Related Research Articles
An epigram is a brief, interesting, memorable, sometimes surprising or satirical statement. The word derives from the Greek ἐπίγραμμα. This literary device has been practiced for over two millennia.
In ancient Greek mythology and religion, Eos is the goddess and personification of the dawn, who rose each morning from her home at the edge of the river Oceanus to deliver light and disperse the night. In Greek tradition and poetry, she is characterized as a goddess with a great sexual appetite, who took numerous human lovers for her own satisfaction and bore them several children. Like her Roman counterpart Aurora and Rigvedic Ushas, Eos continues the name of an earlier Indo-European dawn goddess, Hausos. Eos, or her earlier Proto-Indo-European (PIE) ancestor, also shares several elements with the love goddess Aphrodite, perhaps signifying Eos's influence on her or otherwise a common origin for the two goddesses. In surviving tradition, Aphrodite is the culprit behind Eos' numerous love affairs, having cursed the goddess with insatiable lust for mortal men.
In Greek mythology and ancient Greek religion, Mnemosyne is the goddess of memory and the mother of the nine Muses by her nephew Zeus. In the Greek tradition, Mnemosyne is one of the Titans, the twelve divine children of the earth-goddess Gaia and the sky-god Uranus. The term Mnemosyne is derived from the same source as the word mnemonic, that being the Greek word mnēmē, which means "remembrance, memory".
In Greek mythology, Tithonus was the lover of Eos, Goddess of the Dawn. He was a prince of Troy, the son of King Laomedon by the Naiad Strymo (Στρυμώ). The mythology reflected by the fifth-century vase-painters of Athens envisaged Tithonus as a rhapsode, as attested by the lyre in his hand, on an oinochoe of the Achilles Painter, circa 470–460 BC.
In Greek mythology, Hemera was the personification of day. According to Hesiod, she was the daughter of Erebus (Darkness) and Nyx (Night), and the sister of Aether. Though separate entities in Hesiod's Theogony, Hemera and Eos (Dawn) were often identified with each other.
Clodia, nicknamed Quadrantaria, Nola, Medea Palatina by Cicero, and occasionally referred to in scholarship as Clodia Metelli, was one of three known daughters of the ancient Roman patrician Appius Claudius Pulcher.
Anyte of Tegea was a Hellenistic poet from Tegea in Arcadia. Little is known of her life, but twenty-four epigrams attributed to her are preserved in the Greek Anthology, and one is quoted by Julius Pollux; nineteen of these are generally accepted as authentic. She introduced rural themes to the genre, which became a standard theme in Hellenistic epigrams. She is one of the nine outstanding ancient women poets listed by Antipater of Thessalonica in the Palatine Anthology. Her pastoral poetry may have influenced Theocritus, and her works were adapted by several later poets, including Ovid.
The Colossi of Memnon are two massive stone statues of the Pharaoh Amenhotep III, which stand at the front of the ruined Mortuary Temple of Amenhotep III, the largest temple in the Theban Necropolis. They have stood since 1350 BC, and were well known to ancient Greeks and Romans, as well as early modern travelers and Egyptologists. The statues contain 107 Roman-era inscriptions in Greek and Latin, dated to between AD 20 and 250; many of these inscriptions on the northernmost statue make reference to the Greek mythological king Memnon, whom the statue was then – erroneously – thought to represent.
The Aethiopis, also spelled Aithiopis, is a lost epic of ancient Greek literature. It was one of the Epic Cycle, that is, the Trojan cycle, which told the entire history of the Trojan War in epic verse. The story of the Aethiopis comes chronologically immediately after that of the Homeric Iliad, and is followed by that of the Little Iliad. The Aethiopis was sometimes attributed by ancient writers to Arctinus of Miletus. The poem comprised five books of verse in dactylic hexameter.
Erinna was an ancient Greek poet. She is best known for her long poem The Distaff, a 300-line hexameter lament for her childhood friend Baucis, who had died shortly after her marriage. A large fragment of this poem was discovered in 1928 at Oxyrhynchus in Egypt. Along with The Distaff, three epigrams ascribed to Erinna are known, preserved in the Greek Anthology. Biographical details about Erinna's life are uncertain. She is generally thought to have lived in the first half of the fourth century BC, though some ancient traditions have her as a contemporary of Sappho; Telos is generally considered to be her most likely birthplace, but Tenos, Teos, Rhodes, and Lesbos are all also mentioned by ancient sources as her home.
