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References
- ↑ "Brenna Murphy". UPFOR Gallery, Portland, OR. Retrieved 2016-03-04.
- ↑ Neave, Kate (2014). "Brenna Murphy: yoni-shaped synths and tribal treasures". Dazed. No. Autumn. Retrieved 12 March 2016.
- ↑ Bratburd, Rebecca (June 8, 2014). "For Art Hub Eyebeam, It's Goodbye to Chelsea and Hello to Brooklyn". Wall Street Journal. Retrieved 12 March 2016.
- ↑ Gentles, Tim (November 21, 2014). "High-Tech Mysticism: An Interview with Brenna Murphy". Art in America. Retrieved 12 March 2016.
- ↑ Larkin, Daniel (March 4, 2016). "Dreamscapes for the 21st Century at the Volta Art Fair". Hyperallergic.
- ↑ Motley, John (4 November 2013). "Review: Brenna Murphy at Upfor Contemporary Art presents familiar yet strange installation". Oregon Live. Retrieved 7 March 2016.
- ↑ Scarlett, Ashley (2015). "Interpreting An Improper Materialism". Digital Culture & Society. 1 (1): 111–130. doi:10.14361/dcs-2015-0108. ISSN 2364-2114. S2CID 151787370.
- 1 2 Magdaleno, Johnny. "Artist Creates Surreal, Labyrinthine Designs Inspired By Meditation". The Creators Project. Retrieved September 2, 2013.
- ↑ "Brenna Murphy: CAVRNCODE". New Museum Exhibitions. Retrieved 2016-03-07.
- ↑ Smith, Roberta (July 24, 2014). "'This is what sculpture looks like,' at the Postmasters Gallery". The New York Times. Retrieved 12 March 2016.
- ↑ Chiaverina, John (October 27, 2015). "'Alien Yearbook' Report: American Medium Launches Brenna Murphy's New Color Monograph 'Domain~Lattice' |". ARTnews.
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