Booker Little | ||||
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Studio album by | ||||
Released | 1960 | |||
Recorded | April 13 & 15, 1960 | |||
Genre | Jazz | |||
Length | 35:15 | |||
Label | Time | |||
Producer | Irving Joseph | |||
Booker Little chronology | ||||
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Booker Little is an album by American jazz trumpeter Booker Little featuring performances recorded in 1960 for the Time label. [1]
The Allmusic review by Scott Yanow awarded the album 4½ stars and stated "Trumpeter Booker Little's second session as a leader (there would only be four) is a quartet outing that puts the emphasis on relaxed tempoes. Little's immediately recognizable melancholy sound and lyrical style are heard in top form". [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
All compositions, and all sessions led, by Booker Little except as indicated
The following tracks appear in some CD reissues, and do not include the same personnel as the original session and LP. Most CD reissues keep the original LP format.
7. "My Old Flame" [take 1 stereo] (Sam Coslow, Arthur Johnston) - 3:34 (Max Roach Quartet [1] ) Bonus track on CD reissue
8. "My Old Flame" [take 2 mono] (Coslow, Johnston) - 3:38 (Max Roach Quartet [1] ) Bonus track on CD reissue
9. "Sweet and Lovely" (Gus Arnheim, Jules LeMare, Harry Tobias) - 4:14Bonus track on CD reissue
10. "Moonlight Becomes You" (Johnny Burke, Jimmy Van Heusen) - 5:41 Bonus track on CD reissue
11. "Blues De Tambour" (Ed Shaughnessy) - 3:39 (Teddy Charles Sextet [1] ) Bonus track on CD reissue
12. "Tune Up" (Miles Davis) - 5:21 (Max Roach New Quintet [1] ) Bonus track on CD reissue
*Recorded in Chicago in June 1958 (tracks 7 & 8), at the Newport Jazz Festival, Rhode Island on July 6, 1958 (track 12), and in New York City in October 1958 (tracks 9 & 10), April 13, 1960 (tracks 1, 2, 5 & 6) April 15, 1960 (tracks 3 & 4), and August 25, 1960 (track 11).
additional tracks on later CD reissues :
Max Roach + 4 is an LP recorded by jazz drummer Max Roach, which featured Kenny Dorham on trumpet, Sonny Rollins on tenor sax, Ray Bryant on piano, and George Morrow on bass. It was the first album Roach recorded after his collaborators, trumpeter Clifford Brown and pianist Richie Powell, died in a car crash in June 1956.
Here's Lee Morgan is an album by jazz trumpeter Lee Morgan originally released on the Vee-Jay label. It was recorded on February 8, 1960, and features performances by Morgan with Clifford Jordan, Wynton Kelly, Paul Chambers and Art Blakey.
Jazz Contrasts is an album by American jazz trumpeter Kenny Dorham, recorded in 1957 and released on the Riverside label.
Quiet Kenny is an album by the American jazz trumpeter Kenny Dorham of performances recorded in 1959 and released on the New Jazz label. The album features Dorham's own composition "Lotus Blossom", which was earlier recorded by Sonny Rollins under the title "Asiatic Raes". The tune has been recorded under both titles subsequently.
The Swingin'est is an album by American trombonist Bennie Green and saxophonist Gene Ammons recorded in 1958 and released on the Vee-Jay label. The album has also been released under the title Juggin' Around.
Booker Little 4 and Max Roach is an album by American jazz trumpeter Booker Little featuring performances recorded in 1958 for the United Artists label.
Booker Little and Friend is the final album led by American jazz trumpeter Booker Little featuring performances recorded in 1961 for the Bethlehem label. It was reissued under the title Victory and Sorrow in the vinyl era. The CD reissue added two previously released alternate takes.
The Fabulous Thad Jones is the debut album by American jazz trumpeter Thad Jones recorded in 1954 and originally released on Charles Mingus' Debut Records label as a 10-inch LP. The album was later re-issued as a 12-inch LP titled simply, Thad Jones.
Soul Street is an album by saxophonist Jimmy Forrest compiled from four different sessions between 1960 and 1962 and released on New Jazz Some tracks appear as CD bonus tracks on other CDs but this is the only album on which the Big Band tracks appear.
Deeds, Not Words is an album by American jazz drummer Max Roach featuring tracks recorded in 1958 and released on the Riverside label.
The Max Roach 4 Plays Charlie Parker is an album by American jazz drummer Max Roach featuring tracks associated with Charlie Parker recorded in late 1957 and 1958 and released on the EmArcy label. It is also the first album to feature Roach playing without a piano.
Max Roach + 4 on the Chicago Scene is an album by the American jazz drummer Max Roach featuring tracks recorded in Chicago in 1958 and released on the EmArcy label in mono; alternate versions of four tracks were released in Japan on a 1984 stereo reissue.
Long as You're Living is a live album by American jazz drummer Max Roach, featuring tracks recorded in West Germany in 1960 and released on the Enja label.
Collaboration West is an album by jazz vibraphonist and pianist Teddy Charles recorded in 1953 for the Prestige label. Four tracks from an earlier session were added to the 1993 CD release.
The Max Roach Quartet featuring Hank Mobley was the debut album by American jazz drummer Max Roach featuring tracks recorded in 1953 and first released on the Debut label as a 10-inch LP.
Newport Rebels is an album by various artists released under the Jazz Artists Guild, led by bassist Charles Mingus and drummer Max Roach, that was recorded in November 1960 and released on the Candid label.
Drum Suite is an album by American jazz trombonist, composer and arranger Slide Hampton which was recorded in 1962 and first released on the Epic label.
Annie Ross Sings a Song with Mulligan! is an album by vocalist Annie Ross with jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded in 1957 and 1958 which were released on the World Pacific label.
The Ballad Style of Stan Kenton is an album by bandleader and pianist Stan Kenton featuring performances recorded in 1958 and released on the Capitol label.
Stan Getz Quartets is an album by saxophonist Stan Getz recorded at sessions in 1949 and 1950 and first released as an LP on the Prestige label in 1955.