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Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, handicraft, and warfare who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear.
The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word acropolis is from the Greek words ἄκρον and πόλις. The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was known also more properly as Cecropia, after the legendary serpent-man, Cecrops, the supposed first Athenian king.
Hephaestus is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire, and volcanoes. Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances.
The Parthenon is a former temple on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patroness. Construction started in 447 BC when the Delian League was at the peak of its power. It was completed in 438 BC, although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order.
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The Temple of Athena Nike is a temple on the Acropolis of Athens, dedicated to the goddesses Athena and Nike. Built around 420 BC, the temple is the earliest fully Ionic temple on the Acropolis. It has a prominent position on a steep bastion at the south west corner of the Acropolis to the right of the entrance, the Propylaea. In contrast to the Acropolis proper, a walled sanctuary entered through the Propylaea, the Victory Sanctuary was open, entered from the Propylaea's southwest wing and from a narrow stair on the north. The sheer walls of its bastion were protected on the north, west, and south by the Nike Parapet, named for its frieze of Nikai celebrating victory and sacrificing to their patroness, Athena and Nike.
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The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic, Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.
The Temple of Vesta, or the aedes, is an ancient edifice in Rome, Italy. The temple is located in the Roman Forum near the Regia and the House of the Vestal Virgins. The Temple of Vesta housed Vesta's holy fire, which was a symbol of Rome's safety and prosperity. The temple's most recognizable feature is its circular footprint. Since the worship of Vesta began in private homes, the architecture seems to pay homage to the architecture of early Roman homes. The temple used Greek architecture with Corinthian columns, marble, and had a central cella. The surviving structure indicates that there were twenty Corinthian columns built on a podium fifteen meters in diameter. The roof probably had a vent at the apex to allow smoke to release.
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Arrhephoria was a feast among the Athenians, instituted in honor of Athena. The word is derived from the Greek term Ἀρρηφόρια, which is composed of ἀρρητον, "mystery", and φέρω, "I carry". This feast was also called Hersiphoria, from Herse, the daughter of Cecrops, on whose account it was established.
In Greek mythology, Nike was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena. In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to the ambiguity surrounding Nike's origins. It is unclear whether she originated from a character trait of the Greek goddess Athena or has always existed as an independent deity. Her origin story in Greek mythology is also slightly ambiguous, with the Theogony claiming Nike to be the daughter of Styx and Pallas while the Homeric Hymns describe Ares as being Nike's father. Her Roman equivalent was Victoria.
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The Temple of Hera, or Heraion, is an ancient Archaic Greek temple at Olympia, Greece, that was dedicated to Hera, queen of the Greek gods. It was the oldest temple at Olympia and one of the most venerable in all Greece. It was originally a joint temple of Hera and Zeus, chief of the gods, until a separate temple was built for him. It is at the altar of this temple, which is oriented east-west, that the Olympic flame is lit and carried to all parts of the world. The torch of the Olympic flame is lit in its ruins to this day. The temple was built in approximately 590 BC, but was destroyed by an earthquake in the early 4th century CE.
The Athenian Treasury at Delphi was constructed by the Athenians to house dedications and votive offerings made by their city and citizens to the sanctuary of Apollo. The entire treasury including its sculptural decoration is built of Parian marble. The date of construction is disputed, and scholarly opinions range from 510 to 480 BCE. It is located directly below the Temple of Apollo along the Sacred Way for all visitors to view the Athenian treasury on the way up to the sanctuary.
John Richard "Jaś" Elsner, is a British art historian and classicist, who in 2013 was Humfry Payne Senior Research Fellow in Classical Archaeology and Art at the University of Oxford, based at Corpus Christi College, and Visiting Professor of Art History at the University of Chicago. He is mainly known for his work on Roman art, including Late Antiquity and Byzantine art, as well as the historiography of art history, and is a prolific writer on these and other topics. Elsner has been described as "one of the most well-known figures in the field of ancient art history, respected for his notable erudition, extensive range of interests and expertise, his continuing productivity, and above all, for the originality of his mind", and by Shadi Bartsch, a colleague at Chicago, as "the predominant contemporary scholar of the relationship between classical art and ancient subjectivity".
Kardaki Temple is an Archaic Doric temple in Corfu, Greece, built around 500 BC in the ancient city of Korkyra, in what is known today as the location Kardaki in the hill of Analipsi in Corfu. The temple features several architectural peculiarities that point to a Doric origin. The temple at Kardaki is unusual because it has no frieze, following perhaps architectural tendencies of Sicilian temples. It is considered to be the only Greek temple of Doric architecture that does not have a frieze. The spacing of the temple columns has been described as "abnormally wide". The temple also lacked both porch and adyton, and the lack of a triglyph and metope frieze may be indicative of Ionian influence. The temple at Kardaki is considered an important and to a certain degree mysterious topic on the subject of early ancient Greek architecture. Its association with the worship of Apollo or Poseidon has not been established.
Olga Palagia is Professor of Classical Archaeology at the National and Kapodistrian University of Athens and is a leading expert on ancient Greek sculpture. She is known in particular for her work on sculpture in ancient Athens and has edited a number of key handbooks on Greek sculpture.
Ann Mari Yasin is an Associate Professor of Art History and Classics at the University of Southern California specializing in the architecture and material culture of the Roman and late antique world. She studies materiality, built-environments, landscapes, and urbanism as they pertain to the ancient and late ancient religious worlds.
References
- ↑ "Bonna Daix Wescoat". arthistory.emory.edu. Emory University. Archived from the original on 8 March 2017. Retrieved 8 March 2017.
- 1 2 Hudson, Phil W. (May 9, 2014). "Emory University archaeologist wins Guggenheim Fellowship". Atlanta Business Chronicle. Business Journals. Retrieved 8 March 2017.
- ↑ "John Simon Guggenheim Foundation | Bonna Wescoat". www.gf.org. John Simon Guggenheim Foundation. Retrieved 8 March 2017.
- ↑ "Samothracian Connections". www.oxbowbooks.com. Retrieved 2017-03-08.
- ↑ "Architecture of the Sacred - Cambridge University Press". www.cambridge.org. Retrieved 2017-03-08.
- ↑ "The Temple of Athena at Assos". Oxford University Press. 8 November 2012. Retrieved 8 March 2017.
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