Bronze disease is an irreversible and nearly inexorable corrosion process that occurs when chlorides come into contact with bronze or other copper-bearing alloys. [1] It can occur as both a dark green coating, or as a much lighter whitish fuzzy or furry green coating. [1] It is not a bacterial infection, but the result of a chemical reaction with the chlorides that usually occurs due to contamination of the bronze object by saltwater or from burial in specific types of soil where chloride salts are present. [1] If not treated, complete destruction of the affected artifact is possible. [1] Treatment is very difficult, costly and not always effective. Transfer of chlorides from the contaminated artefact to other artefacts can spread the condition. [2] [3] [4]
Bronze disease is the chloride corrosion of cuprous (copper-based) artifacts. It was originally thought to be caused by bacteria. [1] It is contagious in that the chlorides which cause it can spread the condition if they are brought into contact with another cuprous object. Despite its name, bronze disease can affect any copper-bearing alloy, not just bronze. It is not reserved for antique objects but can affect contemporary metals like modern cupro-nickel coins. [2] [3]
Bronze disease ranges from vivid green to pastel green. It is commonly present in all colors in this range due to the series of reactions that cause it and there may also be tiny, possibly microscopic, blue crystals. Bronze disease typically affects isolated patches of the object in severe cases being a visibly and tactilely raised bloom of microscopic crystals as well as being associated with pitting. The patches of bronze disease can be scraped off the surface using a fingernail or a wooden pick. These properties are all in comparison with verdigris, which is normally a duller shade, uniform across the whole of the affected object, and cannot be scratched off with wood or fingernails. Unlike bronze disease, verdigris serves to protect the metal. [4]
As it relies upon the presence of chlorides, water, and oxygen, the absence of one of these three halts the progress, although any damage done is irreversible. Treatment for the condition typically involves physical removal of the chlorides (through scrubbing), chemical or electrochemical removal, and then isolating the object from oxygen, water, and future chloride contamination using an airtight container or a wax coating. These treatments may also remove any patina, loss of which is often seen as undesirable to collectors and conservators but is preferable to loss of the object. [2] [3]
Bronze disease is common or even ubiquitous on artefacts recovered from a marine environment due to the presence of chlorides in seawater. Coastal areas may also be hazardous due to salt carried in the atmosphere as well as the humidity. Absence of dissolved chlorides and oxygen in the soil means buried objects may not be affected while interred (similarly, lack of soluble salts and oxygen means that buried metals may not develop a patina or that oxidation of the metal may be reversed). When an artefact is recovered, surface encrustations may hide and/or protect bronze disease. [4]
Chlorides may occur in or on the metal due to contamination from soil, water (especially seawater), the atmosphere, human sweat, or be present as impurities when the object was created. In many cases chlorides may be present within the interior of the artefact; the disease may reoccur if not isolated from water and/or oxygen. [2] [3]
Initially, copper is oxidized to the cuprous ion: [4] (1) Cu → Cu+ + e−
The cuprous ion reacts with the chloride ion to form the insoluble white colored salt cuprous chloride: (2) Cu+ + Cl− → CuCl
The cuprous chloride reacts with atmospheric moisture and oxygen to form a green cupric chloride/cupric hydroxide compound and hydrochloric acid: (3) 4 CuCl + 4 H2O + O2 → CuCl2·3 Cu(OH)2 + 2 HCl
The remaining copper is oxidised by air to the cuprous ion: (4) Cu → Cu+ + e−
The cuprous ion reacts with the chloride ion in the hydrochloric acid to form the insoluble white colored salt cuprous chloride: (5) Cu+ + Cl− → CuCl
The reaction then repeats from equation (3). It is the presence of two different white and green salts that lead to the fuzzy green appearance. [4]
Initial treatment can involve placing the object in a desiccating environment. [4] Deprived of water, the reaction cannot continue. However, re-exposure of the object to even atmospheric water can restart the process. Bronze disease remains an active area of research within object conservation. [2]
Removal of the chlorides is essential. In practice this first involves physical cleaning (with a wooden or even metal pick) to remove the bulk of the chlorides and then chemical treatment. One chemical treatment is soaking the object in a 5% sodium sesquicarbonate solution. This serves to neutralize the acid that attacks the metal as well as converting the reactive cuprous chloride to largely inert cuprous oxide. The oxide may coat the artefact with unsightly but harmless black spots or generally darken the metal. [2] [3]
