Author | Jim Ottaviani |
---|---|
Illustrator | Big Time Attic |
Country | United States |
Language | English |
Publisher | G.T. Labs |
Publication date | October 2005 |
Media type | Print Paperback |
Pages | 165 pp |
ISBN | 978-0-9660106-6-4 |
OCLC | 62186178 |
LC Class | QE707.C63 O88 2005 |
Bone Sharps, Cowboys, and Thunder Lizards: A Tale of Edward Drinker Cope, Othniel Charles Marsh, and the Gilded Age of Paleontology is a 2005 graphic novel written by Jim Ottaviani and illustrated by the company Big Time Attic. The book tells a fictionalized account of the Bone Wars, a period of intense excavation, speculation, and rivalry in the late 19th century that led to a greater understanding of dinosaurs and other prehistoric life. Bone Sharps follows the two scientists Edward Drinker Cope and Othniel Marsh as they engage in an intense competition for prestige and discoveries in the western United States. Along the way, the scientists interact with historical figures of the Gilded Age, including P. T. Barnum and Ulysses S. Grant.
Ottaviani grew interested in the time period after reading a book about the Bone Wars. Finding Cope and Marsh unlikeable and the historical account dry, he decided to fictionalize events to service a better story. Ottaviani placed the artist Charles R. Knight into the narrative as a relatable character for audiences. The novel was the first work of historical fiction Ottaviani had written; previously he had taken no creative license with the characters depicted. Upon release, the novel generally received praise from critics for its exceptional historical content, and was used in schools as an educational tool.
Othniel Charles Marsh is on a train between New York City and New Haven, where he meets the showman Phineas T. Barnum. Barnum shows Marsh a copy of the Cardiff Giant; Marsh informs Barnum he intends to expose the giant as a fake. In Philadelphia, Henry Fairfield Osborn introduces artist Charles R. Knight to Edward Drinker Cope, a paleontologist whose entire house is filled with bones and specimens. Cope is commissioning a painting of the sea creature Elasmosaurus . Cope leaves for the West as the official scientist for the U.S. Geological Survey (USGS). On the way, he meets Marsh and shows him his dig site at a marl pit in New Jersey. After Cope leaves, Marsh pays off the landowner to gain exclusive digging rights. At Fort Bridger, Wyoming, Cope meets Sam Smith, a helper to the USGS. During excavations, Cope finds some of the richest bone veins ever. Sending carloads of dinosaur bones back east, Cope encounters Marsh, who is heading out west as well; he travels in style while the rest of his team travels third class. Marsh meets "Buffalo" Bill Cody, who serves as their guide, along with a Native American Indian tribe. Marsh discovers many new fossils, and promises to Chief Red Cloud that he will talk to the President of the United States about his people's situation. Back East, Knight has finished his reconstruction of Elasmosaurus. He and Knight return to the marl pits. Cope becomes furious when he learns Marsh has bought the digging rights and published a paper revealing his reconstruction of Elasmosaurus as flawed.
Some time later, bone hunter John Bell Hatcher has taken to gambling, as Marsh is not providing him with enough funds. Marsh lobbies the Bureau of Indian Affairs on behalf of Red Cloud, but also visits with the USGS, insinuating that he would be a better leader than Cope. After learning about Sam Smith's attempted sabotage of Cope and once again receiving no payment from Marsh, Hatcher leaves his employ. Marsh, now representing the survey, heads west with wealthy businessmen, scoffing at the financial misfortunes of Cope, whose investments have failed.
Cope travels with Knight to Europe; Knight with the intention of visiting Parisian zoos, Cope with the intent of selling off much of his bone collection. Cope has spent much of his money buying The American Naturalist, a paper in which he plans to attack Marsh. Hatcher arrives in New York to talk about the find Laelaps ; in his speech, he hints at the folly of Marsh's elitism and Cope's collecting obsession. Marsh learns that his USGS expense tab (to which he had been charging drinks) has been withdrawn, his publication has been suspended, and the fossils he found as part of the USGS are to be returned to the Survey. His colleagues now shun him, the Bone Wars feud having alienated them. He is forced to go to Barnum to try to obtain a loan.
