatards on their third album, Not Fucked Enough.
Time Bomb High School is the second album by the Reigning Sound. It was released in 2002 on In the Red Records. The album featured the original Reigning Sound lineup of Greg Cartwright on lead vocals and guitar; Alex Greene on organ, piano, guitar, and backing vocals; Jeremy Scott on bass, and backing vocals; and Greg Roberson on drums. Howlin' Pelle Almqvist of The Hives commented in Rolling Stone that Time Bomb High School was his favorite record of 2002.
Break Up, Break Down is the first studio album by the Reigning Sound. It was released on May 15, 2001, by Sympathy for the Record Industry.
Crystal Gazing Luck Amazing is the third and final studio album by The Compulsive Gamblers. The album was released June 20, 2000 by Sympathy for the Record Industry. The album's lineup consisted of Gamblers mainstays Greg Cartwright and Jack Yarber on guitar and vocals. The Compulsive Gamblers began recording the album following their first European tour, which saw the addition of bassist Jeff Meier and keyboardist Brendan Lee Spengler to the Compulsive Gamblers' formerly three-piece outfit. The track Rock & Roll Nurse was covered by the band The Von Bondies on their 2001 debut album Lack of Communication.
Live & Deadly: Memphis–Chicago is a live album recorded by the Compulsive Gamblers. It is the final release by the band, released on April 15, 2003 by the independent record label Sympathy for the Record Industry. The album contains 16 tracks recorded during two May 2002 performances, one in Memphis, Tennessee, and the other in Chicago, Illinois. Live & Deadly was released just prior to the second and final time the Compulsive Gamblers disbanded. The album contains cover songs by the Bar-Kays, Tom Waits, and Nolan Strong & The Diablos. The song "Sour and Vicious Man" was in turn covered by The Reatards on their third album, Not Fucked Enough.
Be What You Want To is the 1973 album by pioneer Rock & Roll guitarist, and Shawnee Indian Link Wray. The album was recorded in 1972 with many guest musicians, including Jerry Garcia, Commander Cody, and David Bromberg.
Organic is the fifteenth studio album by Joe Cocker, released on October 14th, 1996 in the UK.
Patti is the seventh album released by recording artist Patti LaBelle, released in July 1985.
Home for Orphans is a compilation album by the Reigning Sound. It was released in 2005 on Sympathy for the Record Industry. The album features the original Reigning Sound lineup of Greg Cartwright on lead vocals and guitar; Alex Greene on organ, piano, guitar, and backing vocals; Jeremy Scott on bass, and backing vocals; and Greg Roberson on drums.. This album mainly consists of slower, moodier outtakes from the Too Much Guitar recording sessions, as well as a some covers, including "Without You," a Gene Clark cover. An alternate version of "If Christmas Can't Bring You Home", a Reigning Sound original holiday song, also appears.
The Oblivians are an American garage punk trio that has existed since 1993. In the 1990s, their blues-infused brand of bravado, crudely recorded music made them one of the most popular and prominent bands within the underground garage rock scene.
The Beach Boys with the Royal Philharmonic Orchestra is a 2018 album of remixed Beach Boys recordings with new orchestral arrangements performed by the Royal Philharmonic Orchestra. It was produced by Nick Patrick and Don Reedman, who conducted similar projects for Roy Orbison and Elvis Presley.
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