Bugle Boy Bop | ||||
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Studio album by | ||||
Released | 1983 | |||
Recorded | February 5, 1977 | |||
Genre | Jazz | |||
Length | 40:43 | |||
Label | Muse | |||
Producer | Michael Cuscuna | |||
Lester Bowie chronology | ||||
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Bugle Boy Bop is an album by trumpeter Lester Bowie and drummer Charles "Bobo" Shaw recorded in 1977 and released on the Muse label in 1983. It features seven duet performances by Bowie and Shaw. [1]
Lester Bowie was an American jazz trumpet player and composer. He was a member of the Association for the Advancement of Creative Musicians and co-founded the Art Ensemble of Chicago.
Woody Herman Shaw Jr. was an American jazz trumpeter, flugelhornist, cornetist, composer, arranger, band leader, and educator. Shaw is widely known as one of the 20th century's most important and influential jazz trumpeters and composers. He is often credited with revolutionizing the technical and harmonic language of modern jazz trumpet playing, and is regarded by many as one of the major innovators of the instrument. He was an acclaimed virtuoso, mentor, and spokesperson for jazz and worked and recorded alongside many of the leading musicians of his time.
Julius Arthur Hemphill was a jazz composer and saxophone player. He performed mainly on alto saxophone, less often on soprano and tenor saxophones and flute.
Tones for Joan's Bones is the debut album by American jazz pianist Chick Corea, recorded in 1966 and released on Vortex Records—a subsidiary of Atlantic—in April 1968. The quintet features saxophonist Joe Farrell, trumpeter Woody Shaw, and rhythm section Steve Swallow and Joe Chambers.
Joseph Bowie is an American jazz trombonist and vocalist. The brother of trumpeter Lester Bowie, Joseph is known for leading the jazz-punk group Defunkt and for membership in the Ethnic Heritage Ensemble.
Frank Lowe was an American avant-garde jazz saxophonist and composer.
Charles Wesley "Bobo" Shaw was an American free jazz drummer, known as a prominent member of the Human Arts Ensemble and Black Artists Group. He was born in Pope, Mississippi, United States.
Fast Last! is an album by trumpeter Lester Bowie recorded for the Muse label and released in 1974. It features performances by Bowie, Julius Hemphill, John Hicks, John Stubblefield, Joseph Bowie, Bob Stewart, Cecil McBee, Jerome Cooper, Charles Shaw and Phillip Wilson.
Rope-A-Dope is an album trumpeter Lester Bowie recorded for the Muse label and released in 1976. It features performances by Bowie, Joseph Bowie, Malachi Favors Maghostut, Don Moye, Charles Bobo Shaw and Raymund Cheng.
Fanfare for the Warriors is a 1973 album by the Art Ensemble of Chicago first released on the Atlantic label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye along with AACM leader Muhal Richard Abrams.
Naked is a 1986 album by the Art Ensemble of Chicago released on the Japanese DIW label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye.
The Flam is an album by American jazz saxophonist Frank Lowe recorded in 1975 for the Italian Black Saint label.
The Brazz Brothers, alias Brazz Bros is a Norwegian jazz band. They are particularly known for their improvisations, and for the cooperation with Lester Bowie.
Heavy Spirits is an album by American jazz saxophonist Oliver Lake, which was recorded in 1975 and released on the Arista Freedom label. The album features Lake playing in different settings: three quintet tracks with Olu Dara on trumpet, Donald Smith on piano, Stafford James on bass, and Victor Lewis on drums, three more tracks with Lake backed by three violinists, a trio piece with trombonist Joseph Bowie and drummer Charles "Bobo" Shaw, and a solo sax piece.
Kelvyn Bell is an American guitarist and vocalist who plays in jazz and funk idioms.
Rasul Olufemi Siddik was an American jazz trumpeter. He was a member of the Association for the Advancement of Creative Musicians (AACM).
Homecoming is a live double LP by jazz saxophonist Dexter Gordon, recorded at the Village Vanguard in New York City in 1976. The album's title refers to Gordon's return to the United States after a long residency in Europe.
In Paris, Aries 1973 is a live album by the Black Artists Group, featuring saxophonist Oliver Lake, trumpeters Baikida Carroll and Floyd LeFlore, trombonist Joseph Bowie, and drummer Charles "Bobo" Shaw. The album was recorded in 1973 in Paris, and was initially self-released in very limited quantities. It was reissued in 2011 in a limited edition of 500 LPs by Rank and File Records, and was remastered and reissued on LP by Aguirre Records in 2018, with extensive liner notes by Julian Cowley, again in a limited edition of 500 copies.
Red, Black & Green is a live album by the Black Artists Group-affiliated band known as Solidarity Unit, Inc., led by drummer Charles "Bobo" Shaw. The group's sole release, it was recorded on September 18, 1970, at the BAG Room in East St. Louis, Illinois, and was initially issued on LP by Shaw's Universal Justice Records in 1972 as part of the BAG Live Concert Series. On the album, Shaw is joined by saxophonist and flutist Oliver Lake, trumpeters Floyd LeFlore and Baikida Carroll, trombonist Joseph Bowie, guitarist Richard Martin, pianist Clovis Bordeaux, bassists Kada Kayan and Carl Richardson, and percussionist Danny Trice. In 2008, the album was reissued on LP in remastered form and in limited quantities by Eremite Records.
Whisper of Dharma is the debut album by the Human Arts Ensemble, a musical collective that was an offshoot of the St. Louis-based Black Artists Group. Consisting of two 22-minute pieces, it was recorded on October 6, 1972, in St. Louis, and was initially released later that year by the small Universal Justice label. In 1977, it was reissued by Arista/Freedom with different cover art. The album features drummer and group leader Charles "Bobo" Shaw, saxophonists Oliver Lake, J. D. Parran, and James Marshall, trumpeter Floyd LeFlore, trombonist Joseph Bowie, multi-instrumentalist Baikida Carroll, and percussionist Gene Lake, who was six years old at the time of the recording session. On the recording, the musicians supplemented their primary instruments with miscellaneous "small instruments" plus a Tibetan trumpet introduced by Marshall, who had just returned from a trip through India and Nepal.