C-22 process

Last updated

Introduced by Kodak in the 1956, [1] C-22 is an obsolete process for developing color film, superseded by the C-41 process in 1972 for the launch of 110 film and in 1974 for all other formats. [2]

The development of the film material is carried out at temperatures of around 75°F (24°C), making the process incompatible with the more modern C-41 process, which uses a temperature of 100°F (38°C). C-22 uses Color Developing Agent 3, unlike C-41, which uses Color Developing Agent 4.

The most common film requiring this process is Kodacolor-X.

C-22 film can still (as of 2020) be developed in black and white. [3]

Related Research Articles

<span class="mw-page-title-main">Film stock</span> Medium used for recording motion pictures

Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to X-rays and high-energy particles. Most are at least slightly sensitive to invisible ultraviolet (UV) light. Some special-purpose films are sensitive into the infrared (IR) region of the spectrum.

<span class="mw-page-title-main">110 film</span> Cartridge film format introduced in 1972

110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturized version of Kodak's earlier 126 film format. Each frame is 13 mm × 17 mm, with one registration hole. Cartridges with 12, 20, or 24 frames are available on-line. Production variations sometimes have allowed for an additional image.

<span class="mw-page-title-main">Disc film</span> Photography film format common in the 1980s

Disc film is a discontinued still-photography film format that was aimed at the consumer market. It was introduced by Kodak in 1982.

<span class="mw-page-title-main">Photographic processing</span> Chemical process that transforms a latent image into a visible image

Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.

<span class="mw-page-title-main">Reversal film</span> Type of photographic film that produces a positive image on a transparent base

In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives. Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.

<span class="mw-page-title-main">E-6 process</span> Chromogenic photographic process

The E-6 process is a chromogenic photographic process for developing Ektachrome, Fujichrome and other color reversal photographic film.

<span class="mw-page-title-main">Photographic developer</span> Chemical(s) which convert a latent image on photographic film to a visible image

In the processing of photographic films, plates or papers, the photographic developer is one or more chemicals that convert the latent image to a visible image. Developing agents achieve this conversion by reducing the silver halides, which are pale-colored, into silver metal, which is black. The conversion occurs within the gelatine matrix. The special feature of photography is that the developer acts more quickly on those particles of silver halides that have been exposed to light. Paper left in developer will eventually reduce all the silver halides and turn black. Generally, the longer a developer is allowed to work, the darker the image.

Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper. The paper is exposed to a photographic negative, a positive transparency , or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer. Alternatively, the negative or transparency may be placed atop the paper and directly exposed, creating a contact print. Digital photographs are commonly printed on plain paper, for example by a color printer, but this is not considered "photographic printing".

C-41 is a chromogenic color print film developing process introduced by Kodak in 1972, superseding the C-22 process. C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most photofinishing labs devoting at least one machine to this development process.

<span class="mw-page-title-main">Instant film</span> Photographic film which develops in minutes

Instant film is a type of photographic film that was introduced by Polaroid Corporation to produce a visible image within minutes or seconds of the photograph's exposure. The film contains the chemicals needed for developing and fixing the photograph, and the camera exposes and initiates the developing process after a photo has been taken.

<span class="mw-page-title-main">Infrared photography</span> Near-infrared imaging

In infrared photography, the film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum.

Color prints have been developed since their beginnings in 1935 with Eastman Kodak’s Company’s Kodachrome film, as well in 1936 with Agfa Company’s Agfacolor film. Color print film is the most common type of photographic film in consumer use. Print film produces a negative image when it is developed, requiring it to be reversed again when it is printed onto photographic paper.

<span class="mw-page-title-main">Color motion picture film</span> Photographic film type

Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.

<span class="mw-page-title-main">Analog photography</span> Non-digital photography that uses film or chemical emulsions

Analog photography, known as film photography, is an incorrect term for photography that uses chemical processes to capture an image, typically on paper, film or a hard plate. Analog is a word used to define what a video signal was before digital came along. These photographic processes were the only methods available to photographers for more than a century prior to the invention of digital photography, which uses electronic sensors to record images to digital media.

<span class="mw-page-title-main">Kodacolor (still photography)</span> Brand name of an Eastman Kodak film

In still photography, Kodak's Kodacolor brand has been associated with various color negative films since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". More accurately, it was the first color negative film intended for making paper prints: in 1939, Agfa had introduced a 35 mm Agfacolor negative film for use by the German motion picture industry, in which the negative was used only for making positive projection prints on 35 mm film. There have been several varieties of Kodacolor negative film, including Kodacolor-X, Kodacolor VR and Kodacolor Gold.

In motion pictures, Kodak's Kodacolor brand was originally associated with an early lenticular color motion picture process, first introduced in 1928 for 16mm film. The process was based on the Keller-Dorian system of color photography.

<span class="mw-page-title-main">Photographic film</span> Film used by film (analog) cameras

Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film.

<span class="mw-page-title-main">Kodak Cine Special 16mm Cameras</span>

The Kodak Cine Special 16mm Cameras (CKS) are a family of precision, versatile, spring-wound 16mm silent movie cameras produced by Eastman Kodak from the 1930s to the 1960s, and intended for advanced consumers and industry professionals. While its rectangular format was typical of earlier Kodak 16 mm cameras, the CKS 'box' was formed by two joined sections: the spring motor half with the user controls, winding cranks, and gear work to the shutter. The other half was a film magazine which docked to the motor. This allowed the cinematographer to pre-load multiple magazines of film for quick interchange of film.

References

  1. "Kodak Camera Film".
  2. "C-22 Film and Black and White Processing – the Analogue Laboratory".
  3. "Kodacolor-X 35mm Film Cartridge and Box".