| Bruse Lee Marvin Gaye | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1995 | |||
| Recorded | February 1994 | |||
| Genre | Electronic, experimental rock | |||
| Length | 62:34 | |||
| Label | ZE | |||
| Milk Cult chronology | ||||
| ||||
Bruse Lee Marvin Gaye is the third studio album by Milk Cult, released in 1995 by ZK Records. [1]
All music is composed by Dale Flattum, Eric Holland and Mike Morasky.
| No. | Title | Length |
|---|---|---|
| 1. | "Samba Beat" | 1:11 |
| 2. | "Lip Charade" | 2:15 |
| 3. | "Country Beat" | 1:20 |
| 4. | "Space Zero" | 2:20 |
| 5. | "Jughead Beat" | 0:26 |
| 6. | "Fuzz Wah Song" | 4:12 |
| 7. | "D-D-D-Light H-H-Hop Skip Thing" | 0:44 |
| 8. | "Uptight Chavy Malibu Station Wagon" | 1:53 |
| 9. | "Jungian Bongo Party" | 1:28 |
| 10. | "Disco Noise Man" | 10:56 |
| 11. | "#@/Ae+_???" (Part 1) | 3:28 |
| 12. | "#@/Ae+_???" (Part 2) | 4:52 |
| 13. | "#@/Ae+_???" (Part 3) | 11:25 |
| 14. | "#@/Ae+_???" (Part 4) | 2:00 |
| 15. | "#@/Ae+_???" (Part 5) | 2:00 |
| 16. | "#@/Ae+_???" (Part 6) | 2:00 |
| 17. | "#@/Ae+_???" (Part 7) | 2:00 |
| 18. | "#@/Ae+_???" (Part 8) | 2:00 |
| 19. | "#@/Ae+_???" (Part 9) | 2:00 |
| 20. | "#@/Ae+_???" (Part 10) | 2:00 |
| 21. | "#@/Ae+_???" (Part 11) | 2:04 |
Adapted from the Bruse Lee Marvin Gaye liner notes. [2]
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| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| Japan | 1995 | ZK | CD | ZIKS-017 |
Marvin Gaye was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of hits, earning him the nicknames "Prince of Motown" and "Prince of Soul".
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single to date.
Let's Get It On is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
Here, My Dear is the fifteenth studio album by music artist Marvin Gaye, released as a double album on December 15, 1978, on Motown-subsidiary label Tamla Records. Recording sessions for the album took place between 1977 and 1978 at Gaye's personal studios, Marvin Gaye Studios, in Los Angeles, California. The album was notable for its subject matter focusing largely on Gaye's acrimonious divorce from his first wife, Anna Gordy Gaye.
"What's Going On" is a song by American singer-songwriter Marvin Gaye, released in 1971 on the Motown subsidiary Tamla. Originally inspired by a police brutality incident witnessed by Renaldo "Obie" Benson, the song was composed by Benson, Al Cleveland, and Gaye and produced by Gaye himself. The song marked Gaye's departure from the Motown Sound towards more personal material. Later topping the Hot Soul Singles chart for five weeks and crossing over to number two on the Billboard Hot 100, it would sell over two million copies, becoming Gaye's second-most successful Motown song to date. It was ranked at number 4 in Rolling Stone's 500 Greatest Songs of all Time in 2004 and 2010.
"Let's Get It On" is a song and hit single by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album Let's Get It On (1973), it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute.
"I Want You" is a song written by songwriters Leon Ware and Arthur "T-Boy" Ross and performed by singer Marvin Gaye. It was released as a single in 1976 on his fourteenth studio album of the same name on the Tamla label. The song introduced a change in musical styles for Gaye, who before then had been recording songs with a funk edge. Songs such as this gave him a disco audience thanks to Ware, who produced the song alongside Gaye.
"Can I Get a Witness" is a song composed by Brian Holland, Lamont Dozier, and Eddie Holland and produced by Brian Holland and Lamont Dozier as a non-album single for American recording vocalist Marvin Gaye, who issued the record on Motown's Tamla imprint in September 1963.
I Want You is the fourteenth studio album by American soul singer and songwriter Marvin Gaye. It was released on March 16, 1976, by the Motown Records-subsidiary label Tamla.
