Bruno Newman is a businessman from Mexico City. He is the founder and co director of Zimat Consultores, a publisher, photographer and the founder of the Museo del Objeto del Objeto (MODO).
Mexico City, or the City of Mexico, is the capital of Mexico and the most populous city in North America. It is one of the most important cultural and financial centres in the Americas. It is located in the Valley of Mexico, a large valley in the high plateaus in the center of Mexico, at an altitude of 2,240 meters (7,350 ft). The city has 16 boroughs.
The Museo del Objeto del Objeto, or MODO, is a museum in Mexico City and the first museum in Mexico dedicated to design and communications. It was opened in 2010 based on a collection of commercial packaging, advertising, graphic arts, common devices and many other objects dating back to 1810 collected by Bruno Newman over more than forty years. The museum is dedicated to the preservation of its collection of more than 30,000 items from two centuries, and it is dedicated to the research in the history of design and communications, as well as the promotion of collecting in general. The museum offers workshops, seminars, conferences and other activities intended to promote design and communication.
Newman has a bachelor's degree in communications from the Universidad Iberoamericana . [1] [2] He has worked in communications and human resources in both the public and private sectors. He has been a consultant to a number of businesses, cultural institutions, philanthropic organizations and professional associations. [1]
The Ibero-American University is one of the most prestigious universities in Mexico and in Latin America. The private institution of higher education is sponsored by the Society of Jesus, and it is recognized as having an international-grade level of excellence. In 2009, the UIA received the SEP-ANUIES Prize as the best private university in Mexico. The Ibero's flagship campus is located in the Santa Fe district of Mexico City.
In 1984, Newman founded Zimat Consultores, a large communication firm in Mexico City, which he still runs with partner Marta Mejía. [3] [2] Zimat benefitted from the boom in public relations in Mexico in the 1980s and 1990s, with the company quickly grew from five employees to more than sixty consultants that made the agency number one in Mexico in terms of billing by the end of the 1990s. [4] The firm merged with U.S. enterprise Golin/Harris, giving the cooperation access to markets in Mexico, other parts of the Latin America and Spanish speaking markets in the United States. [5] [4] In the early 2000s, the firm was acquired by Interpublic Group of Companies, but today it is again independent and the exclusive partner for the Interpublic Group in Mexico. [6] Newman has remained as director of Zimat. [7] Today, clients include Avon, Body Shop, BBVA Bancomer, Cemex, Cuauhtémoc Moctezuma Brewery, Cinépolis, Colgate, Fondo Mexicano para la Conservación de la Naturaleza, Grupo Bimbo, Hewlett Packard and HSBC . [8]
Avon Products, Inc. is a multi-level marketing company in beauty, household, and personal care categories. Avon had annual sales of $5.5 billion worldwide in 2018.
CEMEX S.A.B. de C.V., known as Cemex, is a Mexican multinational building materials company headquartered in San Pedro, near Monterrey, Mexico. It manufactures and distributes cement, ready-mix concrete and aggregates in more than 50 countries. It is the second largest building materials company worldwide, only after LafargeHolcim.
Cervecería Cuauhtémoc Moctezuma (Cervecería Cuauhtémoc Moctezuma / Heineken México) is a major brewery based in Monterrey, Nuevo León, Mexico, founded in 1890. It is a subsidiary of Heineken International.
In addition to his work with Zimat, Newman is an author and photographer, publishing work related to his field as well as his personal interest in the ordinary. [1] [9] He published Organizaciones en la mira. Comunicación estratégica para prevenir y manejar las crisis with Marta Mejía in 2009. [2] In Paris, he took 450 photographs, eighty of which were published in a book called “El banquete del las banquetas.” The idea to photograph the city, focusing on sidewalks, occurred while he was there with his wife and was attracted by a metallic hatch which had an interesting texture due to the loss of paint. [10]
Paris is the capital and most populous city of France, with an area of 105 square kilometres and an official estimated population of 2,140,526 residents as of 1 January 2019. Since the 17th century, Paris has been one of Europe's major centres of finance, diplomacy, commerce, fashion, science, and the arts. The City of Paris is the centre and seat of government of the Île-de-France, or Paris Region, which has an estimated official 2019 population of 12,213,364, or about 18 percent of the population of France. The Paris Region had a GDP of €709 billion in 2017. According to the Economist Intelligence Unit Worldwide Cost of Living Survey in 2018, Paris was the second most expensive city in the world, after Singapore, and ahead of Zürich, Hong Kong, Oslo and Geneva. Another source ranked Paris as most expensive, on a par with Singapore and Hong Kong, in 2018.
He has received a number of recognitions for his professional and philanthropic work. [1] He is the first from Latin America to have been accredited by the International Association of Business Communicators (IABC) . [1] He was the founder and first president of the Asociación Mexicana de Comunicación Organizacional (AMCO) in 1973, president of SIGNUM in 1992, president of PRO RP and the Asociación Mexicana de Agencias Profesionales de Relaciones Públicas, AC in 1997. [1] Newman is a member of the board the Consejo Mexicano para la Filantropia (Cemefi), and president of A Leer/IBBY México, which promotes literacy in the country. [11] [12]
The International Association of Business Communicators (IABC) is a global network of communications professionals.
