Paul Gustave Louis Christophe Doré was a French printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings illustrating classic literature, especially those for the Vulgate Bible and Dante's Divine Comedy. These achieved great international success, and he became renowned for printmaking, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image.
Walter Crane was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century.
John La Farge was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art-related topics. La Farge made stained glass windows, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany.
Nathan Matthews Jr. was an American politician from Massachusetts who served as mayor of Boston from 1891 to 1894.
W. H. Oakes was a music publisher in 19th-century Boston, Massachusetts. He published compositions by Daniel Auber, Henry Russell and others.
Leonard Blanchard Chandler was a Massachusetts businessman and politician who served in the 1917 Massachusetts Constitutional Convention, in both branches of the Massachusetts legislature, both branches of the city council and as the twelfth Mayor of Somerville, Massachusetts.
The illustration of manuscript books was well established in ancient times, and the tradition of the illuminated manuscript thrived in the West until the invention of printing. Other parts of the world had comparable traditions, such as the Persian miniature. Modern book illustration comes from the 15th-century woodcut illustrations that were fairly rapidly included in early printed books, and later block books. Other techniques such as engraving, etching, lithography and various kinds of colour printing were to expand the possibilities and were exploited by such masters as Daumier, Doré or Gavarni.
The Studio Building (1861–1906) on Tremont Street in Boston, Massachusetts, housed artists' studios, theater companies and other businesses in the 19th century. It "held the true Bohemia of Boston, where artists and literati delighted to gather." Among the tenants were portraitist E.T. Billings, architect George Snell, sculptor Martin Milmore, artists William Morris Hunt, William Rimmer, Edward Mitchell Bannister, Phoebe Jenks; gallerist Seth Morton Vose, and many others.
The coats of arms of the U.S. states are coats of arms, that are an official symbol of the state, alongside their seal. Eighteen states have officially adopted coats of arms. The former independent Republic of Texas and Kingdom of Hawaii each had a separate national coat of arms, which are no longer used.
John Foster was an early American engraver and printer who lived in Boston in the Massachusetts Bay Colony when the colony was still in its infancy. He is credited with producing the first printed image in British colonial America, from a woodcut of the Puritan minister Richard Mather. He also printed the first map to appear in the colonies. Foster graduated from Harvard University, but was a self-taught pioneer in American printmaking in woodcut, and also learned the art of typography from the Boston printer Marmaduke Johnson. He subsequently printed many works by prominent religious figures of the day in Massachusetts, and for a few years printed and published an annual almanac. His woodcuts were also used for the printing of official seals of the Massachusetts Bay Colony used by the provincial government.
The American House was a hotel in Boston, Massachusetts, located on Hanover Street. Abraham W. Brigham, Lewis Rice (1837–1874), Henry B. Rice (1868–1888), and Allen C. Jones served as proprietors. In 1851 the building was expanded, to a design by Charles A. Alexander. In 1868 it had "the first hotel passenger elevator in Boston." By the 1860s it also had "billiard halls, telegraph office, and cafe." In the late 19th century it was described as "the headquarters of the shoe-and-leather trade" in the city. Guests of the hotel and restaurant included John Brown, Ralph Waldo Emerson, William Whitwell Greenough, Charles Savage Homer, Zadoc Long, and George Presbury Rowell. Many groups held meetings there, among them: Granite Cutters' International Association of America, Letter Carriers' Association, National Electric Light Association, and New England Shorthand Reporters' Association. The hotel closed in 1916, and re-opened under new management in 1918. It permanently closed on August 8, 1935, and the building was shortly afterwards demolished to make room for a parking lot. The John F. Kennedy Federal Building now occupies the site.
Chickering Hall (est.1883) was a concert auditorium in Boston, Massachusetts, in the late 19th century. It occupied the second floor of Chickering and Sons showrooms on Tremont Street, near the corner of West Street. "Bradlee, Winslow and Wetherell were the architects, and Mr. E.P. Treadwell, the decorator. The hall [was] lighted by the Edison electric light." By 1895: "Tremont St., towards Boylston, for some years has been called Piano Row, for a long row of piano agencies occupied a good portion of the block; but of late most of these have migrated to Boylston St. Chickering Hall, at 152 Tremont St., was for many years a favorite place for fashionable musicales, and the headquarters of the musical profession."
Frank P. Bennett was an American journalist, magazine publisher and politician who served as a member of the Massachusetts House of Representatives, and as a member of the Everett, Massachusetts Board of Selectmen.
Historical coats of arms of the U.S. states date back to the admission of the first states to the Union. Despite the widely accepted practice of determining early statehood from the date of ratification of the United States Constitution, many of the original colonies referred to themselves as states shortly after the Declaration of Independence was signed on 4 July 1776. Committees of political leaders and intellectuals were established by state legislatures to research and propose a seal and coat of arms. Many of these members were signers of the Articles of Confederation, Declaration of Independence, and United States Constitution. Several of the earliest adopted state coats of arms and seals were similar or identical to their colonial counterparts.
Thomas Johnston was an American engraver, japanner, and heraldic painter in Colonial Boston. Johnston engraved the first print of an historical event in the Colonial America and was also the first manufacturer of church organs in the colonies. The pipe organ he built in 1758–1759 for Boston's Old North Church was in use for over a hundred years until another organ replaced it in 1886.
Early American publishers and printers played a central role in the social, religious, political and commercial development of the Thirteen Colonies in British America prior to and during the American Revolution and the ensuing American Revolutionary War that established American independence.
Bibliography of early American publishers and printers is a selection of books, journals and other publications devoted to these topics covering their careers and other activities before, during and after the American Revolution. Various works that are not primarily devoted to those topics, but whose content devotes itself to them in significant measure, are sometimes included here also. Works about Benjamin Franklin, a famous printer and publisher, among other things, are too numerous to list in this bibliography, can be found at Bibliography of Benjamin Franklin, and are generally not included here unless they are intensely devoted to Franklin's printing career. Single accounts of printers and publishers that occur in encyclopedia articles are not included here.
Elizabeth Bullock Humphrey, also credited as Lizbeth, Lizzie, or L. B. Humphrey, was an American illustrator active in the 19th century. Humphrey and other women from Cooper Union are considered some of the first women to receive recognition as illustrators in the United States.
Frank Thayer Merrill was an American artist and illustrator. He is best known for his drawings for the first illustrated edition of Louisa May Alcott's novel Little Women, published in 1880. Over a five-decade career, he illustrated a wide variety of works for adults and children.