The duration of soaking may be days to weeks or even a year for severely contaminated objects. The sesquicarbonate may remove copper from the artefact as it forms a complex ion with copper. Amateurs report that the patina may be stripped from the artefact but this is when the solution is boiled so that the carbonate rinse removes the chlorides in hours rather than the cool bath of long duration used by professional conservators. [2] [3]
Soaking in sodium carbonate—which does not form a complex ion with copper and is unlikely to affect the patina but is slower than the sesquicarbonate—or benzotriazole aqueous solutions may also be used. The carbonate is similar in effect to the sesquicarbonate. The benzotriazole does not remove the chlorides or neutralize the acid present but acts as a physical barrier to water, oxygen, and chlorides and so can be used as a final step in all cases but as a first or only step in only minor cases. [2] [3]
Use of tap water for initial carbonate rinses is fine as any chloride content in the water is low compared to the content found when the chlorides from the contaminated artefact have dissolved into the water. Later rinses should be with distilled water though the chlorine of a chlorinated town water supply is likely to have evaporated from tap water inside 24 hours and therefore will not further contaminate the object. [2] [3]
Instead of rinses, electrolysis may be used, often with sodium carbonate as the electrolyte and mild or stainless steel as the anode. This converts the cuprous ions to elemental copper. Elemental copper released from the chlorides may be redeposited on the artefact as a pinkish coating. A coin may take only hours, whereas a large artefact, such as a cannon, may take months.
Once treated, the specimen should be held in a dry environment and periodically inspected for recurrence of bronze disease as no long-term treatment has been confirmed. [2] [3]
If chloride ions have penetrated beyond the surface more rigorous treatment is required.
This typically involves soaking in acetone to displace any water in the specimen. Then soaking in a benzotriazole (BTA)–ethanol solution to chelate the copper and make it unreactive. Pits and holes may be filled with zinc powder, which is then painted over with shellac coloured to look like the specimen.
Waxes prepared with BTA are available commercially, the idea being that the BTA will prevent any reaction by chelating the surface copper and the wax acting as a physical barrier reducing exposure to water, oxygen, and chlorides; but coating an infected object with wax will not stop the problem. Storing the object in a completely dry or oxygen free environment will also prevent bronze disease as will isolation from contact with chlorides. [2] [4]
Electrochemistry is the branch of physical chemistry concerned with the relationship between electrical potential difference and identifiable chemical change. These reactions involve electrons moving via an electronically-conducting phase between electrodes separated by an ionically conducting and electronically insulating electrolyte.
Rust is an iron oxide, a usually reddish-brown oxide formed by the reaction of iron and oxygen in the catalytic presence of water or air moisture. Rust consists of hydrous iron(III) oxides (Fe2O3·nH2O) and iron(III) oxide-hydroxide (FeO(OH), Fe(OH)3), and is typically associated with the corrosion of refined iron.
Electroplating, also known as electrochemical deposition or electrodeposition, is a process for producing a metal coating on a solid substrate through the reduction of cations of that metal by means of a direct electric current. The part to be coated acts as the cathode of an electrolytic cell; the electrolyte is a solution of a salt of the metal to be coated, and the anode is usually either a block of that metal, or of some inert conductive material. The current is provided by an external power supply.
In chemistry, a reducing agent is a chemical species that "donates" an electron to an electron recipient.
Basic copper carbonate is a chemical compound, more properly called copper(II) carbonate hydroxide. It is an ionic compound consisting of the ions copper(II) Cu2+
, carbonate CO2−
3, and hydroxide OH−
.
Patina is a thin layer that variously forms on the surface of copper, brass, bronze, and similar metals and metal alloys, or certain stones and wooden furniture, or any similar acquired change of a surface through age and exposure.
Tarnish is a thin layer of corrosion that forms over copper, brass, aluminum, magnesium, neodymium and other similar metals as their outermost layer undergoes a chemical reaction. Tarnish does not always result from the sole effects of oxygen in the air. For example, silver needs hydrogen sulfide to tarnish, although it may tarnish with oxygen over time. It often appears as a dull, gray or black film or coating over metal. Tarnish is a surface phenomenon that is self-limiting, unlike rust. Only the top few layers of the metal react. The layer of tarnish seals and protects the underlying layers from reacting.