Osborn and Knight arrive at Cope's residence to find the paleontologist has died of illness. The funeral is attended only by the two friends and a few Quakers. Cope has bequeathed his remains to science, and requested to have his bones considered for the Homo sapiens lectotype. Back at Marsh's residence, the visiting Chief Red Cloud examines Marsh's luxuries. Red Cloud's interest is piqued by a long tusk from a mastodon. Marsh relates an ancient Shawnee legend that once there were giant men proportionate to the mastodons before they died out. Chief Red Cloud remarks that it is a true story; Marsh rebukes him, saying that science says man's ancestors were smaller than him. As he leaves, Red Cloud responds, "It is not a story about science. It is about men." [1]
Years later Knight and his wife are taking their granddaughter Rhoda to the American Museum of Natural History. Knight is visiting the new mammoth specimens: the girl, however, is eager to see more of her grandfather's paintings. Meanwhile, the staff are sorting Marsh's long-neglected collection of fossils. Two of the workers discover Knight's Leaping Laelaps has been accidentally left in the storeroom. The painting is taken back downstairs while the workmen leave Cope's and Marsh's bones behind.
Jim Ottaviani published his first graphic novel in 1997, [2] and conceived the idea for Bone Sharps while working his day job as a librarian at the University of Michigan in Ann Arbor. Ottaviani's job included purchasing books for engineering topics, but a new book about the Bone Wars caught his eye. He bought the book himself and found himself fascinated by the rivalry between Cope and Marsh. [3] [4] He described his process as spending time doing research, before turning an outline and timeline into a structured story. [5] Using the book as a starting point, Ottaviani read the accounts and biographies of Cope and Marsh as well as other period sources. During the course of his research Ottaviani found the then-unpublished autobiography of Charles Knight. The book inspired him to make the book into a work of historical fiction, something Ottaviani had not done in previous non-fiction books and comics on scientific figures. "I found the whole 'war' aspect [of the Bone Wars] over-hyped," Ottaviani recalled. "These guys never came to blows, or even did anything that went very far beyond questionable ethics." [4] In comparison to his previous works, Ottaviani called the scientists "the bad guys". [6]
While the majority of Bone Sharps is true and all of it is based on history, Ottaviani took liberties throughout to better serve the story. [4] In real life, Knight did not meet Cope until only a few years before Cope's death; In addition, Knight's autobiography states that it was reporter William Hosea Ballou who introduced the two, not Osborn. [4] [7] There is also no evidence Marsh and Knight ever met. On Knight's role in the story, Ottaviani wrote:
As I was reading about Cope and Marsh, I ran across Knight as something of a bit player in their lives. As I got further into the Cope and Marsh story, and I liked the two less and less as people—which is different from liking them as characters, of course—I wanted to have a character in the book for the readers to root for, and neither of the scientists could fill that role. When I found out that Knight had met Cope just before Cope died, I became convinced that he was the character I needed. [8]
Ottaviani's interest in Knight eventually led to his company G.T. Labs publishing Knight's autobiography, with notes by Ottaviani and forewords by Ray Bradbury and Ray Harryhausen. [8] Other character relationships were fictionalized as well: editor James Gordon Bennet, Jr. never lobbied with Cope, and never exposed Marsh's will. Cope's bones also never made it to New York. [9] Some conversations, due to their private nature, were fictionalized; Ottaviani makes up Marsh's lobby to Congress and what happened during his meeting with President Grant, and P.T. Barnum never told off Marsh the way he did in the novel. [10] Ottaviani wove the story Marsh tells about the Mastodon from several different versions of the legend. [11] A key plot point is fabricated for the purposes of dramatic irony: in the book, Marsh has his agent Sam Smith leave a Camarasaurus skull for Cope to find and mistakenly put on the wrong dinosaur. Instead, Hatcher finds it; Smith tries to keep an unwitting Marsh from getting it, but due to Marsh's obnoxious manner he lets him after all. As a result, Marsh mistakenly classifies the (non-existent) Brontosaurus. Ottaviani wholly invented this scene, as "The literary tradition of hoisting someone up by his own petard was too good to pass up." [1]
While Ottaviani was putting his ideas together, he met Zander Cannon at the 2004 San Diego Comic Convention. Cannon and associates were forming a new production studio, "Big Time Attic"; Ottaviani mentioned he had a proposal he wanted to show them. Ottaviani considered such a new studio taking on as large a project as a 160-page graphic novel was "ambitious" and that he was lucky to have had the book published. [3] Even the format—the book is wider than it is tall—was a departure for Ottaviani. He explained that since the story was talking about "wide expanses of territory" and the American West, the artists at Big Time Attic wanted a more non-traditional landscape orientation. [3]
The book was generally well-received upon release. Comic book letterer Todd Klein recommended the book to his readers, stating that the novel was able to convey the depths of Cope and Marsh's rivalry and "we can only wonder how much more could have been accomplished if [Cope and Marsh] had only been willing to team up instead". [12] Klein's complaints focused on stiff art and the difficulty in telling some characters apart, but said these shortcomings did not affect the flow and reading. [12] Johanna Carlson of Comics Worth Reading found Bone Sharps's central message, "the question of whether promotion is a necessary evil (to gather funds through attention) or a base desire of those with the wrong motivations", still relevant to today's society; Carlson lauded the flow of the novel and some of the intricate details in the story and setting. [13] Other reviewers praised Ottaviani's inclusion of notable historical figures, [8] the educational yet entertaining feel of the work, [14] and expressive artwork. [15]
In addition to minor issues with the art, Entertainment Weekly 's Tom Russo felt that more fiction could have been used in the mostly non-fiction writing. [16] In contrast, Peter Guitérrez felt that given Ottaviani's liberties with conversations the book veered too far into fiction at points; the book's inclusion of an "exhaustive" appendix to separate reality from creative liberties was welcomed. [17] Kirkus Reviews recommended the book to adults and children interested in scholarly dinosaur information. [18]
Due to the historical background of the book, Bone Sharps was used in schools, as part of a study testing the effects of using comic books to educate young children. [19] Author and professor Karen Gavigan recommended the book and Ottaviani's other work as a way to make the lives of famous scientists more accessible and offering chances for critical thinking. [20] Ottaviani followed Bone Sharps with other lightly-fictionalized historical stories, including Levitation: Physics and Psychology in the Service of Deception and Wire Mothers: Harry Harlow and the Science of Love. [21]
A graphic novel is a long-form work of sequential art. The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks.
