A sari is a women's garment from the Indian subcontinent. It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, sometimes baring a part of the midriff. It may vary from 4.1 to 8.2 metres in length, and 60 to 120 centimetres in breadth, and is a form of ethnic wear in Bangladesh, India, Sri Lanka, Nepal, and Pakistan. There are various names and styles of sari manufacture and draping, the most common being the Nivi style. The sari is worn with a fitted bodice also called a choli and a petticoat called ghagra, parkar, or ul-pavadai. It remains fashionable in the Indian subcontinent today.
Jamdani is a fine muslin textile produced for centuries in South Rupshi of Narayanganj district in Bangladesh on the bank of Shitalakhwa river.
A Banarasi sari is a sari made in Varanasi, an ancient city which is also called Benares (Banaras). The saris are among the finest saris in India and are known for their gold and silver brocade or zari, fine silk and opulent embroidery. The saris are made of finely woven silk and are decorated with intricate designs, and, because of these engravings, are relatively heavy.
Kerala sari (Set-sari) is a clothing of women in the Indian state of Kerala.
Weaving and cloth trading communities of Western India particularly of Gujarat are called Vankar/Wankar/Vaniya. The four major woven fabrics produced by these communities are cotton, silk, khadi and linen. Today majority of these community members are not engaged in their ancestral weaving occupation still some population of these community contribute themselves in traditional handloom weaving of famous Patola of Patan, Kachchh shawl of Bhujodi in Kutch, Gharchola and Crotchet of Jamnagar, Zari of Surat, Mashroo of Patan and Mandvi in Kutch, Bandhani of Jamnagar, Anjar and Bhuj, Motif, Leheria, Dhamakda and Ajrak, Nagri sari, Tangaliya Shawl, Dhurrie, Kediyu, Heer Bharat, Abhala, Phento and art of Gudri. Vankar is described as a caste as well as a community.
Baluchari Sari is a type of sari, a garment worn by women in the Indian states of West Bengal, Tripura and Assam and the country of Bangladesh. This particular type of sari originated in West Bengal and is known for depictions of mythological scenes on the anchal of the sari. It used to be produced in Murshidabad but presently Bishnupur and its surrounding areas of West Bengal are the only place where authentic Baluchari saris are produced. It takes approximately one week to produce one such sari. In 2011, the Baluchari Sari was granted the status of Geographical Indication for West Bengal in India.
Mainak Bhaumik is a Bengali film director, documentary filmmaker and editor. He made his directorial debut with 2006 Bengali film Aamra.In 2012, he made another Bengali film Bedroom, a dark ensemble film about the new generation of young Indians. His critically and commercially successful movies are Maach Mishti & More, Bibaho Diaries, Generation Ami, Cheeni, Ekannoborti.
Pochampally sari or Pochampalli ikat is a saree made in Bhoodan Pochampally, Yadadri Bhuvanagiri district, Telangana State, India. They have traditional geometric patterns in "Paagadu Bandhu" (Ikat) style of dyeing. The intricate geometric designs find their way into sarees and dress materials. The Indian government's official airplane company, Air India, has its cabin crew wear specially designed Pochampally silk sarees.
Gajam Anjaiah, an Indian master handloom designer, who is widely recognised in the handloom industry for his innovations and developments of Tie and Dye handloom products along with Telia Rumal technique of weaving based on Ikat tie-dye process. He received Padma Shri from Government of India under Art category in 2013. He is known for his excellence in traditional handloom design works, such as Puttapaka Sarees in Tie and dye skill, that is the traditional art of designing on paper and then transferring it on to cloth. His dedication to the Handloom Industry has kept the Indian tradition of weaving alive, brought livelihood to the weavers and gave exclusive/unique designed handloom products to the people in India.
Kailash Chandra Meher is an Indian artist, inventor, and social activist. He is a painter of contemporary modern art paintings and traditional Tussar Pattachitra paintings of Odisha. He was a recipient of the Padma Shri by the Government of India in 2013.
Handloom saris are a traditional textile art of Bangladesh and India. The production of handloom saris is important for economic development in rural India.
Chaturbhuj Meher is an Indian weaver, considered one of the master weavers of the Tie-dye handloom tradition of Odisha. Born on 13 October 1935 at Sonepur in Odisha, he had formal education only up to school level but learned the traditional weaving craft to join Weavers' Service Centre as a Weaver. Vayan Vihar, a handloom factory and Handloom Research and Training Center, a research institute in Sonepur have been founded by him and he is known to have trained over 10,000 craftsmen.
Habaspuri is a cotton-based traditional handloom textiles of Odisha, India. Habaspuri sari is a major product of this textile. The Bhulia weavers of Chicheguda, Kalahandi district, Odisha are originally attributed for weaving of the Habaspuri fabric. For its uniqueness in weaving, design and production, it has been identified as one of the 14 Geographical Indications of Odisha.
Kotpad Handloom is a vegetable-dyed fabric woven by the tribal weavers of the Mirgan community of Kotpad village in Koraput district, Odisha, India. Cotton sarees with solid border and Pata Anchal, duppatta with typical Buties / motifs, Scolrfs on cotton, silk, handloom stoles, and dress materials are all dyed with organic dyes. The natural dye is manufactured from the aul tree grown in this area. The Kotpad tussar silk saree with tribal art and Kotpad handloom fabrics with natural color is its specialty.
Biswanath Rath is an Indian film director, screenwriter, editor and producer. His films have received a total of 530 recognition/awards in various International Film Festivals across the globe. He is the Odia filmmaker to achieve the milestone of winning 500 film festival accolades which includes 118 awards. He is the founder of production company BnR Films LLP.
Gobardhan Panika is an Indian master weaver of Kotpad handloom a traditional tribal craft. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2018, for his contributions to the art of weaving.
Smriti Morarka is an Indian social activist reviving handwoven cloth and improving mental health. In 2019 she was awarded the "Woman Power Award" Nari Shakti Puraskar by the President of India on International Women's Day in recognition of the example she has made.
Martand "Mapu" Singh was an Indian textile conservator, curator, and cultural historian who championed the revival of traditional Indian textiles, weaving and dyeing traditions. He served as the director of Calico Museum of Textiles in Ahmedabad and was one of the founder members, and former head, of Indian National Trust for Art and Cultural Heritage (INTACH). He was a trustee of the Mehrangarh Museum in Jodhpur.
Chendamangalam Saree is a traditional hand woven cotton sari from Chendamangalam, Ernakulam district of Kerala. This saree is part of the Chendamangalam Handloom tradition of Kerala.
Suraiya Hasan Bose was an Indian textile conservator, textile designer, and manufacturer, who worked to preserve traditional Indian textile art and techniques. She worked with the Indian Cottage Industries Emporium, as well as the Indian Handloom and Handicrafts Export Corporation, later establishing her own textile manufacturing unit to create traditional Indian textiles. Her designs have been exhibited in the Victoria and Albert Museum.
