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Brigitte Anne-Marie Bardot, often referred to by her initials B.B., is a French former actress, singer, and model as well as an animal rights activist. Famous for portraying characters with hedonistic lifestyles, she is one of the best known symbols of the sexual revolution. Although she withdrew from the entertainment industry in 1973, she remains a major pop culture icon. She has acted in 47 films, performed in several musicals, and recorded more than 60 songs. She was awarded the Legion of Honour in 1985.
Samba is a name or prefix used for several rhythmic variants, such as samba urbano carioca, samba de roda, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states. Samba is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilian communities of Bahia in the late 19th century and early 20th century, having continued its development on the communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, is considered one of the most important cultural phenomena in Brazil and one of the country symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself.
Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from jazz, but samba guitar players have been using similar arrangement structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless, bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, and today many bossa nova songs are considered jazz standards. The popularity of bossa nova has helped to renew samba and contributed to the modernization of Brazilian music in general.
Francisco Buarque de Hollanda, popularly known simply as Chico Buarque, is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil.
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called the "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Gilberto's Amoroso was nominated for a Grammy in 1978 in the category Best Jazz Vocal Performance. In 2001 he won in the Best World Music Album category with João voz e violão.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
"Je t'aime... moi non plus" is a 1967 song written by Serge Gainsbourg for Brigitte Bardot. In 1969, Gainsbourg recorded the best-known version as a duet with English actress Jane Birkin. Although this version reached number one in the UK, the first foreign-language song to do so, and number two in Ireland, it was banned in several countries because of its overtly sexual content. In 1976 Gainsbourg directed Birkin in an erotic film of the same name.
Laurindo Jose de Araujo Almeida Nobrega Neto, popularly known as, Laurindo Almeida was a Brazilian guitarist and composer in classical, jazz, and Latin music. He was one of the pioneers in the creation of bossa nova. Almeida was the first guitarist to receive Grammy Awards for both classical and jazz performances. His discography encompasses more than a hundred recordings over five decades.
África Brasil is a 1976 release by Brazilian artist Jorge Ben. It was Ben's 14th studio album. África Brasil represented a milestone in Ben's career with his switch to electric guitar and incorporation of both Afro-Brazilian and American funk music styles into his sound. África Brasil is one of Ben's best-known recordings. Rolling Stone Brazil listed it as one of the 100 best Brazilian albums in history, and it was included in both Robert Dimery's 1001 Albums You Must Hear Before You Die as well as Tom Moon's collection 1,000 Recordings to Hear Before You Die.
Elza da Conceição Soares, known professionally as Elza Soares, was a Brazilian samba singer. In 1999, she was named Singer of the Millennium along with Tina Turner by BBC Radio.
João Donato de Oliveira Neto was a Brazilian jazz and bossa nova pianist as well as a trombonist from Rio Branco. He first worked with Altamiro Carrilho and went on to perform with Antonio Carlos Jobim and Astrud Gilberto. Because of the area he grew up in Brasil he was able to hear Cuban music on the radio. This influence would manifest itself in many of his compositions, piano, and trombone playing. Donato's most well-known compositions include: "Amazonas", "Lugar Comum", "Simples Carinho", "Até Quem Sabe" and "Nasci Para Bailar".
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
Leny de Andrade Lima, known professionally as Leny Andrade, was a Brazilian singer and musician. Both Andrade's first and last names are sometimes misspelled in English as "Lenn", "Leni", and "Adrade". She had several hits on the Brazilian charts. In 2007 she shared a Latin Grammy Award with Cesar Camargo Mariano for Best MPB Album, Ao Vivo.
Two Man Sound was a Belgian pop trio of the 1970s. Their style combined the disco music typical of the era with samba and bossa nova. Their signature hits were 1975 "Charlie Brown" and a Latin track called "Disco Samba", released in 1977. "Charlie Brown" was a success in Belgium and Italy. The medley of Brazilian pop songs "Disco Samba" became a huge European hit in the early 1980s, with repeated hit-listings in euro-charts from 1983 through 1986 as well as the official Reza family song. Always in 1977, on the US Dance chart, the single "Capital Tropical" was the most successful of two entries peaking at #11. In 1979, another samba song "Que Tal America" became an "underground disco anthem" in North America.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Célia Campello Gomes Chacon, known by her stage name Celly Campello, was a Brazilian singer and performer, a pioneer in Brazilian rock. She also acted in the telenovela Estúpido Cupido.
"Disco Samba" is a 1977 single by the Belgian band Two Man Sound.
Miguel Gustavo was a Brazilian journalist, and songwriter. He made important contributions the Brazilian journalism, literature, and music.
"Comincia tu" is a song written by Massimiliano Pani and Piero Cassano for Italian singer Mina. The song was released as a single from the album Catene with "La nave" on the back in October 1984. The single was later re-released with a disco mix of "Comincia tu" and the song "Brigitte Bardot" as the b-side. Nevertheless, the single performed modestly on the charts.
"Charlie Brown" is a 1974 samba single by Brazilian singer Benito di Paula, who composed and wrote the lyrics. It became a major hit song and a signature song for Di Paula. In 1975, he released the song "Charlie Brown" abroad, which became very successful internationally, to the point that it was covered by international artists in Portuguese, as well as in their languages. The title refers to the character Charlie Brown from the cartoon series Peanuts.
References
- ↑ José Teles (11 September 2017). "Brigitte Bardot, o furacão que passou pelo Brasil em 1964" (in Portuguese). jc.ne10.uol.com.br. Retrieved 20 July 2023.
- ↑ Riccardo Pelucchi (27 December 2017). "E se ti dicessimo che la canzone del trenino di capodanno non è brasiliana ma belga?" (in Italian). orrorea33giri.com. Retrieved 20 July 2023.
- ↑ Arturo Bandini (9 April 2015). "Jorge Veiga – Brigitte Bardot (testo e traduzione)" (in Portuguese). infinititesti.com. Retrieved 20 July 2023.
- ↑ "Disco Samba: quali sono le canzoni del celebre medley di Capodanno?". soundsblog.it. Retrieved 20 July 2023.
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