Broken April (Albanian: Prilli i thyer) is a novel by Albanian author Ismail Kadare. Published in 1978, the book explores one of Kadare's recurring themes: how the past affects the present.[1] The novel concerns the centuries-old tradition of hospitality, blood feuds, and revenge killing in the highlands of north Albania in the 1930s. It was translated into English by John Hodgson for New Amsterdam Books in 1990.[2]
Titular page of Broken April, published in 1980 by Rilindja.
Gjorg Berisha, a 26-year-old Albanian man living on the country's high plateau,[3] is forced to commit a murder under the laws of the Kanun to avenge his brother. As a result of this killing, his own death is sealed; he is to be killed by a member of the opposing family.[1]
Reading "Broken April", it is easy to understand why and with what strength Ismail Kadare is passionate about tragedy and its two most prominent representatives, Shakespeare and Aeschylus. "Friendship, loyalty, and feud are the wheels of the mechanism of ancient tragedy, and to enter into their mechanism is to see the possibility of tragedy."[6]
Reception
Broken April was lauded by reviewers upon its release. The New York Times, reviewing it, wrote: "Broken April is written with masterly simplicity in a bardic style, as if the author is saying: Sit quietly and let me recite a terrible story about a blood feud and the inevitability of death by gunfire in my country. You know it must happen because that is the way life is lived in these mountains. Insults must be avenged; family honor must be upheld...."[7]The Wall Street Journal declared Kadare "one of the most compelling novelists now writing in any language."[8] Reading "Broken April", it is easy to understand why and with what strength Ismail Kadare is passionate about tragedy and its two most prominent representatives, Shakespeare and Aeschylus. "Friendship, loyalty, and feud are the wheels of the mechanism of ancient tragedy, and to enter into their mechanism is to see the possibility of tragedy."
Tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
The Oresteia is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies.
Albanian culture or the culture of Albanians is a term that embodies the artistic, culinary, literary, musical, political and social elements that are representative of ethnic Albanians, which implies not just Albanians of the country of Albania but also Albanians of Kosovo, North Macedonia and Montenegro, where ethnic Albanians are a native population. Albanian culture has been considerably shaped by the geography and history of Albania, Kosovo, parts of Montenegro, parts of North Macedonia, and parts of Northern Greece, traditional homeland of Albanians. It evolved since ancient times in the western Balkans, with its peculiar language, pagan beliefs and practices, way of life and traditions. Albanian culture has also been influenced by the Ancient Greeks, Romans, Byzantines and Ottomans.
Revenge is defined as committing a harmful action against a person or group in response to a grievance, be it real or perceived. Vengeful forms of justice, such as primitive justice or retributive justice, are often differentiated from more formal and refined forms of justice such as distributive justice or restorative justice.
Ismail Kadare was an Albanian novelist, poet, essayist, screenwriter, and playwright. He was a leading international literary figure and intellectual. He focused on poetry until the publication of his first novel, The General of the Dead Army, which made him famous internationally.
A feud, also known in more extreme cases as a blood feud, vendetta, faida, clan war, gang war, private war, or mob war, is a long-running argument or fight, often between social groups of people, especially families or clans. Feuds begin because one party perceives itself to have been attacked, insulted, injured, or otherwise wronged by another. Intense feelings of resentment trigger an initial retribution, which causes the other party to feel greatly aggrieved and vengeful. The dispute is subsequently fuelled by a long-running cycle of retaliatory violence. This continual cycle of provocation and retaliation usually makes it extremely difficult to end the feud peacefully. Feuds can persist for generations and may result in extreme acts of violence. They can be interpreted as an extreme outgrowth of social relations based in family honor. A mob war is a time when two or more rival families begin open warfare with one another, destroying each other's businesses and assassinating family members. Mob wars are generally disastrous for all concerned, and can lead to the rise or fall of a family.
The Kanun is a set of Albanian traditional customary laws, which has directed all the aspects of the Albanian tribal society.
Revenge tragedy is a theatrical genre, in which the principal theme is revenge and revenge's fatal consequences. Formally established by American educator Ashley H. Thorndike in his 1902 article "The Relations of Hamlet to Contemporary Revenge Plays," a revenge tragedy documents the progress of the protagonist's revenge plot and often leads to the demise of both the murderers and the avenger himself.