In Our Lifetime? is the sixteenth studio album by soul musician Marvin Gaye, released January 15, 1981, on Motown label Tamla Records. Recording sessions for the album took place at Marvin's Room in Los Angeles, California, Seawest Recording Studio in Honolulu, Hawaii, and at Odyssey Studios in London, England, throughout 1979 and 1980. The album cover was designed by Neil Breeden. Gaye's final album for Motown before leaving for Columbia Records, the album was the follow-up to the commercial failure of Here, My Dear, a double album which chronicled the singer's divorce from Anna Gordy. Entirely written, produced, arranged, and mixed by Gaye, In Our Lifetime? was a departure for Gaye from the disco stylings of his previous two studio efforts and was seen as one of the best albums of the singer's late-Motown period.
Live at the London Palladium is a live double album by soul musician Marvin Gaye, released March 15, 1977, on Tamla Records. Recording sessions took place live at several concerts at the London Palladium in London, England, in October 1976, with the exception of the hit single "Got to Give It Up", which was recorded at Gaye's Los Angeles studio Marvin's Room on January 31, 1977. Live at the London Palladium features intimate performances by Gaye of many of his career highlights, including early hits for Motown and recent material from his previous three studio albums. As with his previous live album, Marvin Gaye Live!, production of the record was handled entirely by Gaye, except for the studio portion, "Got to Give It Up", which was managed by Art Stewart.
Vulnerable is the third posthumous album by Marvin Gaye. Recorded in sessions throughout 1977, the album was a decade in the making, first being worked on in 1968 during sessions in New York with Bobby Scott. Reworked by Gaye a decade later, the album was originally going to be released in 1979 under the title, The Ballads, but was shelved. Two decades later, Motown released it under the title Vulnerable, including seven songs from the sessions and three alternate cuts.
"Your Unchanging Love" is a 1967 single released by American soul singer Marvin Gaye on the Tamla label.
Steel Pole Bath Tub was an American rock band, formed in 1986 in Bozeman, Montana, United States, by Mike Morasky (guitar/vocals) and Dale Flattum (bass/vocals).
Milk Cult was an American, San Francisco-based, electronic band. Founded as a studio-only project in 1990, the band's nucleus comprises musicians Dale Flattum, Eric Holland and Mike Morasky. Morasky and Flattum are also known for being founding members of the noise/industrial rock group Steel Pole Bath Tub, which the duo continued their involvement with concurrent to Milk Cult. Milk Cult is known for their found-sound experiments and dense sample-based compositions, as well as their collaborations with numerous musical acts, including Faith No More, Jawbreaker, Grotus, Neurosis, Thinking Fellers Union Local 282 and The Geraldine Fibbers.
"Let Your Conscience Be Your Guide" is the debuting single for singer Marvin Gaye, released as Tamla 54041, in May 1961. It was also the first release off Gaye's debut album, The Soulful Moods of Marvin Gaye, in which most of the material was the singer's failed attempt at making an 'adult' record compared to Motown's younger R&B sound.
"Marvins Room" is a song by Canadian recording artist Drake. It is the lead single from Drake's second studio album Take Care. Produced by 40, it features keyboard-based instrumentation and muted bass. "Marvins Room" is performed from the point of view of an inebriated Drake as he calls up an ex-girlfriend and rants about his various frustrations and loneliness. Adrian Eccleston and Gonzales provide additional musical contributions to the song. It was initially posted by Drake to his October's Very Own blog on June 9, 2011. Positive public reception to the song prompted its release as a single on June 28 to urban contemporary radio and as a digital download. "Marvins Room" was later included on Drake's second studio album Take Care, where it is followed by an interlude entitled "Buried Alive". The song features uncredited vocals from singer Ericka Lee.
"How Sweet It Is " is a song recorded by American soul singer Marvin Gaye from his fifth studio album, How Sweet It Is to Be Loved by You (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"
You're the Man is a posthumous studio album by American singer Marvin Gaye, originally intended to be released in 1972 as the follow-up to What's Going On. It was released on March 29, 2019, through Motown, Universal Music Enterprises, and Universal Music Group to celebrate what would have been Gaye's 80th birthday on April 2, 2019. The album includes the single of the same name, as well as the intended original album in full and other songs Gaye recorded at the time.
What's Going On Live is a live album recorded in 1972 by American soul singer Marvin Gaye and released posthumously in 2019 by Motown. The album documents a live performance of his masterpiece What's Going On and has received mixed feedback from critics.