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In poetry, metre or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
Poetry is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition written utilising this principle.
A quatrain is a type of stanza, or a complete poem, consisting of four lines.
A rhyme is a repetition of similar sounds in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word rhyme has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme.
A sonnet is a poetic form which originated in the Italian poetry composed at the Court of the Holy Roman Emperor Frederick II in Palermo, Sicily. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention for expressing courtly love. The Sicilian School of poets who surrounded him at the Emperor's Court are credited with its spread. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect.
A sestina is a fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end each line of the first stanza are used as line endings in each of the following stanzas, rotated in a set pattern.
A tercet is composed of three lines of poetry, forming a stanza or a complete poem.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
Rubāʿī or chāhārgāna is the term for a quatrain, a poem or a verse of a poem consisting of four lines. It refers specifically to a form of Persian poetry, or its derivative form in English and other languages.
Chain rhyme is a rhyme scheme that links together of stanzas by carrying a rhyme over from one stanza to the next.
A terzanelle is a poetic form combining aspects of the villanelle and the terza rima. It is nineteen lines total, with five triplets and a concluding quatrain. The middle line of each triplet stanza is repeated as the third line of the following stanza, and the first and third lines of the initial stanza are the second and final lines of the concluding quatrain; thus, seven of the lines are repeated in the poem. The rhyme scheme and stanzaic structure are as follows (a capitalized letter indicates a line repeated verbatim):
A rondeau is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroque music, which is an instance of what is more commonly called the rondo form in classical music.
This is a glossary of poetry.
A rondel is a verse form originating in French lyrical poetry of the 14th century. It was later used in the verse of other languages as well, such as English and Romanian. It is a variation of the rondeau consisting of two quatrains followed by a quintet or a sestet. It is not to be confused with the roundel, a similar verse form with repeating refrain.
Sonnet 125 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
Fixed verse forms are a kind of template or formula that poetry can be composed in. The opposite of fixed verse is free verse poetry, which by design has little or no pre-established guidelines.
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. The alternating form came to prominence in late 16th-Century English poetry and became fashionable in the 17th Century when it appeared in heroic poems by William Davenant and John Dryden. In the 18th Century famous poets such as Thomas Gray continued to use the form in works such as "Elegy Written in a Country Churchyard". Shakespearean Sonnets, comprising 3 quatrains of iambic pentameter followed by a final couplet, as well as later poems in blank verse have displayed the various uses of the decasyllabic quatrain throughout the history of English Poetry.
Blood and the Moon is a poem by Irish poet William Butler Yeats written in 1928 and published in the collection The Winding Stair in 1929 before being reprinted in The Winding Stair and Other Poems in 1933. Yeats composed the poem in response to the 1927 assassination of Kevin O'Higgins, the Vice-President of the Free State, whom Yeats had known personally. The poem contains many themes common in Yeats's poems from the 1920s including the "tower", a reference to Thoor Ballylee, which had been the title of a collection of works printed the year before "Blood and the Moon" was published, as well as the "gyre" which had been a major focus of his 1920 poem "The Second Coming".
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include six-eight, double-seven six-eight, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines", and "five syllables each line for eight lines." More recently there have been new poetry and free poetry.
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
References
- ↑ Turco, Lewis. The Book of Forms, 3rd Edition. UPNE, 2000.
- ↑ Lyon, Travis. Forms of Poetry. TeaLemon Publications, 2004. (136-7)
- ↑ Turco, L. (2000). The Book of Forms: A Handbook of Poetics . University Press of New England. p. 137. ISBN 9781584650225 . Retrieved 2015-08-27.