The oboe is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites.
A sackbut is an early form of the trombone used during the Renaissance and Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one.
The cornett (Italian: cornetto, German: Zink) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are mostly curved, built in the treble size from 51 to 63 cm (20 to 25 in) in length, usually described as in G. The note sounded with all finger-holes covered is A3, which can be lowered a further whole tone to G by slackening the embouchure. The name cornett comes from the Italian cornetto, meaning "small horn".
Arnold Maurice Jacobs was an American tubist who spent most of his career with the Chicago Symphony Orchestra. He held that position from 1944 until his retirement in 1988.
Girolamo Dalla Casa, also known as Girolamo da Udine and Hieronymo de Udene, was an Italian composer, instrumentalist, and writer of the late Renaissance. He was a member of the Venetian School, and more influential as a performer than as a composer.
Sigurd Manfred Raschèr was an American saxophonist born in Germany. He became an important figure in the development of the 20th century repertoire for the classical saxophone.
The tenor cornett or lizard was a common musical instrument in the Renaissance and Baroque periods. This instrument was normally built in C and the pedal (lowest) note of the majority of tenor cornetts was the C below middle C. A number of surviving instruments feature a key to secure the lowest note. The instrument has a useful range of approximately two and a half octaves, however, an experienced player with a strong embouchure may be able to push the instrument higher.
The cornettino is the small descant instrument of the cornett family of lip-reed wind instruments, a fourth or fifth higher than the larger, more common treble cornett. Cornettini were built in two sizes, usually described as in D or C, although the note sounded with all finger-holes covered is E or D, respectively, which can be lowered a further whole tone to D or C by slackening the embouchure. The name cornettino in Italian means a small cornetto, which in turn means "small horn".
Bernhard Heiden was a Jewish emigre from Nazi Germany and a German-American composer who taught as a professor at the Indiana University School of Music from 1946 until his retirement in 1981.
The Missa Salisburgensis à 53 voci is perhaps the largest-scale piece of extant sacred Baroque music, an archetypal work of the Colossal Baroque that is now universally accepted to be by Heinrich Ignaz Franz Biber. The manuscript score of this Mass was rediscovered in the 1870s in the home of a greengrocer in Salzburg, Austria. It has been said to have narrowly escaped being used to wrap vegetables. In the late 19th century, musicologists, notably August Wilhelm Ambros and Franz Xavier Jelinek, attributed it to Orazio Benevoli, and argued that it had been performed in 1628; however in the mid-1970s, through modern methods of analyzing handwriting, watermarks, and history, Ernst Hintermaier "proved...definitely" that it was not by Benevoli. He also demonstrated that it must have been written for the 1682 commemoration of the 1100th anniversary of the Archbishopric of Salzburg. Hintermaier wrote in 2015 that the evidence rules out both Benevoli and Andreas Hofer, Biber's colleague, and concludes that "... the only possible composer of the Mass and the [companion] motet [for 54 voices, Plaudite Tympana] was Heinrich Ignaz Franz Biber... both the sources and the stylistic analysis clearly point to Biber as the author of the works."
Tsuyoshi Tsutsumi is a world renowned Japanese cellist. In an international career which began in 1954, Tsutsumi has performed and recorded all of the principal standard works in the cello repertoire, both solo and concerto. He has appeared as soloist with the Vienna Philharmonic Orchestra, the Royal Concertgebouw Orchestra of Amsterdam, the Leipzig Gewandhaus Orchestra, the London Symphony Orchestra, the Chicago Symphony Orchestra, the Boston Symphony Orchestra, and the National Symphony Orchestra of Washington D.C..
Vinzenz Fux, (c.1606–1659) was an Austrian musician and composer.
The mute cornett was an important variant of the treble cornett and it was used in compositions by European composers in the 16th, 17th and 18th centuries. A significant number of mute cornetts have survived and are preserved in various European museums. Modern makers of cornetts produce mute cornetts and the numbers of recordings of music featuring this instrument has increased in recent years.
Giovanni Battista Riccio was a musician and composer of the early Baroque era, resident in Venice, most notable for his development of instrumental forms, particularly utilizing the recorder.
Camillo Cortellini was an Italian composer, singer, and violinist.
Roland Wilson is a British cornett player, and conductor based in Germany.
Jean Tubéry is a French player of the cornett (cornetto) and conductor. He is noted for being, along with his own teacher Bruce Dickey and his colleague Jean-Pierre Canihac, one of the main cornett players to resurrect the baroque instrument, cornet à bouquin, as part of the historically informed performance movement and early music revival.
The Concerto Palatino was a wind ensemble and important civic institution in Bologna associated with San Petronio. The band performed morning and evening concerts in the city.
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.
William Dongois is a French brass player with a focus on the cornett.