Walter Moreira Salles Júnior is a Brazilian filmmaker, most known for his Golden Bear-winning film Central Station.
Albanian literature stretches back to the Middle Ages and comprises those literary texts and works written in Albanian. It may also refer to literature written by Albanians in Albania, Kosovo and the Albanian diaspora particularly in Italy. Albanian occupies an independent branch within the Indo-European family and does not have any other closely related language. The origin of Albanian is not entirely known, but it may be a successor of the ancient Illyrian language.
Behind the Sun is a 2001 social drama film directed by Walter Salles, produced by Arthur Cohn, and starring Rodrigo Santoro. Its original Portuguese title means Shattered April, and it is based on the 1978 novel Broken April written by the Albanian writer Ismail Kadare, about the honor culture in the North of Albania.
The relationship between Achilles and Patroclus is a key element of the stories associated with the Trojan War. In the Iliad, Homer describes a deep and meaningful relationship between Achilles and Patroclus, where Achilles is tender toward Patroclus, but callous and arrogant toward others. Its exact nature—whether homosexual, a non-sexual deep friendship, or something else entirely—has been a subject of dispute in both the Classical period and modern times. Homer never explicitly casts the two as lovers, but they were depicted as lovers in the archaic and classical periods of Greek literature, particularly in the works of Aeschylus, Aeschines and Plato. Some contemporary critics, especially in the field of queer studies, have asserted that their relationship was homosexual or latently homosexual, while some historians and classicists have disputed this, stating that there is no evidence for such an assertion within the Iliad and criticize it as unfalsifiable.
In traditional Albanian culture, Gjakmarrja or hakmarrja ("revenge") is the social obligation to kill an offender or a member of their family in order to salvage one's honor. This practice is generally seen as in line with the social code known as the Canon of Lekë Dukagjini or simply the Kanun. The code was originally a "a non-religious code that was used by Muslims and Christians alike."
Krvna osveta is a law of vendetta among South Slavic peoples in Montenegro and Herzegovina that has been practiced by Serbs, Bosniaks, and Croats throughout history. First recorded in medieval times, the feud is typically sparked by an offense such as murder, rape, assault, or similar wrongdoing. Associates or relatives of the victim, whether they are genuinely wronged or simply perceive it that way, are then prompted to fulfill the social obligation of avenging the victim. The revenge was seen as a way of maintaining one's honor, which was one of the most important aspects of traditional South Slavic culture.
Chronicle in Stone is a novel by Albanian author Ismail Kadare. First published in Albanian in 1971, and translated into English by Arshi Pipa in 1987, it describes life in a small Albanian city during World War II. A revised translation by David Bellos was published in 2007.
Besa is an Albanian cultural precept, usually translated as "pledge of honor", "solemn faith" or "solemn oath", that means "to keep the promise" and "word of honor", regarded as something sacred and inviolable. Besa is of prime importance as a cornerstone of personal and social conduct in the Albanian traditional customary law (Kanun), which has directed all the aspects of Albanian tribal society.
The Forgiveness of Blood is a 2011 drama film co-written and directed by Joshua Marston. The film premiered in competition at the 61st Berlin International Film Festival and competed for the Golden Bear. Marston and co-writer Andamion Murataj won the Silver Bear for Best Script.
The Palace of Dreams is a 1981 novel by the Albanian writer Ismail Kadare. Set ostensibly in the Ottoman Empire, but in a deliberately imprecise past shaded by myth and intended to represent the modern totalitarian state, The Palace of Dreams follows the rapid rise of Mark-Alem, a young Ottoman Albanian related to the powerful Köprülü family, within the bureaucratic regime of the title palace, a shady ministry whose objective is to gather, examine and interpret the dreams of the empire's subjects in order to uncover the master-dreams, which are believed to show the future destiny of the Sultan and the state.
Të paftuarit(The uninvited) is a 1985 Albanian drama film based on the novel Broken April by the award winning author Ismail Kadare. The film was directed by Kujtim Çashku and its main theme is the blood feud (Gjakmarrja) on a strong political background. The story is set in 1939 Albania and revolves around two main threads. It depicts a couple on a trip in the mountainous north of the country during their honeymoon and the last days of freedom of a 26-year-old highlander, who has taken revenge for his brother's death, in respect of the traditional law of the region, the Kanun.
The following is a list of the publications of Albanian writer Ismail Kadare (1936–2024).
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