Bruno Newman is a longtime collector, mostly of packaging and ordinary objects. He has a collection of over 30,000 objects in thirty categories such as household products, food packages, medicine bottles, cosmetics and toys. Newman began collecting when he was thirteen years old. His uncle collected stamps and he was inspired by these stamp albums. He began collecting stamps from Spain, England and Mexico, preferring the Mexican ones because of their designs, especially the old ones. [3] Collecting packaging and other pieces for their designs began with four or five containers from a line of beauty products called Pompeii. They had been imported from France in 1910 and when he displayed them on a table, he received positive comments. From then he went on to shaving supplies, old toys, old advertisements and more, mostly bought at local flea markets. He concentrated on items that were not considered collectibles, but rather on items that caught his attraction because of age, color, the slogans and/or the designs. Over his lifetime, the collection outgrew his room, house and office until he had three warehouses for the collection. Today, he still collects, going to flea markets on Saturdays. [3]
In 2010, Newman made the collection the base for a new museum dedicated to design and communication called Museo del Objeto del Objeto (Object of the Object Museum). He opened this museum in Colonia Roma of Mexico City, in a 1906 Art Nouveau building that used to be his home. [3] The museum collection has about 30,000 pieces that date from 1810 to the present. They are mostly everyday objects from product packaging, utensils, cosmetics, clothing and many others. Only a small fraction of the collection is on display at the museum at any time. [13]
La Gunilla is the editorial arm of the Museo del Objeto del Objeto. [14] Newman created this enterprise with partner Gonzalo Tassier, to publish works focused on design and collecting. The name is a play on the name Lagunilla, which has a famous market for collectors. [15] Books published by this organization include “Mextencil”by Edgar Vargas and “Arte Urbe” by Flavio Montessoro focused on “urban” or “street” art, mostly graffiti and stencil art. [14] La Gunilla has also published works by Newman and Tassier, as part of a series of books called “Con-juntos.” Two of the books in this series, a “Una gruesa de colecciones” and “Encuentros con conocidos” both focus on Newman's personal experience as a collector. [16]
The National Museum of Anthropology is a national museum of Mexico. It is the largest and most visited museum in Mexico. Located in the area between Paseo de la Reforma and Mahatma Gandhi Street within Chapultepec Park in Mexico City, the museum contains significant archaeological and anthropological artifacts from Mexico's pre-Columbian heritage, such as the Stone of the Sun and the Aztec Xochipilli statue.
Colonia Roma, also called La Roma or simply, Roma, is a district located in the Cuauhtémoc borough of Mexico City just west of the city's historic center, and in fact is no longer a single colonia (neighbourhood) but now two officially defined ones, Roma Norte and Roma Sur, divided by Coahuila street.
The Franz Mayer Museum, in Mexico City opened in 1986 to house, display and maintain Latin America’s largest collection of decorative arts. The collection was amassed by stockbroker and financial professional Franz Mayer, who collected fine artworks, books, furniture, ceramics, textiles and many other types of decorative items over fifty years of his life. A large portion comes from Europe and Asia but most comes from Mexico itself with items dating from the 15th to the 20th centuries. Many pieces in the collection are fine handcrafts, such as textiles and Talavera pottery, and they are important because they are items that often did not survive because most did not consider them worth preserving.
Darío Escobar is a Guatemalan conceptual artist.
Leopoldo Flores was a Mexican artist mostly known for his murals and other monumental works which are concentrated in the city of Toluca, State of Mexico. He was born into a poor family in rural State of Mexico, but his artistic ability was evident early and he was able to attend the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" and receive a scholarship to study in Paris. His best known works are the Cosmovitral a large work in stained glass and the Aratmósfera, a “land art” piece both located in Toluca. The first is used as a symbol for the State of Mexico and the latter dominates the main stadium and the hill behind it at the main campus of the Universidad Autónoma del Estado de México (UAEM). He received a number of recognitions of his work from the State of Mexico and an honorary doctorate from the UAEM, which also founded the Museo Universitario Leopoldo Flores to house and promote his work. Despite advanced Parkinson's disease, until his death Flores was still an active artist.
José Chávez Morado was a Mexican artist who was associated with the Mexican muralism movement of the 20th century. His generation followed that of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. Although Chávez Morado took classes in California and Mexico, he is considered to be mostly self-taught. He experimented with various materials, and was an early user of Italian mosaic in monumental works. His major works include murals at the Ciudad Universitaria, Secretaría de Comunicaciones y Transportes and Museo Nacional de Antropología in Mexico City as well as frescos at the Alhóndiga de Granaditas, which took twelve years to paint. From the 1940s on, he also worked as a cultural promoter, establishing a number of cultural institutions especially in his home state of Guanajuato including the Museo de Arte Olga Costa - José Chávez Morado, named after himself and his wife, artist Olga Costa.
