The brunette is a French song form popular in the late seventeenth and eighteenth centuries. [1] Among those who worked in the form was Jacques Hotteterre, who published a collection of flute arrangements of airs and brunettes around 1721. [2] The main source we have for these brunettes is a set of three volumes titled “Brunetes ou petits airs tendres” dated 1703, 1704, and 1711. They were published in duodecimo by Christophe Ballard.
The kora is a stringed instrument used extensively in West Africa. A kora typically has 21 strings, which are played by plucking with the fingers. It combines features of the lute and harp.
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era.
Jean-Antoine Watteau was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet.
The air de cour was a popular type of secular vocal music in France in the late Renaissance and early Baroque period, from about 1570 until around 1650. From approximately 1610 to 1635, during the reign of Louis XIII, this was the predominant form of secular vocal composition in France, especially in the royal court.
Claude Le Jeune was a Franco-Flemish composer of the late Renaissance. He was the primary representative of the musical movement known as musique mesurée, and a significant composer of the "Parisian" chanson, the predominant secular form in France in the latter half of the 16th century. His fame was widespread in Europe, and he ranks as one of the most influential composers of the time.
Shoot the Piano Player is a 1960 French New Wave crime drama film directed by François Truffaut that stars Charles Aznavour as the titular pianist with Marie Dubois, Nicole Berger, and Michèle Mercier as the three women in his life. It is based on the novel Down There by David Goodis.
Gustav Maria Leonhardt was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
The Querelle des Bouffons, also known as the Guerre des Bouffons, was the name given to a battle of musical philosophies that took place in Paris between 1752 and 1754. The controversy concerned the relative merits of French and Italian opera. It was also known as the Guerre des Coins, with those favoring French opera in the King's corner, and those favoring Italian opera in the Queen's corner.
Michel Pignolet de Montéclair was a French composer of the baroque period.
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows.
Nicolas Chédeville was a French composer, musette player and musette maker.
Claude Balbastre was a French composer, organist, harpsichordist and fortepianist. He was one of the most famous musicians of his time.
Jacques-Martin Hotteterre, also known as Jacques Martin or Jacques Hotteterre, was a French composer and flautist who was the most celebrated of a family of wind instrument makers and wind performers.
Jacques Aubert, also known as Jacques Aubert le Vieux, was a French composer and violinist of the Baroque period. From 1727 to 1746, he was a member of the Vingt-quatre Violons du Roy; from 1728 to 1752, he was the first violinist with the Paris Opera orchestra; and from 1729 to 1740, he frequently and successfully appeared as a soloist with the Concert Spirituel, performing, among other works, concertos for violin and orchestra of his own composition.
Jean Hotteterre (1677–1720) was a French composer and musician of the Hotteterre family.
Élisabeth de Haulteterre (Hotteterre) was a French composer and violinist. Despite the similarity of the name, she did not come from La Couture, the home of the Hotteterre family including Jacques Martin Hotteterre, and is probably not related. She should also not be confused with Élisabeth de Haulteterre (1738-1820) a french musician of the same name.
Jean Danican (D'Anican) Philidor was a court musician at Versailles during the reign of Louis XIII, and a member of the prestigious Philidor family. The name Philidor was conferred upon Jean's elder brother, Michel Danican, by Louis XIII, when his oboe playing reminded the monarch of the Italian virtuoso oboe player, Filidori of Siena; however, Michel never formally adopted the surname. Jean is the first individual to be found documented as "Danican dit Filidor", and evidence implies that he assumed the name at the time of his brother's death, in 1659.
Events from the year 1665 in France.
The Rottenburgh family was a Belgian family of instrument makers and musicians who created a highly regarded collection of instruments in Brussels in the 18th century. The Rottenburgh family was the leading provider of wind instruments to the Belgian market in the 1700s, supplying the Royal Palace of Brussels and all of the city's cathedrals. They also made string instruments for these institutions.
Christophe Ballard was a Parisian printer, bookseller, and music publisher employed by Louis XIV, from the family of publishers founded by Robert Ballard (1530–1588) in the mid-16th century. Christophe Ballard was the eldest son and only successor of Robert III Ballard and, like him, was the king's imprimeur ordinaire active from 1673 until the end of his life.