In Greek mythology, Memnon was a king of Aethiopia and son of Tithonus and Eos. As a warrior he was considered to be almost Achilles' equal in skill. During the Trojan War, he brought an army to Troy's defense and killed Antilochus, Nestor's son, during a fierce battle. Nestor challenged Memnon to a fight, but Memnon refused, being there was little honor in killing the aged man. Nestor then pleaded with Achilles to avenge his son's death. Despite warnings that soon after Memnon fell so too would Achilles, the two men fought. Memnon drew blood from Achilles, but Achilles drove his spear through Memnon's chest, sending the Aethiopian army running. The death of Memnon echoes that of Hector, another defender of Troy whom Achilles also killed out of revenge for a fallen comrade, Patroclus.
Nossis was a Hellenistic poet from Epizephyrian Locris in Magna Graecia. Probably well-educated and from a noble family, Nossis was influenced by and claimed to rival Sappho. Eleven or twelve of her epigrams, mostly religious dedications and epitaphs, survive in the Greek Anthology, making her one of the best-preserved ancient Greek women poets, though her work does not seem to have entered the Greek literary canon. In the twentieth century, the imagist poet H. D. was influenced by Nossis, as was Renée Vivien in her French translation of the ancient Greek women poets.
Julia Balbilla was a Roman noble woman and poet. Whilst in Thebes, touring Egypt as part of the imperial court of Hadrian, she inscribed three epigrams which have survived.
Moero or Myro was a woman poet of the Hellenistic period from the city of Byzantium. She was the wife of Andromachus Philologus and the mother – the Suda says daughter, but this is less likely – of the tragedian Homerus of Byzantium. Moero was probably active during the late fourth and early third centuries BC.
Hedyle was an ancient Greek poet. She is known only through a mention in Athenaeus' Deipnosophistae. According to Athenaeus, Hedyle was the daughter of an Attic poet, Moschine, who is otherwise unknown, and the mother of Hedylus, another poet. Hedyle was probably Athenian, like her mother.
Myrtis was an ancient Greek poet from Anthedon, a town in Boeotia. She was said to have taught the poets Pindar and Corinna. The only surviving record of her poetry is a paraphrase by Plutarch, discussing a local Boeotian legend. In antiquity she was included by Antipater of Thessalonica in his canon of nine female poets, and a bronze statue of her was reportedly made by Boïscus. In the modern world, Myrtis has been represented in artworks by Judy Chicago and Anselm Kiefer, and a poem by Michael Longley.
Decimus Terentius Gentianus was a Roman senator of the 2nd century AD who held a number of offices in the imperial service, serving as suffect consul in 116 with Lucius Co[...] as his colleague. His origins may be in Gallia Narbonensis, and Gentianus may have been the son of Decimus Terentius Scaurianus, one of Trajan's generals.
CIL 4.5296 is a poem found graffitied on the wall of a hallway in Pompeii. Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world. The poem is nine verses long, breaking off in the middle of the ninth verse; a single line in a different hand is written underneath. It is in the collection of the National Archaeological Museum, Naples.
The first Achaemenid conquest of Egypt took place in 525 BCE, leading to the foundation of the Twenty-seventh Dynasty of Egypt, also known as the "First Egyptian Satrapy". Egypt thus became a province (satrapy) of the Achaemenid Persian Empire until 404 BCE while still maintaining Egyptian royalty customs and positions. The conquest was led by Cambyses II, the King of Persia, who defeated the Egyptians at the Battle of Pelusium, and crowned himself as Pharaoh of Egypt. Achaemenid rule was disestablished upon the rebellion and crowning of Amyrtaeus as Pharaoh. A second period of Achaemenid rule in Egypt occurred under the Thirty-first Dynasty of Egypt.
Demo or Damo was a Greek woman of the Roman period, known for a single epigram, engraved upon the Colossus of Memnon, which bears her name. She speaks of herself therein as a lyric poet dedicated to the Muses, but nothing is known of her life.
References
- 1 2 3 4 5 6 7 Women writers of ancient Greece and Rome : an anthology. Plant, I. M. (Ian Michael), 1963- (University of Oklahoma Press ed.). Norman: University of Oklahoma Press. 2004. p. 149. ISBN 0806136219. OCLC 53375124.
{{cite book}}: CS1 maint: others (link) - ↑ Women writers of ancient Greece and Rome : an anthology. Plant, I. M. (Ian Michael), 1963- (University of Oklahoma Press ed.). Norman: University of Oklahoma Press. 2004. p. 244. ISBN 0806136219. OCLC 53375124.
{{cite book}}: CS1 maint: others (link) - 1 2 Keegan, Peter. Graffiti in antiquity. London. p. 58. ISBN 113828839X. OCLC 966194723.
