Bumping into Broadway | |
---|---|
Directed by | Hal Roach |
Written by | Hal Roach (screenplay) Harold Lloyd (screenplay) H. M. Walker (titles) |
Produced by | Hal Roach |
Starring | Harold Lloyd Bebe Daniels |
Cinematography | Walter Lundin |
Distributed by | Pathé Exchange |
Release date |
|
Running time | 23 minutes |
Country | United States |
Language | Silent (English intertitles) |
Box office | $113,426 [1] [2] |
Bumping into Broadway is a 1919 American short comedy film featuring Harold Lloyd. A print of the film survives in the film archive of the UCLA Film and Television Archive. [3] This film is notable as Lloyd's first two-reeler featuring his "glasses" character. [4] [5]
The film opens with a quick glimpse into the glamorous life of Broadway and the hubris often associated with its players. The film then shifts to the story of "The Girl" and "The Boy," she an aspiring actress and he an unpublished playwright. They are both humble artists struggling to make it big, and each are behind in their rent at a boarding house run by a stern landlady and a large, thuggish "bouncer." Having romantic feelings for the girl, the boy gives her all of his money so she can pay the back rent. Now penniless, the boy must find different ways to elude the landlady and bouncer. He finally escapes the menacing duo by hopping into a moving car.
Later, the eager playwright sneaks into the theater where the girl works a chorus girl to try and sell his play to the manager. He is unsuccessful, and after being kicked out of the manager's office, he's physically thrown into the street. Meanwhile, the girl has been fired from the show, and as a consolation, accepts an offer from the handsome "Stage-door Johnnie" to accompany him to a posh nightclub.
The couple, followed by the boy, arrive at the Sky Limit Club, an underground gambling establishment. While searching for the girl inside the club, the boy accidentally starts winning at roulette when he unwittingly places some found money on the table. Just as he bankrupts the casino, the place is raided by the police. After a series of chases and clever maneuvers, the boy is able to evade the police and is reunited with the girl. The film ends with the two engaged in a romantic kiss. [2] [6]
Bumping into Broadway was the first of a nine two-reel picture deal Harold Lloyd made with Pathé Exchange in April 1919. And even though Pathé was eager to release his first two-reel comedy featuring the "glasses" character, the company wanted to release all of the remaining one-reelers first. [7]
When the film was finally released in November 1919, it was met with great fanfare, partially due to the recent publicity surrounding its star after a prop bomb exploded during a photo shoot, damaging his eyes and severing his right thumb and forefinger. [8] Miraculously, Lloyd managed to fully regain his eyesight and was able to attend the premiere of Bumping into Broadway in New York City. In the end, the picture not only received great reviews, it broke several house records in theaters across the country, solidifying Lloyd's place as a top-billing comedy star. [9] [10] [11]
Harold Clayton Lloyd Sr. was an American actor, comedian, and stunt performer who appeared in many silent comedy films.
Harold Eugene "Hal" Roach Sr. was an American film and television producer, director and screenwriter, who was the founder of the namesake Hal Roach Studios.
Phyllis Virginia "Bebe" Daniels was an American actress, singer, dancer, writer, and producer.
Richard Daniels Jr. known professionally as Mickey Daniels, was an American actor. Signed by Hal Roach in 1921, he was, along with Joe Cobb, Jackie Condon, Jackie Davis, Mary Kornman, and Ernie Morrison, a regular in the popular Our Gang comedies during the silent era of the series, between 1922 and 1926.
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These are the known films of Harold Lloyd (1893–1971), an American actor and filmmaker most famous for his hugely successful and influential silent film comedies.
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Pathé Exchange, commonly known as Pathé, was an American film production and distribution company, largely of Hollywood's silent era. Known for its trailblazing newsreel and wide array of shorts, it grew out of the American division of the major French studio Pathé Frères, which began distributing films in the United States in 1904. Ten years later, it produced the enormously successful The Perils of Pauline, a twenty-episode serial that came to define the genre. The American operation was incorporated as Pathé Exchange toward the end of 1914 and spun off as an independent entity in 1921; the Merrill Lynch investment firm acquired a controlling stake. The following year, it released Robert J. Flaherty's groundbreaking documentary Nanook of the North. Other notable feature releases included the controversial drama Sex (1920) and director/producer Cecil B. DeMille's box-office-topping biblical epic The King of Kings (1927/28). During much of the 1920s, Pathé distributed the shorts of comedy pioneers Hal Roach and Mack Sennett and innovative animator Paul Terry. For Roach and then his own production company, acclaimed comedian Harold Lloyd starred in many feature and short releases from Pathé and the closely linked Associated Exhibitors, including the 1925 smash hit The Freshman.
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