Samba is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states. Samba is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilian communities of Bahia in the late 19th century and early 20th century, having continued its development on the communities of Rio de Janeiro in the early 20th century. Having its roots in the Afro-Brazilian Candomblé, as well as other Afro-Brazilian and Indigenous folk traditions, such as the traditional Samba de Caboclo, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless, bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, and today many bossa nova songs are considered jazz standards. The popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered as one of the great exponents of Brazilian music, Jobim merged Samba with Cool jazz in the 1960s to create Bossa nova, with worldwide success. As a result, he is regarded as one of the fathers of bossa nova.
Elis Regina Carvalho Costa, known professionally as Elis Regina, was a Brazilian singer of Bossa nova, MPB and jazz music. She is also the mother of the singers Maria Rita and Pedro Mariano.
Marcus Vinícius da Cruz e Mello Moraes, better known as Vinícius de Moraes and nicknamed "O Poetinha", was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat.
Four Days in September is a 1997 Brazilian thriller film directed by Bruno Barreto and produced by his parents Lucy and Luiz Carlos Barreto. It is a dramatized version of the 1969 kidnapping of the United States Ambassador to Brazil, Charles Burke Elbrick, by members of Revolutionary Movement 8th October (MR-8) and Ação Libertadora Nacional (ALN).
Bruno Villela Barreto Borges is a Brazilian film director.
Lisa Ono is a Brazilian-Japanese bossa nova singer.
Acácio Cordeiro Barreto, best known as Acácio, is a Brazilian former professional footballer who played as a goalkeeper, best known for his performances for Vasco da Gama.
Severino Dias de Oliveira, known professionally as Sivuca, was a Brazilian accordionist, guitarist and singer. In addition to his home state of Paraíba, Brazil, and cities Recife and Rio de Janeiro, he worked and lived in Paris, Lisbon, and New York City intermittently. He has two daughters, Wilma Da Silva and Flavia de Oliveira Barreto.
Elizeth Moreira Cardoso, was a singer and actress of great renown in Brazil.
Fábio Villela Barreto Borges was a Brazilian filmmaker, actor, screenwriter, and film producer. He was best known for directing O Quatrilho and Lula, o filho do Brasil, a biography based on President Luiz Inácio Lula da Silva's early life, which had been the most expensive film in the history of Brazilian cinema upon its release. Barreto slipped into a coma in 2009 after being involved in a car accident in Rio de Janeiro and, in August 2014, was reported to be in a minimally conscious state. He died on November 20, 2019, after almost 10 years in a coma.
Paulo Moura was a Brazilian clarinetist and saxophonist.
Emílio Vitalino Santiago, known as Emílio Santiago, was a Brazilian singer.
Pedro Cardoso Martins Moreira is a Brazilian actor, screenwriter, playwright and television director. He is best known for his role as Agostinho Carrara on the Rede Globo sitcom A Grande Família, for which he was nominated for an International Emmy Award for best actor.
Events in the year 1889 in Brazil.
Events in the year 1998 in Brazil.
Events in the year 1973 in Brazil.
