Author | Truman Capote |
---|---|
Original title | Brooklyn Heights: A Personal Memoir |
Illustrator | photographer David Attie |
Country | United States |
Language | English |
Subject | autobiography |
Published | February 1959 Holiday Magazine |
Media type | magazine (1959), anthology (1995), print hardback (2002), photo book (2015) |
OCLC | 32990674 |
Preceded by | Breakfast at Tiffany's |
Followed by | Observations |
ISSN 0018-3520 |
Brooklyn Heights: A Personal Memoir is an autobiographical essay by Truman Capote about his life in Brooklyn in the late 1950s. While it was eventually combined with the original photo illustrations by David Attie in a coffee table edition, and has been included in anthologies as well, it was first published in the February 1959 issue of the mid-century travel magazine Holiday . [1]
The essay famously opens with the lines "I live in Brooklyn. By choice." [2] Capote goes on to offer a short history of the neighborhood and how he came to live there, and to describe the house he lived in at the time, 70 Willow Street—which is where he wrote what many consider his two greatest works, Breakfast at Tiffany's and In Cold Blood . The essay then gives evocative descriptions of Capote's favorite local haunts—everything from restaurants to antique stores to cat-filled alleyways—as well as various neighborhood characters, before ending with an ominous story about being threatened by a "Cobra," or gang member, near the East River.
John Knowles, an editor at Holiday who later became an acclaimed novelist in his own right, has said that the magazine "asked me to get Truman for them," and claimed that he recruited Capote for Holiday on the very same night that he recruited Jack Kerouac. Knowles described Brooklyn Heights: A Personal Memoir as "in [Capote's] best vein, it was really very special." He also referred to the essay by a different title, "A Neighborhood in Brooklyn." [3]
The house at 70 Willow Street actually belonged to a friend of Capote's, Tony Award-winning theatrical designer Oliver Smith; Capote merely rented some basement rooms in his years there, from 1955 to 1965. But as George Plimpton later noted, "when friends came to call, he often took them on a tour of the entire house (when Smith was not at home) and said it was his house, all his, and that he had restored and decorated every room." [4]
The original essay was illustrated with photographs by David Attie, many of which were taken as Capote showed him around Brooklyn Heights in March, 1958. [5] It was not their first collaboration; Attie had been hired the previous year by famed art director Alexey Brodovitch to produce a big series of photo montages illustrating Breakfast at Tiffany's for what would have been its first publication in Harper's Bazaar . It was the first-ever professional photo assignment for Attie, who had been a student of Brodovitch's. But even though the montages were completed and effectively launched Attie's career—Capote is said to have liked them so much that he agreed to various editorial changes Harper's had demanded [6] —the magazine's publisher decided not to run the novella at all. Its tart language and subject matter were deemed "not suitable," and there was concern that Tiffany's, a major advertiser, would react negatively, so the project was scuttled. [7] [8] By his own account, when Capote resold the novella to Esquire, he specified that he "would not be interested if [Esquire] did not use Attie's [original series of] photographs." He wrote to Esquire fiction editor Rust Hills, "I'm very happy that you are using his pictures, as I think they are excellent." But to Capote's disappointment, Esquire ran just one full-page image of Attie's (though another was used as the cover of at least one paperback edition of the novella). [9]
Curiously, while Attie photographed Capote himself for the essay's appearance in Holiday—both at home on Willow Street and around Brooklyn Heights—none of these portraits were used or seen until decades later. This was presumably because Capote was not yet the literary superstar he would soon become. [10]
"Brooklyn Heights: A Personal Memoir" was first published in book form in 2002 as A House On The Heights (Little Bookroom, 2002). It included a new introduction by Plimpton which explained how the essay first came to be commissioned. [11] It is also included in the anthologies The Brooklyn Reader: Thirty Writers Celebrate America's Favorite Borough (Broadway Books, 1995), and Portraits and Observations: The Essays of Truman Capote (Random House, 2007, and Modern Library Paperbacks, 2008).
In November, 2015, the Little Bookroom issued a new coffee-table edition of the work—a photo book which includes the original essay and Plimpton's 2002 introduction, Attie's previously-unpublished portraits of Truman Capote, and his street photography taken in connection with the essay—entitled Brooklyn: A Personal Memoir, with the Lost Photographs of David Attie. [12] [13] [14] The book was well-reviewed in The New York Times [15] [16] and many other publications in America and Europe; The Independent named it one of the eight best art books of 2015 and wrote "when it comes to illustrated works, [this] one relatively slim volume stands out... a real gem of a find.” [17] The book was also a finalist for a 2016 Indie Book Award. [18] Its publication and reception have helped to bring renewed attention to Attie's work.
Truman Garcia Capote was an American novelist, screenwriter, playwright and actor. Several of his short stories, novels, and plays have been praised as literary classics, including the novella Breakfast at Tiffany's (1958) and the true crime novel In Cold Blood (1966), which he labeled a "non-fiction novel". His works have been adapted into more than 20 films and television dramas.
