Related Research Articles
The Goat is a 1917 American silent comedy film featuring Oliver Hardy. Like many American films of the time, The Goat was subject to cuts by city and state film censorship boards. The Chicago Board of Censors cut, in reel 2, the man raising the girl's leg to strike a match on her shoe, all scenes of Billy West in the wrong bed, and the holding of hands across twin beds.
The Band Master is a 1917 American silent comedy film featuring Oliver Hardy.
The Slave is a 1917 American silent comedy film starring Billy West and featuring Oliver Hardy. It was unusual for a silent film in that, because it told its story so plainly, subtitles or intertitles were not considered necessary. It is not known whether the film currently survives.
The Stranger is a 1918 American silent comedy film featuring Oliver Hardy. Prints of this film survive in private collections and it has been released on DVD.
Bright and Early is a 1918 American short comedy film featuring Oliver Hardy. This short is preserved in the Library of Congress's collection.
The Scholar is a 1918 American silent comedy film featuring Oliver Hardy.
The Messenger is a 1918 American silent comedy film featuring Oliver Hardy.
The Handy Man is a 1918 American silent comedy film featuring Oliver Hardy.
Hello Trouble is a 1918 American silent comedy film featuring Oliver Hardy. Like many American films of the time, Hello Trouble was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut, in Reel 2, of eight scenes with a couple in a sliding bed.
Painless Love is a 1918 American silent comedy film featuring Oliver Hardy.
The Squaw Man is a 1918 American silent Western film directed by Cecil B. DeMille. It is a remake of DeMille's 1914 film of the same name, which is based upon a 1905 play by Edwin Milton Royle. The film was reportedly made as an experiment to prove DeMille's theory that a good film is based on a good story. It cost $40,000 to make and grossed $350,000. It would be remade again by DeMille in 1931. The 1918 The Squaw Man is a lost film with only the last reel extant.
The Woman in the Web is a 1918 American drama film serial directed by Paul Hurst and David Smith. It was the 9th of 17 serials released by The Vitagraph Company of America. This World War I period serial about a Russian princess and the overthrow of the Tsar introduced the concept of the Red Menace to serials. The serial is now considered to be a lost film.
The Mystery Ship is a 1917 American adventure film serial directed by Harry Harvey and Henry MacRae. The film is considered to be lost.
The Brass Bullet is a 1918 American adventure film serial directed by Ben F. Wilson. It is now considered to be a lost film.
The Bull's Eye is a 1917 American film serial directed by James W. Horne. It is now considered to be a lost film.
The Lion's Claws is a 1918 American adventure film serial directed by Harry Harvey and Jacques Jaccard and starring Marie Walcamp and Ray Hanford. The serial, which had 18 chapters, is considered to be a lost film.
The Hidden Hand is a 1917 American film serial directed by James Vincent. This is a lost serial.
Hands Up is a lost 1918 American adventure film serial directed by Louis J. Gasnier and James W. Horne. The serial was Ruth Roland's breakthrough role.
The House of Hate is a 1918 American film serial directed by George B. Seitz, produced when many early film studios in America's first motion picture industry were based in Fort Lee, New Jersey.
The Border Raiders is a 1918 American silent Western film directed by Stuart Paton and starring Betty Compson and George Larkin. It was shot on the Hopi Reservation in Arizona.
References
- ↑ "Official Cut-Outs by the Chicago Board of Censors". Exhibitors Herald. 7 (11): 57. September 7, 1918.
