Li Bai, formerly pronounced Li Bo, courtesy name Taibai (太白), was a Chinese poet acclaimed as one of the greatest and most important poets of the Tang dynasty and in Chinese history as a whole. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry under the Tang dynasty, which is often called the "Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy.
Scalable Vector Graphics (SVG) is an XML-based vector image format for defining two-dimensional graphics, having support for interactivity and animation. The SVG specification is an open standard developed by the World Wide Web Consortium since 1999.
Guillaume Apollinaire was a French poet, playwright, short story writer, novelist and art critic of Polish descent.
Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing a creative process free of conscious control. The importance of the unconscious as a source of inspiration is central to the nature of surrealism.
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Antonio Cipriano José María y Francisco de Santa Ana Machado y Ruiz, known as Antonio Machado, was a Spanish poet and one of the leading figures of the Spanish literary movement known as the Generation of '98. His work, initially modernist, evolved towards an intimate form of symbolism with romantic traits. He gradually developed a style characterised by both an engagement with humanity on one side and an almost Taoist contemplation of existence on the other, a synthesis that, according to Machado, echoed the most ancient popular wisdom. In Gerardo Diego's words, Machado "spoke in verse and lived in poetry."
Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry.
Cairo is an open-source graphics library that provides a vector graphics-based, device-independent API for software developers. It provides primitives for two-dimensional drawing across a number of different backends. Cairo uses hardware acceleration when available.
French poetry is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France.
A user interface markup language is a markup language that renders and describes graphical user interfaces and controls. Many of these markup languages are dialects of XML and are dependent upon a pre-existing scripting language engine, usually a JavaScript engine, for rendering of controls and extra scriptability.
An ideogramme is a form of poetry that relies heavily on typographical elements, design, and layout.
José Juan de Aguilar Acuña Tablada was a Mexican poet, art critic and, for a brief period, diplomat. A pioneer of oriental studies, and champion of Mexican art, he spent a good portion of his life living abroad. As a poet, his work spans from the fin-de-siècle style to avant-garde experimentalism. He was an influential early writer of Spanish-language haiku.
Pedro Salinas y Serrano was a Spanish poet, a member of the Generation of '27, as well as a university teacher, scholar and literary critic. In 1937, he delivered the Turnbull lectures at Johns Hopkins University. These were later published under the title Reality and the Poet in Spanish Poetry.
A number of vector graphics editors exist for various platforms. Potential users of these editors will make a comparison of vector graphics editors based on factors such as the availability for the user's platform, the software license, the feature set, the merits of the user interface (UI) and the focus of the program. Some programs are more suitable for artistic work while others are better for technical drawings. Another important factor is the application's support of various vector and bitmap image formats for import and export.
Asemic writing is a wordless open semantic form of writing. The word asemic means "having no specific semantic content", or "without the smallest unit of meaning". With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. All of this is similar to the way one would deduce meaning from an abstract work of art. Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective interpretations. It may be compared to free writing or writing for its own sake, instead of writing to produce verbal context. The open nature of asemic works allows for meaning to occur across linguistic understanding; an asemic text may be "read" in a similar fashion regardless of the reader's natural language. Multiple meanings for the same symbolism are another possibility for an asemic work, that is, asemic writing can be polysemantic or have zero meaning, infinite meanings, or its meaning can evolve over time. Asemic works leave for the reader to decide how to translate and explore an asemic text; in this sense, the reader becomes co-creator of the asemic work.
"El Golem" is a poem by Jorge Luis Borges, published in 1959, and later published as part of the 1964 book El otro, el mismo. The poem tells the story of Judah Loew and his creation of the Golem. In the poem, Borges quotes the works of German Jewish philosopher Gershom Scholem and Cratylus by Plato.
Guillermo de Torre Ballesteros was a Spanish essayist, poet and literary critic, a Dadaist and member of the Generation of '27. He is also notable as the brother-in-law of the Argentine writer Jorge Luis Borges.
Calligrammes: Poems of Peace and War 1913-1916, is a collection of poems by Guillaume Apollinaire which was first published in 1918. Calligrammes is noted for how the typeface and spatial arrangement of the words on a page plays just as much of a role in the meaning of each poem as the words themselves – a form called a calligram. In this sense, the collection can be seen as either concrete poetry or visual poetry. Apollinaire described his work as follows:
The Calligrammes are an idealisation of free verse poetry and typographical precision in an era when typography is reaching a brilliant end to its career, at the dawn of the new means of reproduction that are the cinema and the phonograph.
291 was an arts and literary magazine that was published from 1915 to 1916 in New York City. It was created and published by a group of four individuals: photographer/modern art promoter Alfred Stieglitz, artist Marius de Zayas, art collector/journalist/poet Agnes E. Meyer and photographer/critic/arts patron Paul Haviland. Initially intended as a way to bring attention to Stieglitz's gallery of the same name (291), it soon became a work of art in itself. The magazine published original art work, essays, poems and commentaries by Francis Picabia, John Marin, Max Jacob, Georges Ribemont-Dessaignes, de Zayas, Stieglitz and other avant-garde artists and writers of the time, and it is credited with being the publication that introduced visual poetry to the United States.
Francisco Xavier Alarcón was a Chicano poet and educator. He was one of the few Chicano poets to have "gained recognition while writing mostly in Spanish" within the United States. His poems have been also translated into Irish and Swedish. He made many guest appearances at public schools so that he could help inspire and influence young people to write their own poetry especially because he felt that children are "natural poets."