Copper(II) chloride, also known as cupric chloride, is an inorganic compound with the chemical formula CuCl2. The monoclinic yellowish-brown anhydrous form slowly absorbs moisture to form the orthorhombic blue-green dihydrate CuCl2·2H2O, with two water molecules of hydration. It is industrially produced for use as a co-catalyst in the Wacker process.
A corrosion inhibitor or anti-corrosive is a chemical compound added to a liquid or gas to decrease the corrosion rate of a metal that comes into contact with the fluid. The effectiveness of a corrosion inhibitor depends on fluid composition and dynamics. Corrosion inhibitors are common in industry, and also found in over-the-counter products, typically in spray form in combination with a lubricant and sometimes a penetrating oil. They may be added to water to prevent leaching of lead or copper from pipes.
In chemical nomenclature, the IUPAC nomenclature of inorganic chemistry is a systematic method of naming inorganic chemical compounds, as recommended by the International Union of Pure and Applied Chemistry (IUPAC). It is published in Nomenclature of Inorganic Chemistry. Ideally, every inorganic compound should have a name from which an unambiguous formula can be determined. There is also an IUPAC nomenclature of organic chemistry.
Renaissance Wax is a brand of microcrystalline wax polish used in antique restoration and museum conservation around the world. Commonly used to polish and conserve metal objects, it is also used on gemstones and such organic materials as wood, ivory, and tortoiseshell. The product is sometimes used by reenactors to protect armor and weapons. Waxes are more protective and longer-lasting than oil, especially for swords and helmets that are frequently touched by human hands. It has recently been introduced in the world of guitar building, as a finish that protects and gives colour to the wood.
Sodium sesquicarbonate (systematic name: trisodium hydrogendicarbonate) Na3H(CO3)2 is a double salt of sodium bicarbonate and sodium carbonate (NaHCO3 · Na2CO3), and has a needle-like crystal structure. However, the term is also applied to an equimolar mixture of those two salts, with whatever water of hydration the sodium carbonate includes, supplied as a powder.
Dicopper chloride trihydroxide is the chemical compound with the chemical formula Cu2(OH)3Cl. It is often referred to as tribasic copper chloride (TBCC), copper trihydroxyl chloride or copper hydroxychloride. It is a greenish crystalline solid encountered in mineral deposits, metal corrosion products, industrial products, art and archeological objects, and some living systems. It was originally manufactured on an industrial scale as a precipitated material used as either a chemical intermediate or a fungicide. Since 1994, a purified, crystallized product has been produced at the scale of thousands of tons per year, and used extensively as a nutritional supplement for animals.
Conservation and restoration of metals is the activity devoted to the protection and preservation of historical and archaeological objects made partly or entirely of metal. In it are included all activities aimed at preventing or slowing deterioration of items, as well as improving accessibility and readability of the objects of cultural heritage. Despite the fact that metals are generally considered as relatively permanent and stable materials, in contact with the environment they deteriorate gradually, some faster and some much slower. This applies especially to archaeological finds.
The conservation and restoration of silver objects is an activity dedicated to the preservation and protection of objects of historical and personal value made from silver. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer.
The conservation and restoration of copper and copper-alloy objects is the preservation and protection of objects of historical and personal value made from copper or copper alloy. When applied to items of cultural heritage, this activity is generally undertaken by a conservator-restorer.
The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer.
The conservation and restoration of outdoor artworks is the activity dedicated to the preservation and protection of artworks that are exhibited or permanently installed outside. These works may be made of wood, stone, ceramic material, plastic, bronze, copper, or any other number of materials and may or may not be painted. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer.
Chemical coloring of metals is the process of changing the color of metal surfaces with different chemical solutions.
Chalconatronite is a carbonate mineral and rare secondary copper mineral that contains copper, sodium, carbon, oxygen, and hydrogen, its chemical formula is Na2Cu(CO3)2•3(H2O). Chalconatronite is partially soluble in water, and only decomposes, although chalconatronite is soluble while cold, in dilute acids. The name comes from the mineral's compounds, copper ("chalcos" in Greek) and natron, naturally forming sodium carbonate. The mineral is thought to be formed by water carrying alkali carbonates (possibly from soil) reacting with bronze. Similar minerals include malachite, azurite, and other copper carbonates. Chalconatronite has also been found and recorded in Australia, Germany, and Colorado.