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Bob Dalsemer | |
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Background information | |
Birth name | Robert G. Dalsemer |
Born | Baltimore, US | October 18, 1943
Genres | Folk |
Occupation(s) | Musician, singer, folk dance caller/writer |
Instrument(s) | Vocals, fiddle, guitar, mandolin, and piano accordion |
Years active | 1971–present |
Website | http://www.bobdalsemer.com/ |
Bob Dalsemer (born 1943) is a square and contra dance writer and caller. [1] He has called dances for more than 40 years and in more than 33 states, plus internationally in Canada, the Czech Republic, Britain, Belgium, Denmark and Russia. [2] He wrote the book West Virginia Square Dances (CDSS, 1982) and Folk Dance Fun for Schools and Families (John C. Campbell Folk School, 1995). [3] He has also compiled the cassette/book compilations Smoke On the Water: Square Dance Classics and When The Work's All Done: A Square Dance Party For Beginners and Old Hands.
Dalsemer was born and raised in Baltimore. [4] He co-founded the Baltimore Folk Music Society. [5]
He served as president of the Country Dance and Song Society from 1990 to 1996. He was honored with the society’s Lifetime Contribution Award in 2011. [6] He also served as the Music and Dance Coordinator at the John C. Campbell Folk School for 22 years, retiring in April 2013.
American folklore encompasses the folklore that has evolved in the present-day United States mostly since the European colonization of the Americas. It also contains folklore that dates back to the Pre-Columbian era.
Contra dance is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States, Canada, and other Anglophone countries.
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles.
A square dance is a dance for four couples, or eight dancers in total, arranged in a square, with one couple on each side, facing the middle of the square. Square dances are part of a broad spectrum of dances known by various names: country dances, traditional dances, folk dances, barn dances, ceilidh dances, contra dances, Playford dances, etc. These dances appear in over 100 different formations, of which the Square and the Longways Set are by far the most popular formations.
The folk music of England is a tradition-based music which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music traditionally was preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style.
A cèilidh or céilí is a traditional Scottish and Irish social gathering. In its most basic form, it simply means a social visit. In contemporary usage, it usually involves dancing and playing Gaelic folk music, either at a home or a larger concert at a social hall or other community gathering place.
Cecil James Sharp was an English collector of folk songs, folk dances and instrumental music, as well as a lecturer, teacher, composer and musician. He was a key figure in the folk-song revival in England during the Edwardian period. According to Roud's Folk Song in England, Sharp was the country's "single most important figure in the study of folk song and music."
New Mexico is a state of the Southwest United States. The state has music traditions dating back to the ancient Anasazi and Pueblo people, Navajo, Apache, and the Spanish Santa Fe de Nuevo México; these old traditions are found in both their original folk forms and as a modern folk genre known as New Mexico music.
The New England Folk Festival is an annual weekend festival of traditional dance and music. It takes place in the Boston, Massachusetts region each spring. It is conducted by the New England Folk Festival Association. Both the festival and the association are colloquially known by the abbreviation NEFFA. NEFFA is a participatory festival; attendees are encouraged to participate in dancing, singing, musical jam sessions, and other activities. It is run by volunteers and all the performers are volunteers as well.
"Cotton-Eyed Joe" is a traditional American country folk song popular at various times throughout the United States and Canada, although today it is most commonly associated with the American South. The song is mostly identified with the 1994 Rednex version, which became popular worldwide. The song is also an instrumental banjo and bluegrass fiddle standard.
The John C. Campbell Folk School, also referred to as "The Folk School", is located in Brasstown, North Carolina. It is the oldest and largest folk school in the United States. It is a non-profit adult educational organization based on non-competitive learning. The Folk School offers classes year-round in over fifty subject areas including art, craft, music, dance, and nature studies. Established in 1925, the Folk School's motto is "I sing behind the plow".
Traditional square dance is a generic American term for any style of American square dance other than modern Western. The term can mean (1) any of the American regional styles that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles, or (2) any style that has survived, or been revived, since around 1950. The term Traditional Square Dance is also used in England to refer to dances collected from villages in the first half of the 20th century.
Americana is an amalgam of American music formed by the confluence of the shared and varied traditions that make up the musical ethos of the United States of America, with particular emphasis on music historically developed in the American South.
Ted Sannella was a professional square dance, contra dance and international folk dance caller and choreographer who was active in the region surrounding Boston, Massachusetts, in the United States. He was a seminal figure in the contra dance folk revival in the United States in the mid to late 20th century.
Maud Karpeles OBE, was a British collector of folksongs and dance teacher.
CALLERLAB is the international association of square dance callers, and is the largest square dance association in the United States. CALLERLAB provides guidance and education, certifying caller coaches, maintaining standardized lists of calls and definitions, and generally promoting the square dance activity. After some initial work started in 1971, it was officially established in 1974 by several members of the Square Dance Hall of Fame. Callerlab makes it so people can dance anywhere in the world with uniform dance calls.
Folk high schools are institutions for adult education that generally do not grant academic degrees, though certain courses might exist leading to that goal. They are most commonly found in Nordic countries and in Germany, Switzerland and Austria. The concept originally came from the Danish writer, poet, philosopher, and pastor N. F. S. Grundtvig (1783–1872). Grundtvig was inspired by the Marquis de Condorcet's Report on the General Organization of Public Instruction which was written in 1792 during the French Revolution. The revolution had a direct influence on popular education in France. In the United States, a Danish folk school, called Danebod, was founded in Tyler, Minnesota.
The Country Dance and Song Society is a nonprofit organization that seeks to promote participatory dance, music, and song with English and North American roots.
Ralph George Page was an American contra dance caller. He was influential in spreading it from New Hampshire to the rest of the United States and other countries, and was recognized as an authority on American folk dance overall.