Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Diego Rodríguez de Silva y Velázquez, was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was believed to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt. He was father of John Copley, 1st Baron Lyndhurst and half-brother of Henry Pelham, the American painter, engraver, and cartographer.
Gilbert Stuart was an American painter born in the Rhode Island Colony who is widely considered one of America's foremost portraitists. His best-known work is an unfinished portrait of George Washington, begun in 1796, which is usually referred to as the Athenaeum Portrait. Stuart retained the original and used it to paint scores of copies that were commissioned by patrons in America and abroad. The image of George Washington featured in the painting has appeared on the United States one-dollar bill for more than a century and on various postage stamps of the 19th century and early 20th century.
The John Rylands Research Institute and Library is a late-Victorian neo-Gothic building on Deansgate in Manchester, England. It is part of the University of Manchester. The library, which opened to the public in 1900, was founded by Enriqueta Augustina Rylands in memory of her husband, John Rylands. It became part of the university in 1972, and now houses the majority of the Special Collections of The University of Manchester Library, the third largest academic library in the United Kingdom.
Rembrandt Peale was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced by French neoclassicism after a stay in Paris in his early thirties.
Enriqueta Augustina Rylands was a British philanthropist who founded the John Rylands Library in Manchester.
Stanhope Alexander Forbes was an Irish artist and a founding member of the influential Newlyn school of painters. He was often called 'the father of the Newlyn School'.
Events in the year 1829 in Art.
Matthew Harris Jouett was a noted American portrait painter, famous for painting portraits including Thomas Jefferson, George Rogers Clark and Lafayette.
William Heath was a British artist who once described himself as a "portrait & military painter." He was best known for his published engravings which included caricatures, political cartoons, and commentary on contemporary life.
John Cassidy was an Irish sculptor and painter who worked in Manchester, England, and created many public sculptures.
Tomás "Tommy" Joseph Harris was a British art dealer and artist, who also served as an MI5 intelligence officer during World War II. As a Spanish-speaker, he worked with Juan Pujol García, a very important double agent in the Double Cross System.
Jeffrey Harris is a New Zealand artist. Harris started his career in Christchurch, moving to Dunedin, New Zealand in 1969. In the early 1980s he worked briefly in the United States, before moving to Melbourne, Australia in 1986. In 2000 he returned to Dunedin, where he still lives. Largely self-taught, but mentored by notable New Zealand artists such as Michael Smither and Ralph Hotere, he has painted full-time since 1970.
James McBey was a largely self-taught Scottish artist and etcher whose prints were highly valued during the later stages of the etching revival in the early 20th century. He was awarded an Honorary Doctor of Letters by Aberdeen University.
Charles Apthorp was an English-born merchant and slave trader in Boston, Massachusetts. Apthorp managed his import business from Merchants Row, and "in his day he was called the richest man in Boston." He also served in the employ of the British government for various schemes it attempted to implement in North America.
The Portrait of the Duke of Wellington is a painting by the Spanish artist Francisco de Goya of the British general Arthur Wellesley, 1st Duke of Wellington, during the latter's service in the Peninsular War. One of three portraits Goya painted of Wellington, it was begun in August 1812 after the subject's entry into Madrid, showing him as an earl in an all-red uniform and wearing the Peninsular Medal. The artist then modified it in 1814 to show him in full dress uniform with black gold–braided lapels and to add the Order of the Golden Fleece and Military Gold Cross with three clasps.
Mary Martha Pearson was an English portrait painter.
Conrad Meit or Conrat Meit was a German-born Late Gothic and Renaissance sculptor, who spent most of his career in the Low Countries.
Enriqueta Harris Frankfort was a British art historian and writer who specialised in Spanish art. Born into a family with an English father and a Spanish mother, she attended the University College London to read modern languages and later studied a Doctor of Philosophy art degree under Tancred Borenius. Harris travelled to Spain to research Caravaggio's influence on 17th-century Spanish paintings and her first book was published in 1938. She billeted Basque child refugees during the Spanish Civil War and worked with the Ministry of Information to keep Spain neutral during World War II. After the war ended she worked in the Warburg Institute and was offered the post in their photographic collection in 1947. Harris worked there until her retirement albeit for two years when she was married to the institution's director Henri Frankfort. Her work on Spanish paintings earned her widespread recognition in the country and received multiple awards and honours.