Sebastián is a Mexican sculptor best known for his monumental works of steel and/or concrete in both Mexico and abroad. These include a number of “gate” sculptures such as the Gran Puerta a México in Matamoros, Tamaulipas but his most famous sculpture is the “Caballito” located in downtown Mexico City. His works are found in various cities outside Mexico, such as Japan where two are now used as city symbols.
The Museo de Arte Popular is a museum in Mexico City, Mexico that promotes and preserves part of the Mexican handcrafts and folk art. Located in the historic center of Mexico City in an old fire house, the museum has a collection which includes textiles, pottery, glass, piñatas, alebrijes, furniture and much more. However, the museum is best known as the sponsor of the yearly, Noche de Alebrijes parade in which the fantastical creatures are constructed on a monumental scale and then paraded from the main plaza or Zocalo to the Angel of Independence monument, competing for prizes.
Mauricio Rodriguez Anza is an architect and designer born in Mexico City in 1957. His work has focused primarily in the experimental field and has developed a diversity of studies and investigations on architecture and design.
The corbeta (corvette) ARA Uruguay, built in England, is the largest ship afloat of its age in the Armada de la República Argentina, with more than 140 years passed since its commissioning in September 1874. The last of the legendary squadron of President Sarmiento, the Uruguay took part in revolutions, ransoms, expeditions, rescues, and was even floating headquarters of the Navy School. During its operational history 1874–1926 the Uruguay has served as a gunboat, school ship, expedition support ship, Antarctic rescue ship, fisheries base supply ship, and hydrographic survey vessel, and is now a museum ship in Buenos Aires. This ship may be the oldest in South America having been built in 1874 at Laird Bros. shipyard of Birkenhead, England, at a cost of £32,000. This ship is rigged to a barque sailplan. The ship's steel hull is sheathed in teak.
The Vochol is a Volkswagen (VW) Beetle that has been decorated with traditional Huichol (Wirrárika) beadwork from the center-west of Mexico. The name created by José Jaime Volochinsky is a combination of “vocho”, a popular term for VW Beetles in Mexico, and “Huichol”, the common name of the Wirrárika indigenous group. The project was sponsored by agencies associated with the Museo de Arte Popular, Mexico City, the states of Jalisco and Nayarit and other public and private organizations. The Volkswagen was covered in 2,277,000 beads applied by eight artisans from two Huichol families in an exclusive design based on Huichol culture.
Gonzalo Tassier is a graphic designer and publicity specialist from Mexico City, who has created a number of highly recognized logos and trademarks in Mexico. His was born in Mexico City in 1941. In his youth, he studied at the UNAM School of Architecture, then he studied philosophy for four years, before joining a religious community called the Missionaries of the Holy Spirit. However, as a designer, he is self-taught.
Alfredo Zalce Torres was a Mexican artist and contemporary of Diego Rivera, David Siqueiros and other better-known muralists. He worked principally as a painter, sculptor, and engraver, also taught, and was involved in the foundation of a number of institutions of culture and education. He is perhaps best known for his mural painting, typically imbued with "fervent social criticism". He is acclaimed as the first artist to borrow the traditional material of coloured cement as the medium for a "modern work of art". Publicity-shy, he is said to have turned down Mexico's Premio Nacional de Ciencias y Artes before finally accepting it in 2001. Before his death, Sotheby's described him as "the most important living Mexican artist up to date".
Gustavo Arias Murueta was a Mexican painter, sculptor and poet, a member of the Salón de la Plástica Mexicana best known for his work in drawing, graphic arts and oil painting. He originally studied architecture at the Universidad Nacional Autónoma de México where he met artists such as Rufino Tamayo, David Alfaro Siqueiros and José Clemente Orozco. In the 1950s, he began to produce artworks, with his first exhibition in 1961. From then until his death he had a career as an artist with individual and collective exhibitions in both Mexico and abroad. While his work had been heavily influenced by Orozco, he was considered part of the Generación de la Ruptura movement.
http://www.enriquebostelmann.com
Rocio Caballero is a Mexican figurative painter, whose works often depict mythical worlds and are noted for her use of symbolism. Her work has been exhibited individually and collectively in Mexico, the United States, South America and Europe and can be found in collections such as that of the National Museum of Mexican Art. Her work has been recognized with membership in the Salón de la Plástica Mexicana.
Handcrafts and folk art in Mexico City is a microcosm of handcraft production in most of the rest of country. One reason for this is that the city has attracted migration from other parts of Mexico, bringing these crafts. The most important handcraft in the city is the working of a hard paper mache called cartonería, used to make piñatas and other items related to various annual celebrations. It is also used to make fantastic creatures called alebrijes, which originated here in the 20th century. While there are handcrafts made in the city, the capital is better known for selling and promoting crafts from other parts of the country, both fine, very traditional wares and inexpensive curio types, in outlets from fine shops to street markets.
Opinion polling is being carried out prior to the Mexican general election, 2018.
Ana y Bruno is a 2017 Mexican computer-animated horror-comedy-drama film based on the novel, Ana by Daniel Emil. It is produced by Altavista Films and Lo Coloco Films, and co-produced by Ítaca Films and Ánima Estudios.