Bongo Herman | |
---|---|
Also known as | Herman Davis |
Born | 16 September 1944 |
Origin | Kingston, Jamaica |
Genres | Reggae |
Instrument(s) | Drums, percussion |
Years active | early 1960s–present |
Herman Davis (born 16 September 1944), better known as Bongo Herman, is a Jamaican hand-drummer, percussionist and singer who has had a successful career stretching back to the early 1960s.
Herman Davis was born on 16 September 1944, [1] and grew up in the Trench Town area of Kingston. [2] He began playing in the late 1950s, and in the 1960s performed on the Vere Johns Opportunity Hour , and in Kingston's live music scene. In 1966 he performed at the visit to Jamaica of Haile Selassie. [2] Herman's recording career began in 1969. [1] He recorded as a duo with Eric "Bingy Bunny" Lamont in the early 1970s for producer Derrick Harriott, having hits in Jamaica including "Know For I" in 1971. [3] He moved on to record for Harry Mudie in the mid-1970s. [4] In the 1970s and 1980s he was much in demand as a studio musician, recording with The Abyssinians (including kété drums on "Satta Masa Gana"), Jimmy Cliff, Prince Far I, the Congos, Culture, the Revolutionaries, Roots Radics, and Mikey Dread. [1] [5] He acted as percussionist for The Itals for several years. [1]
He made an acting appearance in the 1978 film Rockers , of which he commented "Me was the first man in Jamaica to break-dance in a movie". [2] [5] He also features in the 2009 documentary Rock Steady the Roots of Reggae. [6]
During the 1990s he continued to work with many of Jamaica's top stars including Beenie Man, Capleton (with whom he toured Europe in 2003/4), Sizzla, Lady Saw, and U-Roy, and in the 2000s recorded with Mutabaruka and Gyptian. [1] [7] The digital era proved no barrier, with Herman stating "Once yuh is a professional musician yuh will fit inna anything, even a steel band; yuh have various type a percussion fi play, yuh jus' have fi know how to mix it inna di rhythm." [5]
His live performances often include the playing of a chamber pot and an enamel chimney. [8] [9]
The Abyssinians are a Jamaican roots reggae group, famous for their close harmonies and promotion of the Rastafari movement in their lyrics.
Michael Rose is a Grammy award-winning reggae singer from Jamaica. He is most widely known for a successful tenure as the lead singer for Black Uhuru from 1977 to 1984, followed by a lengthy solo career. He has been praised as "one of Jamaica's most distinguished singers" and for launching a distinctive form of reggae singing that originated in his home neighborhood of Waterhouse in Kingston.
Lorenzo "Laurel" Aitken was a Cuban-Jamaican singer and one of the pioneers of ska music. He is often referred to as the "Godfather of Ska".
Glen Augustus Holness, otherwise known by his stage name Nitty Gritty, was a popular reggae singer. Born in the August Town section of Kingston, Jamaica, he was the second of eleven children born to religious parents.
Heartbeat Records is an independent record label based in Burlington, Massachusetts. The label specializes in Jamaican music.
Count Ossie, born Oswald Williams, was a Jamaican Rastafari drummer and band leader.
Baldhead Bridge is the second album by the Jamaican roots reggae band Culture, released on Joe Gibbs in 1978.
Earl "Chinna" Smith, a.k.a. Earl Flute and Melchezidek the High Priest, is a Jamaican guitarist active since the late 1960s. He is most well known for his work with the Soul Syndicate band and as guitarist for Bob Marley & the Wailers, among others, and has recorded with many reggae artists, appearing on more than 500 albums.
Tyrone Thompson, better known as Papa San, is a Jamaican reggae, dancehall and gospel singer.
Nkrumah "Jah" Thomas is a reggae deejay and record producer who first came to prominence in the 1970s, later setting up his own Midnight Rock and Nura labels.
Patrick Andy is a reggae singer, whose stage name is a reference to his similarity to the older reggae singer Horace Andy.
Big Joe is a Jamaican reggae deejay and record producer, who recorded extensively in the 1970s and early 1980s.
Eric Lamont, better known as Bingy Bunny, was a Jamaican guitarist and singer who recorded with the Roots Radics and The Morwells as well as recording solo material. He is regarded as one of Jamaica's most important and innovative guitarists.
Errol Holt, also known as Errol Carter and by his nickname Flabba, is a Jamaican bass guitar player and a singer who was a member of The Morwells and the Roots Radics and has played on hundreds of Jamaican albums.
Roydel Anthony Johnson, better known as Congo Ashanti Roy is a Jamaican reggae singer best known as a member of The Congos but who also recorded solo and as a member of Ras Michael's Sons of Negus.
Gladstone Anderson, also known by his nickname "Gladdy", was a Jamaican pianist, keyboard player, and singer, who played a major part in the island's musical history, playing a key role in defining the ska sound and the rocksteady beat, and playing on hundreds of recordings as a session musician, a solo artist, and as leader of Gladdy's All Stars, featuring bassist Jackie Jackson, drummer Winston Grennan, guitarist Hux Brown, and keyboardist Winston Wright. As Harry J All Stars the band had a massive hit in Jamaica and United Kingdom with the instrumental song "The Liquidator" 1969.
Tony Tuff is a reggae singer who was a member of The African Brothers in the late 1960s and 1970s before embarking on a solo career.
The Morwells aka Morwell Unlimited were a Jamaican reggae band formed in 1973 by Maurice Wellington and Eric "Bingy Bunny" Lamont. They disbanded in the early 1980s with members going on to form the Roots Radics.
Felix Headley Bennett OD, also known as Deadly Headley, was a Jamaican saxophonist who performed on hundreds of recordings since the 1950s.
Nyabinghi, also Nyahbinghi, Niyabinghi, Niyahbinghi, is the gathering of Rastafari people to celebrate and commemorate key dates significant to Rastafari throughout the year. It is essentially an opportunity for the Rastafari to congregate and engage in praise and worship. For example, on July 23rd of each year, a Nyabinghi is held to celebrate the birth of Emperor Haille Selassie I. During a Nyabinghi celebration men and women have different roles and expectations. Men are expected to remove any hair coverings, whilst women must keep their hair covered. A group of men typically organise themselves in a line or semi-circle and are assigned to beat the drums throughout. The remaining congregation continue to sing well known songs or 'chants', some of which are Hebraic scriptural verses that evidence the divinity of Haile Sellassie. For example, 'I have a little light in I and I'm going to make it shine, Rastafariiii, shine' and 'Holy Mount Zion is a holy place and no sinners can enter there, so let the words of my mouth and the mediation of my heart, be acceptable in thy sight, of Rastafari'. Nyabinghi is a Rastafari tradition that promotes Rastafari unity, strengthens the Rastafari spirit with fellowship and raises the consciousness and presence of Rastafafari in the heart of those in attendance. At some points passages of the bible are read. Rastafari recognise the significance of Jesus Christ, due to Haile Sellassie I fulfilling the teachings and prophecy of scripture.