Address | 31 Cornelia St. New York City United States |
---|---|
Coordinates | 40°43′52.6″N74°00′10.5″W / 40.731278°N 74.002917°W |
Operator | Joe Cino |
Type | Off-Broadway theatre |
Opened | 1958 |
Closed | 1968 |
Website | |
caffecino |
Caffe Cino was an Off-Off-Broadway theater founded in 1958 by Joe Cino. The West Village coffeehouse, located at 31 Cornelia Street, was initially conceived as a venue for poetry, folk music, and visual art exhibitions. The plays produced at the Cino, however, became most prominent, and it is now considered the "birthplace of Off-Off-Broadway". [1]
The building was added to the National Register of Historic Places on November 9, 2017. [2]
Joe Cino was born into an Italian-American family, and moved from Buffalo, New York to be a dancer in New York City. After 10 years, he used his $400 in savings and opened the Caffe Cino Art Gallery. [3] Initially, Cino encouraged his friends to hang their artwork on the walls. That led to poetry readings, which led to staged readings and eventually to productions of plays. [4]
During the early days of the Cino, plays were produced on the floor. A makeshift 8x8-foot stage was later created using milk cartons and carpet remnants. Productions were initially limited to 30 minutes, and the audience could stand anywhere. The space was only 18x30-feet, and audience members often perched atop the cigarette machine. [3] Admission was one dollar, and audience members were offered a coffee and an Italian pastry along with the show. [4]
On Ash Wednesday, March 3, 1965, a fire destroyed the interior of the Cino. The building's structure was not affected. A new lighting system had been installed, along with the fireproofing of the Caffe's ceiling, which prevented the fire from spreading to the rest of the tenement building. [5] The official cause of the fire was a gas leak, but some suspected that Cino's lover set the fire. The community raised money by staging benefit performances while the Caffe was closed for renovations. [1] Ellen Stewart, founder of La MaMa Experimental Theatre Club, offered Cino and his staff a space to continue Caffe Cino productions on Sunday and Monday nights at her theater. [5]
Joe Cino died three days after repeatedly stabbing himself in 1967. [3]
The Caffe Cino was an incubator for first-time directors, playwrights, actors, and lighting or set designers. Many continued to work in stage, screen, or both after the Cino closed. Notable contributors include:
Lanford Wilson was an American playwright. His work, as described by The New York Times, was "earthy, realist, greatly admired [and] widely performed." Wilson helped to advance the Off-Off-Broadway theater movement with his earliest plays, which were first produced at the Caffe Cino beginning in 1964. He was one of the first playwrights to move from Off-Off-Broadway to Off-Broadway, then Broadway and beyond.
Off-off-Broadway theaters are smaller New York City theaters than Broadway and off-Broadway theaters, and usually have fewer than 100 seats. The off-off-Broadway movement began in 1958 as part of a response to perceived commercialism of the professional theatre scene and as an experimental or avant-garde movement of drama and theatre. Over time, some off-off-Broadway productions have moved away from the movement's early experimental spirit.
Robert Patrick was an American playwright, poet, lyricist, short story writer, and novelist.
Balm in Gilead is a 1965 American play written by American playwright Lanford Wilson.
The Circle Repertory Company, originally named the Circle Theater Company, was a theatre company in New York City that ran from 1969 to 1996. It was founded on July 14, 1969, in Manhattan, in a second floor loft at Broadway and 83rd Street by director Marshall W. Mason, playwright Lanford Wilson, director Rob Thirkield, and actress Tanya Berezin, all of whom were veterans of the Caffe Cino. The plan was to establish a pool of artists — actors, directors, playwrights and designers — who would work together in the creation of plays. In 1974, The New York Times critic Mel Gussow acclaimed Circle Rep as the "chief provider of new American plays."
Home Free! is a one-act play by American playwright Lanford Wilson. The play is among Wilson's earlier works, and was first produced off-off-Broadway at the Caffe Cino in 1964.
Marshall W. Mason is an American theater director, educator, and writer. Mason founded the Circle Repertory Company in New York City and was artistic director of the company for 18 years (1969–1987). He received an Obie Award for Sustained Achievement in 1983. In 2016, he received the Tony Award for Lifetime Achievement in the Theater.
Magie Dominic is a Canadian poet, author, and artist who was born in Corner Brook, Newfoundland.
Joseph Cino, was an Italian-American theatre producer. The Off-Off-Broadway theatre movement is generally credited to have begun at Cino's Caffe Cino in the West Village of Manhattan.
La MaMa Experimental Theatre Club is an Off-Off-Broadway theater founded in 1961 by African-American theatre director, producer, and fashion designer Ellen Stewart. Located in the East Village neighborhood of Manhattan in New York City, the theater began in the basement boutique where Stewart sold her fashion designs. Stewart turned the space into a theater at night, focusing on the work of young playwrights.
Doric Wilson was an American playwright, director, producer, critic and gay rights activist.
Michael Townsend Smith is an American playwright, theatre director, impresario, critic, and lighting designer.
Dennis Parichy is an American lighting designer. He won the 1980 Drama Desk Award for Talley's Folly and the Obie Award in 1981.
John P. "Johnny" Dodd was a lighting designer for theater, dance and music active in the downtown art scene in Manhattan during the latter half of the 20th century.
Haralambos Monroe "Harry" Koutoukas was a surrealist playwright, actor and teacher. Along with Sam Shepard, Lanford Wilson, Doric Wilson, Tom Eyen and Robert Patrick, Koutoukas was among the artists who gave birth to the Off-Off Broadway theatre movement of the 1960s and 1970s.
Theatre Genesis was an off-off-Broadway theater founded in 1964 by Ralph Cook. Located in the historic St. Mark's Church in-the-Bowery in the East Village of Manhattan, it produced the work of new American playwrights, including Lanford Wilson, Tony Barsha, Murray Mednick, Leonard Melfi, Walter Hadler, and Sam Shepard. Theatre Genesis is often credited as one of the original off-off-Broadway theaters, along with Joe Cino's Caffe Cino, Ellen Stewart's La MaMa Experimental Theatre Club, and Judson Poets Theatre.
The Madness of Lady Bright is a short play by Lanford Wilson, among the earliest of the gay theatre movement. The play was first performed at Joe Cino's Caffe Cino in May 1964.
Ludlow Fair is a one-act play by American playwright Lanford Wilson. It was first produced at Caffe Cino in 1965, a coffeehouse and theatre founded by Joe Cino, a pioneer of the Off-Off-Broadway theatre movement.
The Harris Family is an American family of entertainers. Their careers, collectively and individually, encompass theater, music, film, broadcast media and performance art. They are best known as pioneers of experimental Off-Off-Broadway theater in New York City, San Francisco and Europe from the mid-1960s through the early 1980s.
Michael Warren Powell was an American artistic director, director, actor and designer involved in the Off-Off-Broadway movement, Off-Broadway and in the development of new American plays.