In comics studies, sequential art is a term proposed by comics artist Will Eisner to describe art forms that use images deployed in a specific order for the purpose of graphic storytelling or conveying information. The best-known example of sequential art is comics.
Scott McCloud is an American cartoonist and comics theorist. He is best known for his non-fiction books about comics: Understanding Comics (1993), Reinventing Comics (2000), and Making Comics (2006), all of which also use the medium of comics.
Othniel Charles Marsh was an American professor of paleontology at Yale College and president of the National Academy of Sciences. He was one of the preeminent scientists in the field of paleontology. Among his legacies are the discovery or description of dozens of new species and theories on the origins of birds.
Ronald Joseph Goulart was an American popular culture historian and mystery, fantasy and science fiction author.
Edward Drinker Cope was an American zoologist, paleontologist, comparative anatomist, herpetologist, and ichthyologist. Born to a wealthy Quaker family, he distinguished himself as a child prodigy interested in science, publishing his first scientific paper at the age of 19. Though his father tried to raise Cope as a gentleman farmer, he eventually acquiesced to his son's scientific aspirations.
Charles Hazelius Sternberg was an American fossil collector and paleontologist. He was active in both fields from 1876 to 1928, and collected fossils for Edward Drinker Cope and Othniel C. Marsh, and for the British Museum, the San Diego Natural History Museum and other museums.
Alexander Cannon is an American cartoonist, known for his work on books such as Top 10, Smax and Kaijumax.
Agathaumas is a dubious genus of a large ceratopsid dinosaur that lived in Wyoming during the Late Cretaceous. The name comes from Ancient Greek: αγαν - 'much' and θαυμα - 'wonder'. It is estimated to have been 15 metres (49 ft) long and weighed 17.5 tonnes, and was seen as the largest land animal known at the time of its discovery.
Weird West is a term used for the hybrid genres of fantasy Western, horror Western and science fiction Western. The term originated with DC's Weird Western Tales in 1972, but the idea is older as the genres have been blended since the 1930s, possibly earlier, in B-movie Westerns, comic books, movie serials and pulp magazines. Individually, the hybrid genres combine elements of the Western genre with those of fantasy, horror and science fiction respectively.
Joshua Ortega is an American author and journalist best known for his novel Frequencies, as well as his comic book and graphic novel work on entertainment properties such as Star Wars, Spider-Man, Batman, Star Trek, The Escapist, and The Necromancer.
Dan Jolley is an American novelist and comic book writer. His comics work includes DC Comics' Firestorm and Graphic Universe's Twisted Journeys, a series of interactive fiction or gamebooks in graphic novel form, and his novel work includes the young-adult science fiction espionage series Alex Unlimited along with his international best selling novel, The Gray Widow's Walk, which is his first book in the Gray Widow trilogy that he publishes through Seventh Star Press. He created the comic book character Jason Rusch with ChrisCross.
Tyrannosaurus rex is unique among dinosaurs in its place in modern culture; paleontologist Robert Bakker has called it "the most popular dinosaur among people of all ages, all cultures, and all nationalities". Paleontologists Mark Norell and Lowell Dingus have likewise called it "the most famous dinosaur of all times." Paleoartist Gregory S. Paul has called it "the theropod. [...] This is the public's favorite dinosaur [...] Even the formations it is found in have fantastic names like Hell Creek and Lance." Other paleontologists agree with that and note that whenever a museum erects a new skeleton or bring in an animatronic model, visitor numbers go up. "Jurassic Park and King Kong would not have been the same without it." In the public mind, T. rex sets the standard of what a dinosaur should be. Science writer Riley Black similarly states, "In all of prehistory, there is no animal that commands our attention quite like Tyrannosaurus rex, the tyrant lizard king. Since the time this dinosaur was officially named in 1905, the enormous carnivore has stood as the ultimate dinosaur."
