Boston (dance)

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The Boston refers to various step dances, considered a slow Americanized version of the waltz [1] [2] presumably named after where it originated. [1] It is completed in one measure with the weight kept on the same foot through two successive beats. [3] The "original" Boston is also known as the New York Boston or Boston Point. [4]

Waltz dance

The waltz is a ballroom and folk dance, normally in triple  time, performed primarily in closed position.

Variations of the Boston include:

Walking Boston

The Walking Boston, sometimes designated the One Step Waltz, is a very simple dance in which many graceful figures may be introduced. It is done to the same music as the Hesitation Waltz and Dream Waltz.

One-Step ballroom dance

The One-Step was a ballroom dance popular in social dancing at the beginning of the 20th century.

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References

  1. 1 2 3 Moore, Arabella E. (1900). The dance, ancient and modern / translated from the French. Philadelphia, Pa.: A. Moore. p. 26.
  2. 1 2 Swepstone, Eileen (1914). The tango, as standardized and taught by the representative dancing masters of the North American continent. Vancouver, B.C.: J. H. Welch. p. 14.
  3. Kinney, Troy (1914). Social dancing of to-day, demonstrated by Mr. John Murray Anderson; with text, twenty-nine diagrams and fifty-two illustrations from photographs by Troy and Margaret West Kinney. New York, Frederick A. Stokes Co. p. 21.
  4. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 90.
  5. 1 2 3 Kinney, Troy (1914). Social dancing of to-day, demonstrated by Mr. John Murray Anderson; with text, twenty-nine diagrams and fifty-two illustrations from photographs by Troy and Margaret West Kinney. New York, Frederick A. Stokes Co. p. 22.
  6. 1 2 3 Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 83.
  7. 1 2 Walker, Caroline (1914). The modern dances, how to dance them: complete instructions for learning the tango, or one step, the Castle walk, the walking Boston, the hesitation waltz, the dream waltz, the Argentine tango (3rd ed.). Chicago: Saul Brothers. p. 35.
  8. Swepstone, Eileen (1914). The tango, as standardized and taught by the representative dancing masters of the North American continent. Vancouver, B.C.: J. H. Welch. p. 15.
  9. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 86.
  10. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 88.
  11. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 92.
  12. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 93.
  13. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 94.
  14. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 96.
  15. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 98.
  16. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 100.
  17. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 101.
  18. Newman, Albert W. (1914). Dances of to-day. Philadelphia, The Penn Publishing Co. p. 103.