Paul Gustave Louis Christophe Doré was a French artist, as a printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings, especially those illustrating classic books, including 241 illustrating the Bible. These achieved great international success, and he is the best-known artist in this printmaking technique, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.
Walter Crane was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century.
Nathan Matthews Jr. was an American politician from Massachusetts who served as mayor of Boston from 1891 to 1894.
John Appleton Brown was an American landscape painter working largely in pastels and oils, born in West Newbury, Massachusetts. He showed talent at an early age and studied under Emile Lambinet in France. For many years he worked and showed in Boston, summering in his native northeastern Massachusetts and painting his best known lyrical landscapes there. In 1891 he and his wife, noted artist Agnes Augusta Bartlett Brown, moved to New York City, where he died on January 18, 1902.
W. H. Oakes was a music publisher in 19th-century Boston, Massachusetts. He published compositions by Daniel Auber, Henry Russell and others.
Samuel Lancaster Gerry (1813–1891) was an artist in 19th-century Boston, Massachusetts. He painted portraits and also landscapes of the White Mountains and other locales in New England. He was affiliated with the New England Art Union, and the Boston Artists' Association. In 1857 he co-founded the Boston Art Club.
Leonard Blanchard Chandler was a Massachusetts businessman and politician who served in the 1917 Massachusetts Constitutional Convention, in both branches of the Massachusetts legislature, both branches of the city council and as the twelfth Mayor of Somerville, Massachusetts.
The coats of arms of the U.S. states are coats of arms, that are an official symbol of the state, alongside their seal. Eighteen states have officially adopted coats of arms. The former independent Republic of Texas and Kingdom of Hawaii each had a separate national coat of arms, which are no longer used.
John Foster was an early American engraver and printer who lived in Boston in the Massachusetts Bay Colony when the colony was still in its infancy. He is credited with producing the first printed image in British colonial America, from a woodcut engraving of the Puritan minister Richard Mather. He also printed the first map to appear in the colonies. Foster graduated from Harvard University, but was a self-taught pioneer in American printmaking in woodcut, and also learned the art of typography from the Boston printer Marmaduke Johnson. He subsequently printed many works by prominent religious figures of the day in Massachusetts, and for a few years printed and published an annual almanac. His woodcut engravings were also used for the printing of official seals of the Massachusetts Bay Colony used by the provincial government.
The American House was a hotel in Boston, Massachusetts, located on Hanover Street. Abraham W. Brigham, Lewis Rice (1837–1874), Henry B. Rice (1868–1888), and Allen E. Jones served as proprietors. In 1851 the building was expanded, to a design by Charles A. Alexander. In 1868 it had "the first hotel passenger elevator in Boston." By the 1860s it also had "billiard halls, telegraph office, and cafe." In the late 19th century it was described as "the headquarters of the shoe-and-leather trade" in the city. Guests of the hotel and restaurant included John Brown, Ralph Waldo Emerson, William Whitwell Greenough, Charles Savage Homer, Zadoc Long, and George Presbury Rowell. Many groups held meetings there, among them: Granite Cutters' International Association of America, Letter Carriers' Association, National Electric Light Association, and New England Shorthand Reporters' Association. The hotel closed in 1916, and re-opened under new management in 1918. It permanently closed on August 8, 1935, and the building was shortly afterwards demolished to make room for a parking lot. The John F. Kennedy Federal Building now occupies the site.
Chickering Hall (est.1883) was a concert auditorium in Boston, Massachusetts, in the late 19th century. It occupied the second floor of Chickering and Sons showrooms on Tremont Street, near the corner of West Street. "Bradlee, Winslow and Wetherell were the architects, and Mr. E.P. Treadwell, the decorator. The hall [was] lighted by the Edison electric light." By 1895: "Tremont St., towards Boylston, for some years has been called Piano Row, for a long row of piano agencies occupied a good portion of the block; but of late most of these have migrated to Boylston St. Chickering Hall, at 152 Tremont St., was for many years a favorite place for fashionable musicales, and the headquarters of the musical profession."
Frank P. Bennett was an American journalist, magazine publisher and politician who served as a member of the Massachusetts House of Representatives, and as a member of the Everett, Massachusetts Board of Selectmen.
Historical coats of arms of the U.S. states date back to the admission of the first states to the Union. Despite the widely accepted practice of determining early statehood from the date of ratification of the United States Constitution, many of the original colonies referred to themselves as states shortly after the Declaration of Independence was signed on 4 July 1776. Committees of political leaders and intellectuals were established by state legislatures to research and propose a seal and coat of arms. Many of these members were signers of the Articles of Confederation, Declaration of Independence, and United States Constitution. Several of the earliest adopted state coats of arms and seals were similar or identical to their colonial counterparts.
Thomas Johnston (1708–1767) was an American engraver, japanner, and heraldic painter in Colonial Boston. Johnston engraved the first print of an historical event in the Colonial America and was also the first manufacturer of church organs in the colonies. The pipe organ he built in 1758–1759 for Boston's Old North Church was in use for over a hundred years until another organ replaced it in 1886.
Early American publishers and printers played a central role in the social, religious, political and commercial developments in colonial America, before, during, and after the American Revolution. Printing and publishing in the 17th and 18th centuries among the Thirteen Colonies of British North America first emerged as a result of religious enthusiasm and over the scarcity and subsequent great demand for bibles and other religious literature. By the mid-18th century, printing took on new proportions with the newspapers that began to emerge, most notably in Boston. When the British Crown began imposing new taxes, many of these newspapers became highly critical and outspoken about the British colonial government, which was widely considered unfair among the colonists.
Bibliography of early American publishers and printers is a selection of books, journals and other publications devoted to these topics covering their careers and other activities before, during and just after the American Revolution. Various works that are not primarily devoted to those topics, but whose content devotes itself to them in significant measure, are sometimes included here also. Works about Benjamin Franklin, a famous printer and publisher, among other things, are too numerous to list in this bibliography, can be found at Bibliography of Benjamin Franklin, and are generally not included here unless they are greatly devoted to Franklin's printing career. Single accounts of printers and publishers that occur in encyclopedia articles are neither included here.
Elizabeth Bullock Humphrey, also credited as Lizbeth, Lizzie, or L. B. Humphrey, was an American illustrator active in the 19th century. Humphrey and other women from Cooper Union are considered some of the first women to receive recognition as illustrators in the United States.
Daniel Henchman was a renowned American publisher and bookseller in 18th-century colonial Boston. Aside from his mainstay of publishing, printing, and bookselling, he was involved in a variety of mercantile pursuits. He was also very involved in Boston's civic matters and gave generously to the poor fund through his church. He was also an officer in the Boston militia regiment. Primarily through Henchman's efforts, the first paper mill to appear in New England was built in Massachusetts. Some historians consider Henchman to be the most prominent publisher and bookseller in pre-Revolutionary New England.
Frank Thayer Merrill was an American artist and illustrator. He is best known for his drawings for the first illustrated edition of Louisa May Alcott's novel Little Women, published in 1880. Over a five-decade career, he illustrated a wide variety of works for adults and children.