Cultural depictions of dinosaurs have been numerous since the word dinosaur was coined in 1842. The non-avian dinosaurs featured in books, films, television programs, artwork, and other media have been used for both education and entertainment. The depictions range from the realistic, as in the television documentaries from the 1990s into the first decades of the 21st century, or the fantastic, as in the monster movies of the 1950s and 1960s.
Jim Ottaviani is an American writer who is the author of several comic books about the history of science. His best-known work, Two-Fisted Science: Stories About Scientists, features biographical stories about Galileo Galilei, Isaac Newton, Niels Bohr, and several stories about physicist Richard Feynman. He is also a librarian and has worked as a nuclear engineer.
Edmontosaurus annectens, often colloquially and historically known as the Anatosaurus, is a species of flat-headed saurolophine hadrosaurid dinosaur from the late Maastrichtian age at the very end of the Cretaceous period, in what is now western North America. Remains of E. annectens have been preserved in the Frenchman, Hell Creek, and Lance Formations. All of these formations are dated to the late Maastrichtian age of the Late Cretaceous period, which represents the last three million years before the extinction of the dinosaurs. E. annectens is also found in the Laramie Formation and magnetostratigraphy suggests an age of 69-68 Ma for the Laramie Formation. Edmontosaurus annectens is known from numerous specimens, including at least twenty partial to complete skulls, discovered in the U.S. states of Montana, South Dakota, North Dakota, Wyoming, and Colorado, as well as the Canadian province of Saskatchewan. It had an extremely long and low skull and was quite a large animal, growing up to approximately 12 metres (39 ft) in length and 5.6 metric tons in average asymptotic body mass, although it could have been even larger. E. annectens exhibits one of the most striking examples of the "duckbill" snout that is common to hadrosaurs. It has a long taxonomic history and specimens have at times been classified as Diclonius, Trachodon, Hadrosaurus, Claosaurus, Thespesius, Anatosaurus, and Anatotitan before all being grouped together in Edmontosaurus
The Bone Wars, also known as the Great Dinosaur Rush, was a period of intense and ruthlessly competitive fossil hunting and discovery during the Gilded Age of American history, marked by a heated rivalry between Edward Drinker Cope and Othniel Charles Marsh. Each of the two paleontologists used underhanded methods to try to outdo the other in the field, resorting to bribery, theft, and the destruction of bones. Each scientist also sought to ruin his rival's reputation and cut off his funding, using attacks in scientific publications.
Paleontology in the United States refers to paleontological research occurring within or conducted by people from the United States. Paleontologists have found that at the start of the Paleozoic era, what is now "North" America was actually in the southern hemisphere. Marine life flourished in the country's many seas. Later the seas were largely replaced by swamps, home to amphibians and early reptiles. When the continents had assembled into Pangaea drier conditions prevailed. The evolutionary precursors to mammals dominated the country until a mass extinction event ended their reign.
The history of paleontology in the United States refers to the developments and discoveries regarding fossils found within or by people from the United States of America. Local paleontology began informally with Native Americans, who have been familiar with fossils for thousands of years. They both told myths about them and applied them to practical purposes. African slaves also contributed their knowledge; the first reasonably accurate recorded identification of vertebrate fossils in the new world was made by slaves on a South Carolina plantation who recognized the elephant affinities of mammoth molars uncovered there in 1725. The first major fossil discovery to attract the attention of formally trained scientists were the Ice Age fossils of Kentucky's Big Bone Lick. These fossils were studied by eminent intellectuals like France's George Cuvier and local statesmen and frontiersman like Daniel Boone, Benjamin Franklin, William Henry Harrison, Thomas Jefferson, and George Washington. By the end of the 18th century possible dinosaur fossils had already been found.
Dragon Teeth is a novel by Michael Crichton, the eighteenth under his own name and third to be published after his death, written in 1974 and published on May 23, 2017. A historical fiction forerunner to Jurassic Park, the novel is set in the American West in 1876 during the Bone Wars, a period of fervent competition for fossil hunting between two real-life paleontologists noted for their intense rivalry, Othniel Charles Marsh and Edward Drinker Cope. The plot follows the fictional protagonist William Johnson, a Yale student who works during the summer alternately for the two paleontologists.