New Journalism is a style of news writing and journalism, developed in the 1960s and 1970s, that uses literary techniques unconventional at the time. It is characterized by a subjective perspective, a literary style reminiscent of long-form non-fiction. Using extensive imagery, reporters interpolate subjective language within facts whilst immersing themselves in the stories as they reported and wrote them. In traditional journalism, the journalist is "invisible"; facts are meant to be reported objectively.
Richard Avedon was an American fashion and portrait photographer. He worked for Harper's Bazaar, Vogue and Elle specializing in capturing movement in still pictures of fashion, theater and dance. An obituary published in The New York Times said that "his fashion and portrait photographs helped define America's image of style, beauty and culture for the last half-century".
Music for Chameleons (1980) is a collection of short fiction and non-fiction by the American author Truman Capote. Capote's first collection of new material in fourteen years, Music for Chameleons spent sixteen weeks on the New York Times bestseller list, unprecedented for a collection of short works.
Answered Prayers is an unfinished novel by American author Truman Capote, published posthumously in 1986 in England and 1987 in the United States.
Phillip Lopate is an American film critic, essayist, fiction writer, poet, and teacher. He is the younger brother of radio host Leonard Lopate.
The Grass Harp is a novel by Truman Capote published on October 1, 1951 It tells the story of an orphaned boy and two elderly ladies who observe life from a tree. They eventually leave their temporary retreat to make amends with each other and other members of society.
Alexey Vyacheslavovich Brodovitch was a Russian-born American photographer, designer and instructor who is most famous for his art direction of fashion magazine Harper's Bazaar from 1934 to 1958.
Breakfast at Tiffany's is a novella by Truman Capote published in 1958. In it, a contemporary writer recalls his early days in New York City, when he makes the acquaintance of his remarkable neighbor, Holly Golightly, who is one of Capote's best-known creations.
The Black and White Ball was a masquerade ball held on November 28, 1966, at the Plaza Hotel in New York City. Hosted by author Truman Capote, the ball was in honor of The Washington Post publisher Katharine Graham.
The non-fiction novel is a literary genre that, broadly speaking, depicts non-fictional elements, such as real historical figures and actual events, woven together with fictitious conversations and uses the storytelling techniques of fiction. The non-fiction novel is an otherwise loosely defined and flexible genre. The genre is sometimes referred to using the slang term "faction", a portmanteau of the words fact and fiction.
Summer Crossing is the first novel written by American author Truman Capote. He started the novel in about 1943 and worked on it intermittently for several years before putting it aside. For over 50 years Summer Crossing was thought to be lost but it was eventually rediscovered among Capote's papers and was published in 2005.
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Denham "Denny" Fouts was an American male prostitute, socialite, and literary muse. He served as the inspiration for characters by Truman Capote, Gore Vidal, Christopher Isherwood, and Gavin Lambert. He was allegedly a lover of Prince Paul of Greece and French actor Jean Marais.
Holiday was an American travel magazine published from 1946 to 1977, whose circulation grew to more than one million subscribers at its height. The magazine employed writers such as Truman Capote, Joan Didion, Lawrence Durell, James Michener, and E. B. White.
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David Attie was a prominent American photographer, widely published in magazines and books from the late 1950s until his passing in the 1980s. He was one of the last great proteges of legendary photography teacher and art director Alexey Brodovitch. Attie worked in a wide range of styles, illustrating everything from novels to magazine and album covers to subway posters, and taking now-iconic portraits of Truman Capote, Bobby Fischer, Lorraine Hansberry, and many others. He also created the first-ever visual depiction of Holly Golightly, the main character in Breakfast at Tiffany's, when he illustrated the Capote novella's first appearance in Esquire Magazine. He was best known in his lifetime for his signature photo montages—an approach he called "multiple-image photography": highly inventive, pre-Photoshop collages that he made by combining negatives in the darkroom. His work has received new attention with a pair of posthumous books: the well-reviewed 2015 publication of his Capote collaboration "Brooklyn: A Personal Memoir, With The Lost Photographs of David Attie," and the 2021 collection of his behind-the-scenes photographs from the very first season of Sesame Street, "The Unseen Photos of Street Gang." He has been the subject of several solo exhibits in recent years, including a two-year retrospective at the Brooklyn Historical Society. One recent critic wrote that even decades later, "his explorations of photomontage remain durably inspired, innovative, and visually dynamic."
The Carrington House is a bungalow located in the hamlet of Cherry Grove, New York. Built around 1912, it was one of the first buildings in Cherry Grove and constructed for Frederick Marquet. It is typical of early buildings on Fire Island. It was acquired by theater director Frank Carrington in 1927, who enlarged the house. Under his ownership, the house was a popular refuge for LGBT artists like Truman Capote; Breakfast at Tiffany's was written there.
Marguerite Lamkin Brown Harrity Littman was an American-British socialite and HIV/AIDS activist. As a Southern American accent coach she is known to have coached actors including Elizabeth Taylor and Paul Newman. Littman is remembered for her role in HIV/AIDS advocacy, including fundraising for charities.